SEEN AND HEARD ON A SATURDAY: MUERTO, LEPRETHERE, ROTTEN SOUND, HEXJAKT, PËRL, MASSA NERA

 Album Reviews, Exceptions to the Rule, Metal News, RANDOM FUCKING MUSIC  No Responses »
Nov 012025
 


artwork by the legend Frank Frazetta

(written by Islander)

I hope those of you who celebrated Halloween got through it with all your fingers intact. Oh wait, that’s a different holiday. But the wish still holds, even if the risks of losing digits might not have been as great. It all depends on where you put them and what you hold and whether some masked goon is firing rubber bullets at your raised fists.

I got through Halloween with all my digits intact, and the three I use for typing have been busily pecking away at this Saturday collection. It comes later than usual because I got a late start and was really confounded in deciding what to pick.

I was pretty thorough in saving links and files this week, which meant there were a fuckload of them staring at me this morning, and I had only sampled a small number of them during the week. I would say that more than half of them were of the black metal persuasion, so I shoved off a lot of those candidates (but not all of them) for tomorrow, which is also therefore guaranteed to be confounding. And there’s a bit of a curveball at the end, of course.

On we go…. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): CAŁ● — “LUDZIE BŁĄDZĄCY W NOCY”

 Album Reviews, Premieres  1 Response »
Oct 312025
 

(written by Islander)

The Polish musician (or musicians?) Ø Grémium  has (have?) many guises, creating music under the names of such bands and projects as Ùna, Toska, Nocte, and Etěr (whose debut album of avant-garde death metal we recently reviewed here). And now another name will be added to that list: CAŁ●.

On November 3rd, the debut album of CAŁ● — Ludzie błądzący w nocy (“People wandering in the night”) — will be released by Devoted Art Propaganda in the EU and by Fiadh Productions in the U.S. As for what inspired it, we’ve seen this cryptic question: “Can the band’s ethos be captured with the words: ‘In rapture, against unity, before the guards, it drips inwards, CAŁ●?” And we’ve seen this statement by CAŁ● (translated from the Polish):

Standing on the shoulders of giants: Jan Kasprowicz, Jerzy Żuławski, Józef Jedlicz, Kazimierz Przerwa-Tetmajer, Jorge Luis Borges, Teofil Kwiatkowski, Władysław Wankie, Andrzej Wajda, Jerzy Kawalerowicz

As for the music, we’re premiering a full stream of the album today, preceded by more than a few thoughts about its dark and unsettling and equally invigorating sounds. Continue reading »

YELLOW EYES: “CONFUSION GATE”

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Oct 312025
 

(written by Islander)

In June of last year Gilead Media announced that it would be releasing a collaborative album by Mizmor and Hell (Alluvion, which hit the streets in April 2025) — and explained that it would be one of three final new releases leading up to the label’s closure. Whenever that day comes, it will leave behind for me, and for many, many others, a host of great memories assembled over the course of dozens of records wonderfully curated and provided by Gilead over an almost 20-year period, as well as some equally indelible memories of Gilead Fest.

One more powerful memory is about to be added to all the others.

Today, October 31st, Gilead Media is making a surprise release of the second of those three final albums, Confusion Gate by New York’s Yellow Eyes. It marks a continuation of a relationship between the band and the label that led to Gilead‘s release of Sick With Bloom (2015), Immersion Trench Reverie (2017), and Rare Field Ceiling (2019), as well as vinyl editions for Hammer of Night (2013). I’ve been fortunate to hear Confusion Gate before today, and have some thoughts to share. Continue reading »

WOLFHEART: “DRACONIAN DARKNESS II”

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Oct 292025
 

(DGR continues his very long history of writing about the music of Finland’s Wolfheart at NCS with this review of their new EP Draconian Darkness II, out now via Reigning Phoenix Music.)

Wolfheart have developed many patterns for themselves over their career and we have dove headlong into them many a time with each successive album. One of the more common ones for the Wolfheart crew in recent years, since their Napalm Records and then current Reigning Phoenix signings, is to hammer together an EP or single in between albums and unleash it closer to the end of summer.

The name Wolfheart remains in constant discussion then, with releases like Skull Soldiers carving the path for the EP segment of the crowd and songs like “Iku-Turso” laying the groundwork for the occasional loose-laying single. It’s meant as a sort of comfort food for those of us who’ve taken to the band’s formulation of melodic death metal, forged in fire yet epic enough to soundtrack mountain climbing in a blizzard, something present that is consistent in quality with the album prior but still has a shiny newness to it to tide people over.

Wolfheart‘s latest gathering of material of this ilk arrived in late-September, entitled Draconian Darkness II, offering up a continuation of the group’s 2024 release Draconian Darkness and containing an oddball mixture of material to satiate the completionist in us all: Two new songs, one live track, an acoustic take on a Draconian Darkness song, and the orchestral segment of a different one of the same album. Continue reading »

AZELL – ASTRALIS

 Album Reviews  1 Response »
Oct 282025
 

(Andy Synn has some very nice words to say about the second album from Kentucky’s Azell)

I do love a good concept album, don’t you?

A lot of that I attribute to my dad’s influence, as he was (and is) a big Prog fan, which meant I grew up being viariously exposed to the likes of The Wall, Tales from Topographic Oceans, and Quadrophenia.

And while some of my turn to Punk and Hardcore (and then Metal) in my teenage years may have been a form of rebellion against the outlandish excess and indulgent extravagance of these sorts of records, over time I’ve come to appreciate them as an art form more and more.

Note, however, that I explicitly said good concept albums, because there’s also been a lot of bad ones – from self-indulgent fantasy fan-fiction to shamelessly generic sci-fi schlock to badly-plotted (and barely coherent) political allegories, and everything in between – and it’s important to draw a distinction between the two.

Thankfully, however, the new album from sludge-slinging husband-and-wife duo Azell falls firmly on the former side of the divide.

Continue reading »

UMULAMAHRI AND SUFFERING HOUR: A TALE OF TWO EXTREMELY EXTREME EPs

 Album Reviews, SHORT BUT SWEET  No Responses »
Oct 272025
 

(Gonzo is busily thinking about what to cover in his next monthly review roundup for NCS, but in the meantime he’s pulled together some thoughts about a pair of EPs released in the early days of October by two U.S. bands.)

When you spend a significant amount of time bulldozing your way through new music discoveries, a lot can happen. For one, it eventually becomes a hell of a lot harder to be impressed at anything. Your brain starts to tune out anything formulaic or unimaginative. Quality will always triumph over quantity, you start to tell yourself, and surely you’ll find yourself immersed in the throes of a dopamine hit that can only be generated by the nastiest, vilest, and more extreme foray into sonic depravity the human mind can possibly conjure. Just keep searching.

Then, at long last, when your quest for heavy music fulfillment reaches a zenith, it leads you to the very edge of the abyss you were once so intent on finding… and you suddenly find yourself afraid to look down, fearing what lies below.

In the case of these two EPs, the abyss stares back. Continue reading »

SHADES OF BLACK: BLUT AUS NORD, KRALLICE, THOKKIAN VORTEX, ETĚR, TEUFELNACHT, NATTRADIO

 Album Reviews, SHADES OF BLACK, SHORT BUT SWEET  No Responses »
Oct 262025
 

(written by Islander)

This has been one of those rare weekends when, due to some other plans falling through, I had a ton of time to immerse myself in new metal and spew out a bunch of thoughts in print. Yesterday I compiled music from 8 bands, and today I’ve got 6 (I did have 8 but ran out of writing time). These bands, of course, exhibit their creativity through varying shades and phases of black metal — except the last one, a final curveball for you.

This collection includes three complete EPs as well as enticing excerpts from records not yet out. I hope you’ll give them all a chance. Continue reading »

SEEN AND HEARD ON A SATURDAY: HELLRIPPER, ABYSMAL DAWN, OMEGAVORTEX, OMNIVORTEX, SOULFLY, VALLETTA, ROTGUT, LOCUSTS AND HONEY

 Album Reviews, Metal News, RANDOM FUCKING MUSIC, SHORT BUT SWEET  1 Response »
Oct 252025
 

(written by Islander)

I spent more time than usual last night listening to heavy music and, unlike what often happens on Friday nights, I didn’t get destroyed (except by the music), so I felt pretty good upon awakening this Saturday. Which is why this roundup is as bulging as it is.

In my listening excursion I fell down a rabbit hole, not intending to, but that’s what falling down is about. Except this rabbit hole was like a steep and rapid descent (more jet-fueled than gravity usually powers), with a fuckload of fireworks and sharp edges on the way down, and who knew rabbits had such big teeth and vicious red eyes?

Or to put it more prosaically, there’s a ton of high-speed thrashing and vigorous battering ahead of you. At least until the end, when I indulged something very different, for people who don’t want to thrash their reproductive organs off today or otherwise get their craniums fractured and their grey matter whipped up in a centrifuge. Continue reading »

ERYN NON DAE – DISUNITED STATES OF ANIMA

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Oct 242025
 

(To mark its release, Andy Synn has the pleasure and the privilege of writing about the fourth, and final, album from Eryn Non Dae.)

There is no way of talking about the new album from NCS-approved post-genre provocateurs Eryn Non Dae. without addressing the unexpected passing of their long-time vocalist, Mathieu Nogues Boisgard, in 2023.

Something like that would devastate any band, and I’m sure we all would have understood if the group had chosen to call it a day then and there in order to spend time processing their grief and dealing with their loss.

But the one small mercy amidst this tragedy, however, was that Boisgard had not only already set a title, Disunited States of Anima, and completed the lyrics for the record, but had also demo’d his vocal parts in a way which meant they could – if necessary – be used to complete the album.

And that’s exactly what the band decided to do, honouring his memory by dedicating the last couple of years to slowly, and diligently, bringing his final work (and his final words) to life.

That, however, is also the last time I am going to mention this particular aspect of the record’s development, as while it is undoubtedly important context I’d like to think that Boisgard wouldn’t have wanted the album to be defined by the tragic circumstances surrounding its creation but rather judged solely on its own musical merit.

Which is exactly what I’m going to do.

Continue reading »

AN NCS PREMIERE: SHORES OF NULL — “AN EASY WAY” (AND A REVIEW OF “LATITUDES OF SORROW”)

 Album Reviews, Premieres, SHORT BUT SWEET  No Responses »
Oct 222025
 

(written by Islander)

Latitudes of Sorrow is a new five-song split featuring the music of two bands whose past music has garnered substantial praise both here and elsewhere: Convocation from Helsinki and Shores of Null from Rome. The esteemed Everlasting Spew Records will release the split on November 21st.

At the beginning of this month we had the privilege of premiering one of Convocation’s compelling songs from the split, “Empty Room,” and now we’re following that with the premiere of “An Easy Way” by Shores of Null. Continue reading »

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