Sep 122023
 

In this article we present a full stream of the debut EP by the two-person band Aabode from the French town of Nancy. The EP’s name is Moist, and it’s set for release on September 15th by Godz Ov War Productions. The label introduces it, at a high level, with these words:

Aabode is a dissonant, haunting twisted mixture of industrial beats and death metal riffing. Low-tuned, blackened, oppressive death metal riffing provided by Aabstracter is combined with ambient noise and glitched 808’s drum patterns. Assymetric track composition is overhanged by Abyssal‘s harsh vocals.

But like most views from a high level, that summary, while useful, omits the details. So let’s move into the EP at ground level, where the riotous dangers it poses to sanity are more apparent. Continue reading »

Sep 112023
 

(Andy Synn continues his ongoing love-affair with Morokh, whose new album was released just last week)

Having written about Morokh several times before, I probably don’t need to spend much time introducing them (if you’re looking for a primer then check out what I wrote about their two most recent releases here and here).

And the fact that I’m not wasting any time with some sort of long-winded intro is even more appropriate when you consider how quickly the band themselves cut to the chase on their new album, Insomnia.

Continue reading »

Sep 082023
 

(Having made his NCS debut yesterday, guest contributor Didrik Mešiček comes right back with the following review of a new album-length EP by Finsterforst, which is out today on AOP Records.)

Finsterforst first appeared on my radar with their previous release, Zerfall, which turned out to be one of the best (blackened) folk metal releases of 2019. The Germans insist on their rather complex musical style, which can seem daunting at first, but it’s very worth investing some time into their music as it does reward you with every listen.

This time the band are back with a new EP (although at 40 minutes, is it really an EP?) called Jenseits, which is really one song, divided into four parts. It will be released on September 8th on AOP Records. Continue reading »

Sep 072023
 

(We welcome guest contributor Didrik Mešiček, who makes his first NCS appearance with the following review of a new album by Portland-based Uada which is set for release by Eisenwald on September 8th.)

I didn’t know I liked Uada up until this spring. Sure, it was vaguely alluring, with a sense of a woodland ritual and thus I had respect for the band, but their music never truly grabbed me. However, I got to see them live in March and while the sound was actually really bad, it was still very enjoyable.

In the following weeks, having listened to the setlist a few more times, I realised I absolutely adore their melodic and ritualistic black metal sound, and that means this album could not be released at a better time for me. Crepuscule Natura will be released on the 8th of September on the Eisenwald label, almost exactly three years after their previous album, Djinn. Continue reading »

Sep 062023
 

Hailing from Thessaloniki in Greece, Head Cleaner are a prime example of a death/grind band that’s criminally underrated.

Over the last two decades they’ve made eight official releases, including three albums, a pair of EPs, and two split albums with other well-known bands from the local and European scene.

They’ve also shared the stage with some of the most influential bands of the genre, such as Carcass, Extreme Noise Terror, Benediction, Pestilence, and many more, in addition to performing at festivals such as Obscene Extreme in the Czech Republic, Bloodshed in the Netherlands, and NRW Death Fest in Germany.

And yet there’s still a sense that, especially here in North America, not enough people have been exposed to their formidable capabilities. With a bit of good luck, that will change with the September 8 release of their eye-popping new album The Extreme Sound Of Truth. Continue reading »

Sep 062023
 

(Andy Synn has once again chosen to bite the bullet and attempt to analyse the new Alkaloid album)

Finding the right way to write about a band like Alkaloid isn’t easy.

After all, not only are the band’s collective technical talents are practically unparalleled, but their uniquely unorthodox songwriting style – which has become more and more dominated by the influence and input of legendary uber-drummer Hannes Grossmann over the years – has allowed them to venture into places that most “heavy” bands likely wouldn’t even dare, which makes all the usual methods and measures hard to apply.

At the same time, they’ve garnered a rather rabid fanbase over the last few years who tend not to take too kindly to any criticism – no matter how constructive or well-intentioned – of their Bavarian heroes.

But if the band themselves are able to thread the needle between the eccentric and the extreme as well as they are, then surely I can find a way to talk about what they’ve woven on their upcoming new album, Numen?

Continue reading »

Sep 052023
 

(Andy Synn recommends four more albums from last month that he doesn’t want you to miss)

As has been well established by now, if it comes down to a choice between covering bigger names or lesser-known bands… we’ll almost always plump for the latter.

Sure, it decreases our potential reach a little, but it also increases the impact of what we do – one more positive review in a sea of hyperbole isn’t exactly going to “move the needle”, but a bit of praise (usually mixed with a bit of constructive criticism) from us can do wonders for a band with more limited exposure.

In that vein, then, today we’ve got some punky, d-beat loving Thrash (Colony Drop), some terrific “true” Black Metal (Cvinger), a genre-bending riff-odyssey (Hekser) and a shamelessly OTT slab of symphonic extremity (Sanguine Glacialis), all of which you may have overlooked during what was an extremely busy August.

Continue reading »

Sep 032023
 

Here in the U.S. we’re in the middle of a holiday that sprawls over the weekend and through Monday. Because of the nature of the celebration (Labor Day), not working is an even more central part of the holiday than it is for others. The event is also generally regarded here as marking “the end of the summer” (for reasons that have nothing to do with weather forecasting).

Probably more so on this holiday weekend than any other, I feel the urge to fuck off. Although I did sleep long and late overnight, you can see that the old NCS tradition of observing no weekends or holidays still won out today, as it will tomorrow (two Monday posts are already scheduled, and there might be a third).

The first three selections below were already on my list of things to check out in preparation for this column, but links to all three also arrived in one fell swoop yesterday from my internet friend Miloš, which eased the always-difficult process of choosing.

After those, I’ve gone off in other directions. The combined volume of the music here should give you lots of ways to fill your holiday time. If there’s one word I think applies equally to all of it, that word is “breathtaking”. Continue reading »

Sep 012023
 


Radiant Knife

(NCS contributor Gonzo rejoins us with a selection of seven albums he’s been greatly enjoying over the summer that’s now drawing to a close.)

Summer has a habit of hitting me harder and faster than an Archspire blast beat, so with that in mind, I’ve developed a tradition of compiling my usual monthly columns into one bigger-than-usual compendium at the end of August.

There was plenty to sift through over the past three months – along with some other shit that was released before then that somehow flew under my radar. Let’s dig in.

Continue reading »

Aug 312023
 

One good turn deserves another. Yesterday we premiered a fascinating new album by Forest Thrall being released tomorrow by Death Prayer Records, and today we’re premiering another fascinating Death Prayer release, also hitting the streets tomorrow.

This one is The Bigotry of Purpose, the second full-length from the Oregonian melodic black metal band Grave Pilgrim, which follows the band’s self-titled debut album in 2021, and a 2022 EP named Molten Hands Reach West. Continue reading »