Dec 162022
 


I’ve been reading my friend Andy‘s writing about metal for more than a decade, and even so, what he’s done this week had been mind-boggling. I marveled at how much music he listened to this year and at his ability to make year-end selections, organize them, and write about them distinctively. I mean hell, I marvel at how much time it must have taken him just to put all the embedded links to the streams in his articles this week!

All of which is to say that his week-long series of lists deserves the spotlight, and deserves all the time it would take you to go through them and make your own discoveries. His series ends today, but LISTMANIA will roll on next week as we begin posting year-end lists from other NCS contributors, including the annual five-part list from DGR.

Last weekend I announced that, by design, we wouldn’t have the normal volume of premieres on the calendar this week in order to keep the focus on Andy‘s series (and a few lists I’ve shared from “big platform” sites). I thought I might take advantage of the lull in premieres by compiling more new-music roundups during the week than I can usually manage. I admit that does seem a bit inconsistent with the goal of keeping the focus on year-end lists, but the lure of spreading the word about new music is a powerful one.

I did manage to get a roundup done on Monday, but failed at the next chance on Wednesday because of interference from paying work. Today, as you can see, I was able to follow through. I’ve also got things lined up for the usual Saturday roundup too. Continue reading »

Sep 042022
 

For this Sunday’s column I’ve included three complete releases and one from a forthcoming album. I venture to say that you’ll find the first two releases formidably frightening and the third one more head-hooking and heart-exploding, while the advance track is an amalgam that’s fiery, feral, and defiant.

ADAESTUO (International)

I’ve written with admiration about all three of Adaestuo’s previous releases — the 2016 debut EP Tacent Semitae and the band’s two albums, Krew za krew (2018) and Manalan virrat (2020). So there was no chance I wouldn’t make the dive into Purge of the Night Cloak, a new EP they released just last week, but which seems to consist of recordings conceived in 2016 and first made in 2020. They describe it as an effort “to bring the intrepid beholder into a more Faustian Gnosis”. Continue reading »