Aug 212023
 

(In the review below, DGR explains at length why he has had so much dumb fun with the latest Werewolves album, which Prosthetic Records released earlier this month.)

Credit where credit is due: Werewolves know exactly what they’re doing in their year-over year churn to see just how much the metal community is willing to let them get away with.

They continue their hot streak of fantastic album titles with their newest release entitled My Enemies Look And Sound Like Me, and when you open one of your videos with a set of knuckles being literally dragged across the ground, the ability to plead the fifth on the accusation of having fun with just how dumb they make their music flies right out the window. Continue reading »

Aug 202023
 

Pro tip: When you know the wind is shifting and it’s going to blow a mass of wildfire smoke into your area overnight, remember to close the windows in your bedroom so you don’t wake up with watering eyes and clogged lungs.

Of course I forgot to do that. To compound the idiocy I still went outside on my deck today for the usual morning coffee… and cigarettes… while watching a rising sun turned the color of Hell.

I suppose there’s a fitting synchronicity in listening to black metal while feeling nasty and thinking about Hell. I’m obviously trying to find the silver lining… or at least a lining that looks like fire and ash.

ASAGRAUM (Netherlands)

Of course, given the conditions described above, it felt completely natural to begin today’s column with a song called “Impure Fire“. The choice seemed even more natural based on the heated and harrowing nature of the music. Continue reading »

Aug 192023
 

Well, no unforeseeable calamities befell me or our indomitable site in the last 24 hours, and so I’ve probably set a record for us today with the fourth roundup of new music in a row. If you include tomorrow’s Shades of Black column (barring a calamity), that will be five in a row.

The incredible thing is that even with so many daily installments, one after the other, there’s still a big pile of worthy new metal I haven’t managed to feature, and in that respect there’s nothing particularly unusual about the last week. Every week, the flood just keeps surging.

GREAT FALLS (U.S.)

I fibbed a little. Not everything in today’s collection surfaced during the last week. These first two songs, “Trap Feeding” and “Old Words Worn Thin“, are a tad older than that. They’re both from a new album by this devastating Seattle crew that will be out on September 15th through Neurot Recordings. Continue reading »

Aug 172023
 

Oh look! Another mid-week roundup of new music, and it’s even more voluminous than the one I managed yesterday.

To give you a bit of a roadmap to what’s ahead, I’m starting with a perennial NCS favorite from Australia, then moving into an absolutely devastating block of U.S. metallic hardcore, then veering off in all sorts of other different directions.

THE AMENTA (Australia)

The Amenta decided to record a bunch of cover songs by a very eclectic group of bands, ranging from the black metal of Nazxul and Lord Kaos to Alice In Chains, Diamanda Galas, Killing Joke, Wolf Eyes, Halo, and… wait for it… My Dying Bride.

As if the prospect of these covers wouldn’t be titillating enough on their own to pique our interest (because we know a band like The Amenta aren’t going to play it straight with any of those songs), the 40-minute “EP” that includes the covers also presents a new original song, which is the subject of a video that debuted yesterday. Continue reading »

Aug 162023
 

Happy Hump Day. To help you celebrate the crest of the week before we all fall down the other side, here’s a very short but pretty damned sweet roundup — just three brand new songs, but one of them is long.

WOLVES IN THE THRONE ROOM (U.S.)

To begin, here’s “Twin Mouthed Spring“, a breathtaking new track from a new EP by WITTR named Crypt of Ancestral Knowledge. Continue reading »

Aug 152023
 

(Andy Synn would like to draw your attention to the debut album from Lithuania’s Cunabula)

Common wisdom would tell you never to judge a book by its cover.

And while that’s true, I can’t begin to tell you the number of times an eye-catching album cover – such as the gorgeous one which adorns The Weight of Sleep – has drawn my attention and acted as the catalyst for me to check out (and subsequently review) a band’s new record.

Of course, it’s important that the band in question have the music and songs to back it up… and Cunabula definitely do.

Continue reading »

Aug 142023
 


Astral Tomb

(After a bit of a hiatus, Gonzo returns to NCS today with a pair of reviews for albums released last month.)

So, here we are again. It’s been a hot minute since I’ve been able to post on these venerable pages; the reasons for which are now, thankfully, in my rearview mirror. Alas, despite being in the recent past, said reasons are no less infuriating, and a grim reminder of how chaos and discord can overtake your life in the span of one simple afternoon. But we won’t get into that mess here.

It’s been a stressful summer, to be sure, but forcing myself to withdraw from the world and delve into music has always been a sacred source of therapy for this maladjusted writer. (People I work with would refer to this as “disassociating,” but I call it…well, shit, you got me in a box here, forget it.)

In a few weeks, I’ll have my yearly end-of-summer roundup ready to post here, supplanting my usual monthly column. There’ll be plenty for you to sort through when that happens.

But for now, I thought I’d preempt that with two albums that share at least one thing in common: The new albums from Denver’s Astral Tomb and Toledo’s Astralborne. Besides sharing the word “astral” in their respective band names, these two acts have unleashed searing new records that deserve to be heard. Continue reading »

Aug 132023
 

Sorry for whining about my damn cold yesterday. I did feel better as the day rolled on, good enough to spend a lot of time listening to music. This morning was better still, so I kept at it. Maybe all the sleep has helped.

Feeling hopeful that maybe this nasty bug is finally on the run, maybe I’ve also bitten off more than I can chew for today’s selections. There’s a lot here, and some of it is a bit outside the usual black metal boundaries, but to be fair, those boundaries have always been fluid, hence the name of this column.

ARIDUS (U.S.)

This first album isn’t outside the usual boundaries, but it’s an unusual pick for a different reason: Rather than a forthcoming record or one that was very recently released, it’s been out since early May (on the Eisenwald label). Like so many other albums, I had it on a long list of things to check out and never found time to get to it. But a friend happened to remind me of it yesterday. Continue reading »

Aug 102023
 

We invite you into The Astral Gloom, as today we pull back the veil between worlds and allow you to gain entry. But pay careful attention to those chosen words: Deep shadows lie in wait, but things move within them that aren’t the living things which might lurk around you in a midnight stroll through the woods or dimly lit urban canyons. Chilling dangers await, as well as chilling wonders, and little of it seems to have an earthly origin.

We’re speaking of the forthcoming second album by the international collective known as The Rite, a band first spawned in 2017 through the collaboration of A.th (Black Oath) and Ustumallagam (Denial of God) and now fully fleshed out to include drummer War D. (Morbus Grave), and guitarists Gabriel (Black Oath, Morbus Grave) and M. Desecrator (VomitVulva, Funest).

In listening to the new album it’s easy to fall into the kind of fumbling poetic reveries you saw in the first paragraph above, and a few more of them will follow in our introduction to the full album stream we’re presenting below on the eve of its release by Iron Bonehead. In much more mundane terms, you can expect an alchemical interaction of black metal, old-school doom, and (for want of a better term) “classic heavy metal”, equally prominent in nightmare atmospherics and imperious head-moving heaviness.

There’s also a cover of “Naked When You Come” by The Lollipops. More on that later. Continue reading »