AN NCS SPLIT PREMIERE: BUNKER 66 AND LUCIFUGE — “OF LUST AND NIGHT”

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Oct 182022
 

It’s our fiendish pleasure today to present the premiere stream of a new split mini-album by the Italy’s Bunker 66 and Germany’s Lucifuge. Aptly etitled Of Night and Lust, it combines three exclusive tracks by each band, and it will be discharged on October 21st via Dying Victims Productions.

The press materials for the split brand it as “24 minutes of ancient speed metal sleaze and metalpunk ghoulishness”, and that’s true, but there’s a lot more going on here, the kind of music that will get heads spinning as well as hammering. Feral lust does indeed live in the music, but there’s hellish magic as well, and fiery glory. And like most excellent splits, the music of the two bands shares a kindred spirit, but with differences that contrast with, as well as complement, each other. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): GGU:LL — “EX EST”

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Oct 182022
 

Through their forthcoming second album the Dutch band Ggu:ll prove themselves absolute masters of lightlessness. They named the album Ex Est as a reference to the state after being, and “the realization that all that is, will someday not be”, and that “all is doomed to end up as a ruin of itself”. It poses the question whether there is a meaning in existence despite the realization that life itself is meaningless.

With such a daunting and borderline-nihilist conception at the core of Ex Est, it is no wonder that the music is so pitch-black and so harrowing. From the funereal bell-like clanging that begins the opening track “Raupe”, straight through to the final shattering wails of pain in “Voertuig der verlorenen”, Ggu:ll render a nightmare that feels all too real. Continue reading »

SKY PIG – IT THRIVES IN DARKNESS

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Oct 132022
 

(Andy Synn embraces the darkness with the new album from Sacramento’s Sky Pig)

It wasn’t meant to be like this…

No, really, it wasn’t. It was DGR who originally put out the call for the promo for this album but, due to a series of increasingly embarrassing blunders and comedic mix-ups behind the scenes it’s me who’s ended up writing about it.

But I’m glad it did, because otherwise I might not have taken the time to properly appreciate just how good this album is.

Continue reading »

AN NCS EP PREMIERE (AND A REVIEW): S.I.D. — “CITY OF CHEMISTRY”

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Oct 132022
 

With their new EP City of Chemistry, the Italian death-doom-sludge band S.I.D. have created a devastating experience, the musical equivalent of crusher, crematorium, and crypt, designed to channel the suffocation of hope and the domination of agony.

The music is a match for the concept of the EP. It was principally inspired by the book Veleni di Stato by the Italian author and journalist Gianluca Di Feo, which condemned the production and use of chemical weapons during the second World War. The music makes a harrowing journey through the horrors of war, with a focus on the places where chemical instruments of death were developed and produced, concealed by warmongering powers.

At a time when war is again ravaging souls in many places, the EP stands as both a reminder and a denunciation, and it serves as a second chapter by the band, following their 2019 debut album Architects of Armageddon. Elaborating on these themes, the band explain: Continue reading »

THINGS YOU MAY HAVE MISSED (BUT SHOULDN’T)

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Oct 112022
 

(Andy Synn catches up with a few gems from last month which you may have overlooked)

September is always a busy time for new releases, and this year was no different.

Sure, they weren’t all good (in fact, I can tell you now, there was at least one major name that is definitely going to end up on my “Disappointing” list, and probably piss quite a few people off in the process) but there were a lot of high quality albums released last month and, even though we tried our best, we barely scratched the surface of what September had to offer this year.

So while I’ve attempted to cover a number of different bases with the four artists/albums I’ve chosen to write about today, I also urge you all to check out some of the records which we weren’t able to find space/time for, including new stuff from Acausal Intrusion, Dead Void, Kathaaria, Maunra, Mo’ynoq, Otus, Wayward Dawn, and Writhing (and many, many more that I’ve probably forgotten about).

Continue reading »

AN NCS EP PREMIERE (AND A REVIEW): XANATHAR — “GOLD, BLACK AND CRIMSON”

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Oct 102022
 

 

If you haven’t yet tumbled to the marvelous talents of the Italian one-man band Xanathar, today is a good day to do that. Prior to today Xanathar had released two EPs (Darkmoon and The Towers), both of them emerging last year, but today there’s a third one and it’s an eye-opener too.

What made the two previous EPs such great experiences was Xanathar‘s skill in interweaving classic ’80s doom and epic heavy metal with raw black metal and dungeon synth. It was quite evident from those releases that Xanathar really loves all those divergent stylistic influences. But just because you love a bunch of disparate kinds of music doesn’t mean they’ll work together well if you try to mash ’em up or even stand them side-by-side. Making it work requires a lot more than affection.

Xanathar made it work in those first two outings, so much so that I included a song named “The Test of Fate” on my list of 2021’s Most Infectious Extreme Metal Songs. And as you’ll discover through our premiere stream today, it works again on Gold, Black and Crimson. Continue reading »

SEEN AND HEARD ON A SATURDAY: SKAPHOS, AKRAIA, SACRILEGION, AARA

 Album Reviews, Metal News, RANDOM FUCKING MUSIC, SHORT BUT SWEET  1 Response »
Oct 082022
 

Last weekend I was able to compile and write about a typhoon of new songs and videos, but this weekend will be different. The Seattle Mariners baseball club made the major league playoffs for the first time in 21 years, and won the first game of their first playoff series yesterday in Toronto. The second game is this afternoon, and I’ll be glued to the TV watching that with friends.

Afterward will be a dinner party in Seattle that will likely go late, and that won’t bode well for Sunday morning work on Shades of Black whenever I get back to my island home. Also ominous is the fact that I’ve got to do shit for my fucking day job tomorrow, which makes tomorrow’s usual column even more unlikely. So don’t be surprised if I have to skip it this week.

I’ve got to make my way to Seattle pretty soon for that ballgame, so I’ll have to make the following collection short, but hopefully sweet. I wish I could have done more, and really wish I could have done it yesterday when there was an extra incentive for fans to spend money on Bandcamp, but my job hammered me then too. So it goes. Continue reading »

AN NCS EP PREMIERE (AND A REVIEW): UPON YOUR GRAVE — “GOLD & DECAY”

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Oct 062022
 

The image of a golden heart amidst black roses which welcomes listeners to the new EP by the Quebec-based death metal band Upon Your Grave isn’t just appropriate for the EP’s title — Gold & Decay — it also meshes with some of the music’s manifold ingredients. There’s head-spinning brilliance in these five songs, but also a surrounding yet alluring darkness in some of the melodies.

But the cover doesn’t clue you in to all of the ingredients, most prominently the fact that in this EP Upon Your Grave routinely inflict the kind of brutally obliterating beatings and unchained demolition work that spawns images of shattered bones and buildings reduced to rubble. And while there are moments that are mesmerizing, the main probable effect of the EP will be to leave people hyperventilated and gasping. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): MASTIC SCUM — “ICON”

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Oct 052022
 

(On October 7th MDD Records will release a new album by the Austrian band Mastic Scum, and it’s our honor to premiere a full stream of it today, preceded by an extensive review prepared by NCS writer DGR.)

It is wild to think that were it not for 2017’s Defy EP almost nine years would have passed between releases for Austria’s Mastic Scum. As it stands. almost nine years between full-lengths is getting up there in time, and five years between an EP and a full-length is pretty lengthy as well. Usually when you get gaps like that it is because the band have gone through massive lineup changes or things behind the scenes, usually resulting in some sort of change in sound. Long-lost groups will return and it will play out like a relaunch of the band in those ways, the prior history something for the books and the current format the defining sounding.

It’s hard to even fathom the amount of shit the world has gone through in the span of time between the December 2013 release of Mastic Scum‘s album CTRL and the impending release of their new album Icon. You’d think that with everything we’ve all been through it would be reflected in the Mastic Scum sound, but Icon is kind of incredible because it’s like the band looked at the ever-shifting sands of heavy metal and the constantly changing scenes in death metal, glanced at their own brand of industrial-strength Terminator-murdering death metal, and just said, “Haha, nope”, things are going to stay exactly the same.

Because Icon picks up right where CTRL left off… like almost from the exact moment, down to the four-letter album title that has been every Mastic Scum full-length. The biggest difference here is that Icon is the first Mastic Scum album since 2005’s Mind not to feature a skull up front and center on the album art in some form. Icon is  Mastic Scum once again pummeling the planet for ten songs. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): THUNDERING HOOVES — “RADIANCE”

 Album Reviews, Premieres  4 Responses »
Oct 052022
 

(Andy Synn presents his first impressions of the fantastic new album from Thundering Hooves, which is set for release on October 7th by Mercenary Press)

Well, here we are… finally.

I say “finally” because, originally, this premiere/review was meant to go live yesterday, but due to a major behind-the-scenes mix-up (which involved me working with the wrong promo materials entirely… long story) we had to bump it back a day.

But, while this obviously means I haven’t been able to give it the usual in-depth investigation, perhaps we should treat this as something of an opportunity… after all, dear reader, how often is it that you and I get to experience an album for the first time together?

So let’s see what Radiance has to offer, shall we, and compare our notes at the end? Continue reading »

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