Album Reviews Archives - Page 99 of 545

AN NCS ALBUM PREMIERE (AND A REVIEW): ARTANOR — “IN SERVITUDE OF DARKNESS”

Jul 202023

Although the Australian solo black metal band Artanor released a split in 2009 (and its sole creator Menelyagor released a demo three years earlier under the name Fen Hollen), there has been no follow-up until now. But as follow-ups go, the band’s forthcoming debut album In Servitude of Darkness (to be released on July 27th by Gutter Prince Cabal) is an unusually ambitious one.

Rather than a stitching-together of unconnected individual songs, it’s the creation of a cohesive soundtrack to an expansive tale of fantasy that Menelyagor has been writing, a novel that relates the conflict between the Necromancer Rakinar and his evil minions, who have lost the capacity to distinguish between right and wrong, and Rakinar’s children and their allies, the Murkar. Menelyagor tells us this about the narrative and its connection to the music: Continue reading »

OUTER HEAVEN – INFINITE PSYCHIC DEPTHS

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Jul 192023

(Andy Synn delves into the depths of Outer Heaven‘s new album, set for release on Friday)

It’s no secret that I’ve found a lot of Death Metal albums this year to be both overhyped and underwhelming.

Sure, there’s nothing necessarily wrong with giving people what they want – I mean, The O’Jays wrote a whole song about it – but sometimes it often feels as though large swathes of the Death Metal scene (especially those of the “Old School” persuasion) are more concerned with preaching to the choir than with finding their own voice.

But what I love about Outer Heaven (and, if you remember, I really loved their first album) is that they don’t just play to the cheap seats.

Heck, on Infinite Psychic Depths it feels like they aren’t all that bothered about playing to the crowd at all, with the result being an album that’s a little bit uglier, and a little bit more unorthodox, than both its predecessor and the majority of its peers.

SHADES OF BLACK: IMPERCEPTUM, PLEŃ

Album Reviews, SHADES OF BLACK 1 Response »

Jul 172023

Yesterday I had ambitions to make the Shades of Black column a two-parter, but in a rare display of wisdom I didn’t call it that, because I wasn’t sure I would have time to finish the second part. But I did, even though I didn’t finish Part 2 in time to post it Sunday. Here it is now.

Yesterday’s first installment was devoted mainly to advance tracks from forthcoming records. Today’s just focuses on two recent albums.

IMPERCEPTUM (Germany)

Imperceptum is one of those bands I’ve been eagerly following and writing about for a long time, beginning with this Bremen-based project’s debut album Collapse of Existence, released in early 2016. Two EPs and four more albums have come out since then, the latest of which (until now) was 2020’s Entity of Undead Stars (reviewed here). Eight days ago we got another full-length, and you’ll find the stream below. I found it extraordinary. Continue reading »

AGRICULTURE – AGRICULTURE

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Jul 172023

(Andy Synn digs deep into Agriculture‘s highly-anticipated debut album, out this Friday)

The Circle Chant, the debut EP from self-described “ecstatic Black Metal” band Agriculture, received a lot of hype – in certain circles, at least – when it was released last year.

And while I, perhaps unsurprisingly, felt that some of these reactions were a little overblown – two really good tracks and two bits of filler content does not make for a great release overall, in my book – the best moments of the EP (most specifically the opening title-track, which is basically five minutes of raw emotional energy in musical form) convinced me to keep an eye and an ear open for whatever the band did next.

Which is where their self-titled album comes in.

SHADES OF BLACK: DANTALION, SATÓN, ANTI-GOD HAND, MAZE OF TERROR, EMINENTIA TENEBRIS, STANGARIGEL

Album Reviews, SHADES OF BLACK, SHORT BUT SWEET 1 Response »

Jul 162023

If I’ve said it once I’ve said it 100 times (probably closer to 200): I have another job whose demands are very unpredictable. It interfered with my ability to prepare a roundup yesterday, unexpectedly so for me — because I just fucking forgot about a big online meeting that had been scheduled for months (rude surprises have many causes). It started early and went on for 2 1/2 hours (come on, it takes time to coordinate production of pocket-sized fusion reactors!).

I thought about just pretending that today was Saturday and proceeding with a cross-genre roundup, but then thought again, and decided to stick with the usual plan and focus on the blacker arts today. Still, your creaky wagon won’t get stuck in any ruts – these selections will cause it to careen all over the en-thorned dirt road (or so I hope).

DANTALION (Spain)

I decided to start with a quintet of songs from forthcoming releases and then turn to just one recent EP. The first of the advance tracks comes from the ninth album by the long-running Spanish band Dantalion (which my addled brain always tries to read as “dandelion”, though there’s nothing about their music that connects with such an image, unless the flower is dead). Continue reading »

BLACK RABBIT: “HYPNOSOMNIA”

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Jul 132023

(The Dutch band Black Rabbit released their debut album in March, and given our past attentions it would be a surprise if we didn’t say something about it. Finally we have, thanks to the following extensive commentary by DGR.)

You’ll have noticed over the years that one of the ongoing threads we like to pluck at around this site is the idea that there are certain albums we just can’t let go by, even though we’re long after release and the sort of ‘cultural moment’ that a disc may have had has passed – whether measured in nanoseconds or months. There are always albums that seem to steadily hover around the surface of the great musical scrying pool that we often pull our review subjects from, and at a certain point it just doesn’t seem to matter anymore the reason why we’re writing about them, just that we must, because at some point we’re completing some imaginary story arc that has drilled itself into our skulls.

Black Rabbit’s debut album Hypnosomnia is one of those. Honestly, it has been surprising that we’ve never really closed out the initial thread we started with our coverage of these death metal groove monsters ages ago by covering their first-full length. Its equally surprising that it seems that this one has been stealth-flying on a lot of people’s musical radars, given the metal public’s current seemingly insatiable appetite for big, meaty riffs and thudding rotating snare drum/bass drum one-two rhythms that bore their way under your skin until they become part of you.

If nothing else, we can close our own personal musical arc with the band, rectifying at least one of those two situations, by checking in with Hypnosomnia now. Continue reading »

NECRONOMICON EX MORTIS: THE VIDEO PREMIERE OF “CRYPT OF THE GORILLA GOD” (AND A REVIEW OF “SILVER BULLET”)

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Jul 122023

“What you’re about to experience is likely to be the most electrifying 18 minutes of your day, unless you lose control of your car, the brakes fail, and you’re surging toward a concrete pylon at Formula One speed.”

Almost four months ago that’s how we began our review and premiere of a self-titled EP by the Chicago-based horror-loving quintet Necronomicon Ex Mortis. We also wrote this: “Their brand of death metal is so fast, so technically head-spinning, and so devilishly inventive that it allows no room for any calm contemplation. All you can do is hang on for dear life and enjoy the flame-throwing madhouse thrills while they last — and then yield to the impulse to throw yourself back in right away”.

No wonder then that we jumped at the chance to host another Necronomicon Ex Mortis premiere today, and we’re doing that because they already have another EP headed for release in August. It’s named Silver Bullet, so if you’re a werewolf you’d better run. You might want to run even if you’re not a lycanthrope. Continue reading »

RANNOCH – CONFLAGRATIONS

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Jul 122023

(Andy Synn continues his impromptu “Best of British” week with his thoughts on the upcoming new album from Rannoch)

The word “masterpiece” has been roundly, and soundly, (over) used and abused so much over the years that it’s almost lost all meaning.

But, originally, a “masterpiece” wasn’t just something of exceptional quality – it specifically referred to that piece of work which first demonstrated an artist’s mastery of their craft and, in doing so, signified their acceptance into (or, at least, their eligibility for) the highest echelons of the artistic community.

Strictly speaking, then, no band should ever have more than one “masterpiece” to their name.

So if Rannoch‘s previous album, the masterful Reflections Upon Darkness, represented the moment when they stepped into the big leagues – in terms of both talent and ambition, at least, if not fame – then what does this mean for Conflagrations?

SCAR SYMMETRY: “THE SINGULARITY (PHASE II — XENOTAPH)”

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Jul 112023

(In June Nuclear Blast released Scar Symmetry‘s first studio album in nine years. DGR was in no great hurry to review it. And you’d better be in no great hurry to read the review, because he has a lot of thoughts about it.)

Ever since its early June release, I’ve thought a lot about Scar Symmetry‘s newest album The Singulary (Phase II – Xenotaph) and what it means for the band, the limits of artist freedom, the effect of a long wait between albums, Scar Symmetry‘s place within the overall heavy metal world, and just how much the naming of an album really matters in relation to the music within.

Long story short, for an album that is recognizably one of the most Scar Symmetry albums that could’ve feasibly been conceived, it sure has set the old brain muscles aflame, and for better or for worse not all of that relates to the quality of music contained within Xenotaph‘s near hour of run time. Because what does it mean for a band like Scar Symmetry to essentially vanish, go dormant for nine-plus years and then reappear with an album that sounds like it too was placed within stasis itself and basically continues right where the band left off from their previous adventures – though it takes a few songs to get there? Continue reading »

BEST OF BRITISH: BURNER / CALLIGRAM / COFFIN MULCH

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Jul 102023

(Andy Synn is back with three recent examples of “the best of British” for you to enjoy)

Despite my ongoing efforts to expose and highlight some of the “best” and/or up-and-coming examples of British Metal over the years, there’s still a fair few people who seem to think I don’t do enough to “support the scene”.

Of course, digging into this a little deeper, it inevitably transpires that this accusation stems either from the fact that I don’t cover everything that the UK scene has to offer – both because I simply don’t have the time to cover it all and because, to be honest, it’s not all worth covering – or is a consequence of my attempts to offer a more measured and balanced critique, which sometimes involves providing some constructive criticism, rather than just flying the hype flag simply because something is “home grown”.

The consequence of this is – or should be – that you know that when I write about something I do so because I think it stands out from the crowd a little (or a lot). And while I’ve definitely been guilty of underrating/overrating a few things here and there before now, I don’t think I’ve ever written about anything that isn’t at least interesting. And the three albums you’re about to read about are definitely that (and much more besides).

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