Jun 112024
 

Over the course of a career that began in 1992 and has continued fairly steadily ever since (interrupted by one long break following their third album in 2005), the Spanish band Golgotha have remained devoted to musical renditions of melancholy and desolate sorrow. They remain devoted to their own traditions in their newest album, and yet, as the album’s title itself portrays, they have not lost hope.

That album, Spreading the Wings of Hope, comes from a place of maturity and the depth of emotional reflection that only many decades of daily experience can bring — experiences of deceit and pain, of inner psychological trauma and persistent injustice in the outer world, but also experiences of resilience and beauty.

For Golgotha, it is evident, as they say themselves, that they still carry “the flickering flame of hope”: “It burns low, but it burns still…” That comes through in both the lyrics and the music on the new album, though what also comes through is that Golgotha have not forsaken the need to express the doom and desolation that continues to plague human existence, as it always has.

Spreading the Wings of Hope will be released by Golgotha‘s new label Ardua Music on June 14th, and we’re privileged to let you hear all of it today. Continue reading »

Jun 112024
 

(We present Vizzah Harri‘s review of the latest album by Toronto-based Nächtlich, which was released last month by Dreadful Lust Productions.)

Nächtlich have been around for a while now, inflicting a raw, vile and infernal brand of black metal on Canadian shores since their self-titled EP in 2017. Their discography is pretty extensive already and boasts no less than 3 demos, the same number in EP’s, ten splits with various other dealers of raw black, and on May 10th this year they released their third full-length, Exaltation of Evil. Continue reading »

Jun 102024
 

(Andy Synn finds that the new album from Oubliette, out now, is far from torturous)

There are a lot of bands out there that I happen to think are over-hyped and overrated.

But this isn’t about them.

This is about a band who’ve yet to receive anywhere near the attention and acclaim for their music – a stunning blend of scorching intensity, soaring melody, and scintillating technicality which bridges the gap between Panopticon and Insomnium while still adding its own distinctive flair and flavour – which they so richly deserve.

And, I’ll cop to it, some of that is our fault, as although we’ve featured the band here a few times over the years, this is the first time any of us has actually managed to find time to sit down and give them a full write-up.

So let’s make it count, shall we?

Continue reading »

Jun 092024
 

After an extended period of relative quiet my fucking day job has reared its ugly head and is howling at me again. So, this column is my way of howling back, albeit much more briefly than I would like because that beast still has one of my ankles shackled, though that’s better than both ankles and both wrists.

KVAEN (Sweden)

Last week Kvaen released the second song and video to pave the way toward their third album The Formless Fires. I believe my compatriot Sir Andrew Synn (the knighting was not well-publicized because he declined to bend a knee) is likely to review the album, so I’ll just focus on this newest song, “The Ancient Gods“. Continue reading »

Jun 072024
 

Today we’re taking you off our usual well-beaten musical paths as we premiere a full stream of Entity, the debut album of a duo who have taken for themselves the name Nox.

The identities of those two artists are what first led us down this divergent path. They are Inmesher from the German band Rope Sect, whose own new album Estrangement we premiered here not long ago, and Lykaios (aka Lykormas) from the Belgian band Hemelbestormer, whose fascinating post-metal instrumental excursions we’ve written about frequently in the past (he is also the person behind Lhaäd and a member of Rituals of the Dead Hand).

Having been beckoned by those two names and the attractions of the music they’ve made in their other projects, we were curious about what they chose to do as the Nox entity. Hints of what they accomplished were provided in the PR materials furnished on behalf of their label Neuropa Records, which is releasing the album today. For example, this: Continue reading »

Jun 062024
 

Beginning in 2019 the mysterious U.S. black metal entity Glyph has provided a dozen short releases and two full-lengths, with a third album arriving imminently, i.e., tomorrow, via Milwaukee-based Shape of Storms Records and other labels whose names will be familiar to our readers.

The name of the new album, which we’re premiering in full today, stands as a signpost of what lies ahead: odes of wailing, hymns of mourning. And so it seems evident that the album represents a way or working through grief and pain, but it achieves that catharsis in startling, shattering, and ultimately triumphant fashion. Continue reading »

Jun 062024
 

(Andy Synn is far from indifferent to the new album from Hippotraktor, out tomorrow on Pelagic Records)

Contrary to popular belief, there is at least some method to our madness here at NCS.

I’ll grant you, said method mostly just amounts to us messaging each other back and forth going “do you want this… I can do it if you don’t have time… ok, you do that one instead…” but it’s a method that mostly/sort of/kinda works.

Case in point, my man DGR originally had Hippotraktor‘s new one pencilled in on his review queue but eventually yielded it to me when he realised that, with everything else going on, he just wouldn’t have time to give it the attention it deserved.

And since it was me who originally wrote about the band here, way back in 2021 when I reviewed their first album, it only made sense that I be the one to pick up the slack.

So let’s see how much the band have changed in the last three years, or whether they’ve just remained… in stasis.

Continue reading »

Jun 062024
 

(Below you will find Didrik Mešiček‘s review of a new album by the Saudi Arabian band Al-Namrood, which will be released in just a few days from now.)

There are many of us for whom metal is an essential part of our lives and some might say, rather dramatically, that it’s a matter of life and death. For Al-Namrood, however, that statement is quite literal.

The band’s name translates to “non-believer” and that’s the exact essence the Saudis convey with their music and exactly what could get them potentially executed, which is why they’ve never been able to play a live show as the risk is simply too great. Despite that, the band has been going strong since 2008, and Al Aqrab – to be released on June 9th by Shaytan Productions – will now be their 10th full-length album. Continue reading »

Jun 052024
 

Many death metal bands “look the part”, black-garbed and festooned with spikes, pentagrams, bullet-belts, and/or skulls, and others don’t. Norway’s Okular are on the “don’t” side of the line. In their recent promo photo there’s not a band shirt to be seen nor any other allusion to Satan, the Grim Reaper, or spilled guts, and there’s more khaki in their attire than black. They’ve also got a few more years in their faces, which aren’t contorted in evil grimaces, than whatever hot young things you were listening to yesterday.

Some metal bands also churn out music like there’s no tomorrow. On the other hand, if Okular are expecting the end of the world, they’re obviously not anxious about it: 11 years have passed since their last album.

But Okular‘s non-conformity goes beyond their approach to appearance and timetables. Most importantly, it’s represented by their music, which you’d already know if you happened upon either that last album 11 years ago or the one before that, and which you’re about to learn (or learn again) when you hear their new full-length Regenerate. For newcomers, let’s quickly say that it’s neither plain nor khaki-colored. It’s more like the cover art created by Tina Harsheim Giertsen: Continue reading »

Jun 052024
 

(Andy Synn continues to enjoy the blooming of Æthĕrĭa Conscĭentĭa‘s sound on their new album)

If there’s one thing I can say about NCS, it’s that we are loyal to the bands we choose to cover (sometimes to a fault) and… wait, that’s how I started my last review for this band.

Let’s try this again.

If there’s one thing we love here at NCS it’s discovering new, underground bands and then following them as they grow and change and evolve over the years.

And considering this is the third time I’m going to be writing about French Progronauts Æthĕrĭa Conscĭentĭa I think it’s safe to say that we’re in this for the long haul.

So let’s see what strange delights they have for us this time, shall we?

Continue reading »