Oct 082025
 

(This is DGR‘s vivid review of a new Mastiff EP that’s set for release on October 24th by Church Road Records.)

Have you ever had a band that were perfect for ruining what would otherwise be a good day? A band that could drag you down into the depths of anger, violence, and misery no matter what in the world was happening outside? You could wake up and have everything be sunshine and rainbows, birds landing on your windowsill, all the animals of the forest resting kindly on your shoulder, and your beloved waiting just out of frame – only to put on a release by said group and have the whole feeling be annihilated and the skies darken around you?

What if we pitched the idea that sometimes that actually feels good in its own right? A weird sort of audio-masochism that works inversely to how your personality actually works? That we take this ugly music and it somehow gets us through the day no matter the situation. Propelled by either the sheer force of anger or the more nebulous ‘force of dumb’. That sometimes the artistic expulsion that helps them exorcise whatever demons might be bothering them works equally for us, calming anxiety and settling nerves.

No? Have you ever listened to the UK’s Mastiff, whose brand of sludge-infused hardcore is perfect for bullrushing whatever room you’re in and declaring, “Oh you thought things were going to be good today? Well, not on my watch!” Continue reading »

Oct 082025
 

(Andy Synn takes a breath before diving in to the new album from Terzij de Horde)

There’s a certain sense of satisfaction to be had from knowing just how long we’ve been writing about the work of Dutch Black Meta/Hardcore crew Terzij de Horde.

As a matter of fact, their debut album, Self (which turns ten years old later this month) has the distinction of being an all-time favourite of mine, while this interview with the group that I conducted back in 2016 remains (in my opinion at least) one of the most interesting and in-depth discussions I’ve ever had with a band.

Which is why I’ve been looking forward so much to the release of their upcoming third album, Our Breath Is Not Ours Alone, which comes out this Friday.

Continue reading »

Oct 072025
 

(Andy Synn navigates both the hype and the hate surrounding the new album from Agriculture)

If there’s one thing I’ve learned during my time here at NCS – beyond just how much DGR loves …And Oceans – it’s that you can’t (and, often, shouldn’t) pre-judge a band based on its press-releases.

Case in point, the way that Agriculture were immediately hyped-up as “the next big thing” when they appeared on the scene – combining the suggestion that the band’s inevitable success was a foregone conclusion with an almost “pick me” like intimation that they “weren’t like other Black Metal bands” – felt more like a cynical attempt to astroturf a bandwagon rather than cultivate a reliable fanbase.

And while the band themselves didn’t necessarily help matters – the whole “spiritual sound of ecstatic Black Metal” thing quickly became a meme unto itself – I’ve never had any reason to question their integrity or their sincerity… even if their creativity hasn’t always been properly harnessed to its best effect.

But that (the latter part I mean, not the former) might just be about to (finally) change.

Continue reading »

Oct 062025
 

(Andy Synn returns to regular posting today with an apology and an attempt to atone for his absence)

As you may have noticed, I missed a lot of stuff last month… mostly because I was very busy, first with my superb stag-do (“bachelor party” to those who don’t know what that means) which involved myself and my chosen band of brothers heading to Islay for a weekend full of whiskey (so much whiskey), and then my wonderful wedding (yes, that’s right, I’m a married man now) which also involved the extended NCS family coming to visit (which, of course, meant we spent most of the week before and after the event hanging out).

As a result I had very little time to actually sit down and listen to music, let alone write about it, and it’s really only thanks to the valiant efforts of DGR – who was smart enough to write a bunch of reviews in advance of him and Islander coming over – that we actually stayed active and afloat for much of September.

It won’t surprise you to learn then that my “short list” of albums to potentially write about this time around was much, much longer than usual, and even though I’ve tried to compensate for this by increasing the number of albums from 4 to 6, I still feel like I need to apologise to the likes of Cult Member, Nexion, Occulsed, Ordeals, Piece, and Yotuma for not having the time or space to include them (and an additional apology must also be extended to Hexrot, whose late-August release I honestly had every intention of reviewing).

Continue reading »

Oct 062025
 

(written by Islander)

We’re about to premiere the debut EP of a Finnish duo who call themselves DEATHFUCKINGWOUND. To introduce it, we begin with the band’s own statement of intent:

“While the world is currently being courted by flames ignited by weak men wielding unfathomable power only paralleled by their insatiable greed and corrupt lust for land and wealth that isn’t theirs, art can be used as a bridge between the oppressed and the beaten, to be then deployed as a weapon against the aforementioned flaccid figures hiding in their ivory towers. Those towers burn, too. Everything burns.

“Our objective is to harness our own strengths into a tangible aural form that is equally unyielding and full of rage as the free spirits craving for the flesh of the sovereigns poisoning this world. VOID MMXXV is a documented moment in time that hopefully reaches many minds alike, representing merely the firsts steps taken towards our own caustic annihilation.”

Continue reading »

Oct 052025
 

(written by Islander)

When I finished writing the SEEN AND HEARD column yesterday and scheduled it for automatic appearance this morning I really didn’t think I would be awake or clear-headed enough to prepare a SHADES OF BLACK thing for today, which is why I said there wouldn’t be one. But even though I didn’t get to sleep after my spouse’s Saturday night birthday party until 1:30 am, I woke up at 7 am — amazingly not hungover, only weary.

I still thought about not trying to do put this column together, but I really hate leaving holes in our regular schedule, so here we are. Fewer selections than usual, but (I hope you’ll agree) very good ones. Continue reading »

Oct 052025
 

(written by Islander)

I thought about deleting the placeholder post I made yesterday but then decided to leave it there so you can see the explanation for why this SEEN AND HEARD roundup arrives a day late. That way, I can get right to the music.

Sad to say, I don’t think I’ll be able to compile a SHADES OF BLACK feature today. Continue reading »

Oct 032025
 


(written by Islander)

It is another Bandcamp Friday. You will already have many suggestions and discoveries that point you toward how you might spend your music-oriented money today. Poor you, here are some more. (And I’ll have more tomorrow, so you can start complicating your life in advance of the final Bandcamp Friday of 2025 on December 5th.) Continue reading »

Oct 032025
 

(September 2025 is in the books, and so Gonzo is back with us to share his recommendations of five albums released in that month.)

It’s probably a pretty clear indicator of the world we’re living in when not one, not two, but three albums released in the same month are some of the most intense emotional experiences I’ve had all year. And friends, let me tell you—it’s been a year.

It’s with albums like the newest from Sundrowned and Heretoir that provide comfort in the darkest of times. Whether or not these are a direct result or response to world events is anyone’s guess, but music in 2025 has hit decisively differently than years previous.

All this being said, if you’re looking for coping mechanisms, emotional catharsis, or just a goddamn wild-ass ride you won’t forget, I can’t recommend my picks for September highly enough. Continue reading »

Oct 022025
 

(Andy Synn gazes deep into the Guilded Abyss in advance of its release tomorrow)

I’ve spoken before, both briefly and at length, about how thankful I am that NCS is a wholly incompetent independent entity.

Don’t get me wrong, when I actually wrote for a physical magazine I was still pretty much left to my own devices, but the fact that we have no advertisers to placate, no industry higher-ups to fellate, and for the most part aren’t reliant on PR reps/divisions to feed us potential content (which often comes with an assumed quid pro quo that future access will be contingent on positive coverage), means that Islander, DGR, and I are essentially a law unto ourselves.

And because of this, because we make our own rules and don’t have to answer to anyone else, we’re able to do things like start the week off by reviewing the already incredibly popular album from future mainstream Metalcore darlings Dying Wish and end it by telling you all to save space for the latest slab of suffocating Black/Death savagery from underground iconoclasts Valdur.

Continue reading »