Apr 082025
 

(written by Islander)

Like other genres of extreme metal, a good case can be made that black metal in its earliest stages evolved from punk rock. But black metal continued to evolve in ways that essentially left punk behind. Some bands did not completely cut the tie, but many did, and so the fundamental tropes of subversive “second wave” black metal as they took shape in the early ’90s, and which persist to this day, bear little resemblance to where things started.

Yet in more recent times, maybe most notably over the last decade I’d say, we’ve seen a new emergence of punk influence in black metal, not really a rolling back of the clock to the earliest days but a hybridization of punk, hardcore, or crust and second wave Scandinavian black metal.

Many bands have embraced that hybrid form, and Final Dose from the UK are one of them, and one of the best. But they have also evolved, bringing other stylistic ingredients into their mix besides those two main ones in order to better express the emotional torrents that fuel their work.

The results are vividly on display in their viscerally powerful new album Under The Eternal Shadow, which we’re premiering and reviewing today in advance of its release on April 11th by Wolves of Hades. Continue reading »

Apr 082025
 

(It may be April, but Andy Synn is still catching up on March’s bumper crop of releases)

Like I said last week (and also yesterday) it’s patently impossible for anyone to keep up with everything that’s released each month… so the best move is to not even try.

Of course, I’m immediately going to contradict that by covering another quartet of releases from March, but the point still stands.

After all, despite my best efforts here (and last week) I’m still not going to be able to write about the new ones from Cult of Fire (Czechia) or Cthuluminati (Netherlands) in full, or talk about the immersive Post-Metal intensity of Båkü (France) or Druma (Germany), or give hefty death-dealers Nothing (Australia) and Thanatophobia (Russia) their due.

On top of that, while I’m really liking the new Gates to Hell album the fact that they’re already signed to a big label and getting a lot of coverage means that it’s probably best for me to focus my efforts elsewhere (same for the vicious, visceral – yet slightly too long and drawn-out for its own good – new one from This Gift Is A Curse).

And even though I’ve been loving the new Teitanblood (unsurprisingly) I feel like our good buddies at AMG already said everything that needed saying about that one, so make sure you go and read their review for some cool insight into that one.

But, anyway, enough of all my that… let’s get to the music, shall we?

Continue reading »

Apr 072025
 

(Andy Synn kicks off his week with a bit of down-under Deathcore violence courtesy of Zeolite)

People often ask me – well, not so much “often” as “occasionally” – how I keep up with everything that’s released each week.

And my answer is… I don’t!

Oh, I used to run myself ragged trying to have an opinion on every album or EP that came out, but I soon realised that  a) this wasn’t good for me (and was stopping me from actually enjoying my life), and b) every single one of these releases actually deserved more of my time and attention if I wanted to do them justice (which is why I’m so sceptical/scornful when people claim to have listened to 100+ albums every month… as they’re clearly more concerned with showing off the quantity, rather than the quality, of their listening).

And so I made the decision (the healthy decision, I think) to work smarter, rather than harder, going forwards, and to focus more on just covering whatever I felt most enthusiastic about – whatever I felt I had some insight into or that I had an interesting angle on – so that I could dedicate more time to fewer albums overall.

Which brings me to L’Appel Du Vide, the recently-released second album from Australian Brutal/Technical Deathcore/Death Metal crew Zeolite.

Continue reading »

Apr 052025
 

(written by Islander)

I don’t have a “physically active lifestyle” these days, yet some nights my body acts like I just ran a marathon. Last night was one of those. I conked out and woke up more than 9 hours later. Not even the part of my brain that always nags me, even asleep, about the need to get this Saturday column in shape could resist the bear-like compulsion to hibernate.

So, a very late start today, made later by the time needed to overcome grogginess. Still groggy, even after reading godawful global news stories while inhaling a cocktail of caffeine and nicotine, I glanced at the godawful big NCS in-box. Here’s the first message I saw:

Please take a moment out of your day to listen to the new track from Casa Mondo “Same Words.” It is a taste of Afro Reggae Summer Niceness and would give your followers a warm fuzzy feeling 🙂

I nearly wrote back to ask how in the world we got on this person’s list. We must be on many lists that have zero to do with what we do, because I see dozens of e-mails like this every day from musically remote planets (remote from our own ugly little asteroid).

Of course I didn’t write back, but I thought, the only warm fuzzy feeling our followers might want from music at NCS would be a feeling of fungal infection. And “niceness”? I think our definition of “nice” is not what Casa Mondo had in mind. Continue reading »

Apr 042025
 

(written by Islander)

I keep an electronic calendar and a paper calendar of premieres I agree to run for NCS. Belt and suspenders, as people use to say before suspenders went the way of the Dodo. But sometimes my pants fall down anyway, like when the plans of a band or label change and I’m being distracted by something else when I see that and then forget to change either calendar.

That’s what happened today. I had an album premiere on the calendar, but when I went hunting for the “assets” for the premiere I saw the e-mail chain where a schedule change had happened. So I found myself with time I didn’t expect to have today, and decided to make this roundup of new songs and videos as a bit of a head-start on the weekend roundups. My selection strategy was to pick the newest things I saw that I liked this morning. Hope you enjoy what I chose.

(In case you’re wondering, I do have assistants in my NCS work, but mainly they delete things I’ve written and introduce typos by walking across the keyboard. They’re less useful in keeping my pants up.) Continue reading »

Apr 042025
 


Forlorn

(Our Denver-based writer Gonzo is back with another monthly roundup of reviews and recommendations. Today’s varied collection includes four albums released in March and one from February.)

Well well, here we are again with a new month, and I’m writing this exactly a week later than I wanted to. Refused are officially fucking dead – at least, to everyone who saw them Tuesday night here in Denver – and I’m still getting my voice back after that show. “CAN I SCREAM” indeed.

It’s been quite the active week for heavy music around the Rockies. By the time this gets on our site, I’ll have likely already seen Meshuggah tear another hole in the space-time continuum, and I always look forward to that. I’m glad I managed to get this column out the door, though, as I’m headed to Roadburn in a couple of weeks for a much-needed break. Leaving the country, even if temporarily, seems to be the right move for now. There’s chaos and stupidity around every corner in the US, and I can only live in violent opposition to fascism for so long.

Since I don’t have high hopes for getting an April edition of this column out into the world, it’ll give you more time to dive into these 5 albums for March. You won’t be sorry. Continue reading »

Apr 032025
 

(written by Islander)

The title of Verheerer‘s new album (their third) is Urgewalt. Like many German words, it probably doesn’t have a precise English translation, but based on our own searches it could be rendered as “elemental force” — “a sense of raw, untamed, and powerful force, often associated with nature or something fundamental.”

In the context of the album, that force is the absolute will of humanity to destroy, to the point of self-destruction. The album’s even more specific context is the horror of World War I, as described in this press preview of the record (which will be released on April 4th by Vendetta Records):

The new album was composed and written with this basic idea in mind and with the First World War, which revealed a new level of cruelty and dehumanization and at the same time shaped our world like no other conflict to this day, the canvas was also found on which Verheerer paint their very own pictures. Of the loss of humanity in an industrial machine of destruction, of seduction and the mechanisms of power that make the incomprehensible possible in the first place.

And thus the album’s cover art (by Misanthropic-Art) is a fitting one — the remains of creatures who irresistibly fought and died, horns locked together and unable to escape. It’s a representation of the truth “that every supposed victory in this bloody game must be paid for all the more dearly.” Continue reading »

Apr 032025
 

(Our Norway-based contributor Chile has a lot of ghastly and glowing things to say about the debut album from Texas-based Corpus Offal, which erupted in a spray of 20 Buck Spin‘s intestines on March 21st.)

I would say, in general and on average, I am more of a black metal fan than a death metal fan, looking back at both my listening habits over the years and the end-year lists (not yet here on No Clean Singing, so take this as a warning come December). Scientifically speaking, it’s a 65.212 to 34.788 ratio, but who’s counting. Anyway, admittedly, this year has been so far very tempting in that matter, threatening to turn the scales towards a more even split in said preferences.

Reason for this is, first and foremost, this gloriously twisted 2025 being already stacked full of fantastic death metal and we’re only three months in. Smoking hot, fermenting, rotting mounds of body parts stretching as far as the eye can see, what’s not to love? This is not just the onset of putrefaction, it is a full-blown bloom of abnormal flesh.

Poetically appropriate then, that we are visited today by the entity of Corpus Offal which rises from the corpse of another great American death metal band, namely Cerebral Rot, which dissolved last year after releasing two monster albums a couple of years back. Continue reading »

Apr 032025
 

(Today our contributor Zoltar brings us reviews of five recently released or reissued OSDM albums, and you’ll find them all below.)

FRIGHTFUL – WHAT LIES AHEAD

Being smart doesn’t hurt does it? Especially in this highly competitive world… So kudos to Gdansk’s Frightful for realizing soon enough that the grind/death direction they were initially stirring their band to could well be a dead end, at least based on their lacklustre 2018 EP Cannibalistic Rites. Their second full-length What Lies Ahead takes what made their debut album Spectral Creator so great back in 2021 and just runs with it at full speed. At its very core, their music is pure death/thrash mayhem with that kind of inimitable sense of urgency, somewhere in between Schizophrenia-era Sepultura and mid-period Sodom. Continue reading »

Apr 022025
 

(written by Islander)

The Brazilian musician A. Enrique (aka Henry or H.) has fired his varied musical creations into the world through a number of cannons — among them, Astral Lore, Woe Bearer, Gateways, and Cavern, and if you click those links you’ll see that we’ve written about most of them. And now he adds one more to the battery.

The newest project is named Chains, in which H. is the lyricist and performs all instruments, joined by vocalist Thomas Prunet (also a participant in Astral Lore and Woe Bearer). As for why H. created a new project when he already had so many others, it’s because the music differs from that of his other endeavors. As he explains, “It’s a mix Sludge/Post-Black Metal, heavily influenced mainly by Andavald and Amenra, but turned out to sound quite different…”

Chains has recorded a debut album entitled Subjugate the Unknown to the Yoke of Reason that will be released by Primitive Archive on April 4th, but we’re giving you the chance to hear it today. Of course we have some thoughts to share with you about what you’ll hear, but to begin we have some insights about the album’s themes from H.: Continue reading »