SEEN AND HEARD ON A SATURDAY: KRYATJURR OF DESERT AHD, OXBOW, BALMOG, SARVEKAS, HOST, ÚZKOST

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Apr 292023
 


Balmog

Happy Saturn’s Day (and good wishes to the dead Romans who named it.). For me, paying work was all-consuming during the first part of this past week, but it was sheer laziness that kept me from compiling a roundup of new music in the closing days. Those two phenomena were connected of course. After some NCS editorial work and some premieres during the days when the paying work relented, I felt like I’d earned the right to stop scurrying and attempt a mind-meld with sloths.

With no head-start behind me, here I am with a giant slag-pile of new music and videos to go through, and great risk of cutting myself followed by infection as I try to paw through it. But paw I did (thankful for band-aids), and the results are presented below. It doesn’t include everything that grabbed me, but to include everything would have left me still writing come sundown. I don’t want that. I want time to go outside and enjoy the warmest day of the year so far here in the Pacific Northwest, or more likely just take a nap.

As if I didn’t have enough picks already, this morning brought a new installment of Renni Resmini’s starkweather substack, and as usual I hadn’t heard the majority of those selections, and as usual his writing compelled me to check out some of those, which has made this roundup even longer. Continue reading »

SHORT BUT SWEET: DEMONICAL — “INTO VICTORY”

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Apr 242023
 

(Here we have DGR‘s review of a new EP released by the Swedish band Demonical, which has been out since the end of March on Agonia Records.)

There have been a string of singles and EP releases in the past couple of months and the grouping of them has been all over the place — many consisting of bonus tracks that were on international editions or ultra-exclusive songs, others being odd experiments, and some being the more traditional “yes, we are working hard on new stuff, here’s what we’ve been up to recently”.

Demonical‘s newest EP release is along the lines of the third one, although part of the reason we’re checking in with them is due to Demonical changing vocalists, so its partly that the band are still going (which is good news, given that 2022’s Mass Destroyer was pretty strong) and partly “here’s what we’re going to sound like now” with new vocalist Charlie Fryksell at the helm.

Not to shock anyone, but the two songs present on Into Victory – the title track and a cover of The Ramones‘ “Somebody Put Something In My Drink” that plays it remarkably straight – continue Demonical‘s pattern of being particularly strong and very capable of bringing the earth-rumbling gallop that you come to this style of death metal for. Continue reading »

SHADES OF BLACK: DIONE, IDOLOS, THE ARCANE ORDER, DÉMONOS

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Apr 232023
 

I probably went way overboard with yesterday’s 11-band roundup of new songs and videos. I could have done the same today, but decided to show a little restraint. There’s still a lot of music to be found below, with two complete EPs as well as two advance songs from forthcoming albums.

I’m also happy with the way this came together, because in very different ways (some more adventurous than others) all the music is head-spinning.

DIONE (Poland)

The debut EP of the solo black metal project Dione seemed to appear out of nowhere when it was released yesterday. No previous releases under that name, though M-A does point to its creator’s previous involvement in a few other projects (which themselves don’t have many releases to their credit). This just makes the appeal of the four songs on Cosmosphere even more startling. Continue reading »

AN NCS VIDEO PREMIERE: FIAT NOX — “OPIUM TO INSIDIOUS SLUMBER II”

 Album Reviews, Premieres, SHORT BUT SWEET  1 Response »
Apr 172023
 

In 2021 we had the honor of premiering In Contemptuous Defiance, a new EP by the German black metal band Fiat Nox, which followed their 2021 debut album The Archive of Nightmares. In an accompanying review we wrote that the EP “further elevates the place of Fiat Nox as a band capable of creating marvelously dynamic and multi-faceted music that gets the blood racing with its muscular, hard-charging aggression but also creates wholly enthralling atmosphere through its emotionally powerful melodies”. In Contemptuous Defiance was also home to a song (“Amok Hymn“) that we named to our list of the year’s Most Infectious Extreme Metal Songs.

Allowing no grass to grow beneath their iron-shod hooves, Fiat Nox followed that EP with another one in 2022 — Demanifestation (Hymns of Destruction and Nothingness). Unfolding across three tracks and 30 minutes, it provided a bracing amalgam of blistering and blasting blackened fury, engrossing melodies, and frightening, esoteric atmosphere worthy of the record’s magnificently hellish cover art.

With their creative fires still burning hot, Fiat Nox have readied yet another EP for release later this month. Entitled Opium To Insidious Slumber, it consists of two songs, and today we’re premiering a lyric video for the second of those — “Opium To Insidious Slumber II“. Continue reading »

SEEN AND HEARD ON A SATURDAY: TORTURE RACK, INFERNAL CURSE, STRAHOR, MISMATCHED, SHADOWS, SCHEITAN, DRUNK MOTHERFUCKERS, FLORES Y FUEGO

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Apr 152023
 

I don’t know where you live. If I were some tech-savvy spook I might be able to find out, but I’m not one of those. I only know where I live. Where I live spring is valiantly trying to become sprung. Leaves and blossoms are gradually appearing on deciduous trees, some faster than others, but when the rains come again tomorrow they may regret that.  A few flowers have blossomed, but not many. I hear a lot more birds at sunrise.

However, the overnight lows are still in the 30s F, the daytime highs still mired in the 50s, and the sun is either pale or obscured by clouds. Spring will have to fight harder. Mind you, I’m not complaining. The last few unbroken links of winter’s chains have made it easier to connect to the some of the music I picked for this Saturday’s recommendations. And of course, delirium and rage are not seasonal, but ever-present, as is alcohol.

TORTURE RACK (U.S.)

Death metal, foul and hulking and savage, seemed like the right way to begin. “Decrepit Funeral Home” will put you on the torture rack and a roaring monster will turn the crank until your bones groan and sinews stretch in agony. You know you deserve it. Continue reading »

AN NCS EP PREMIERE (AND A REVIEW): CAVE MOTH — “PARALYTIC LOVE”

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Apr 112023
 

These days the phrase “catch and kill” has connotations of schemes to buy up embarrassing news about bloated political figures and then bury it. But it’s also a phrase that leaped into our heads when listening to Cave Moth‘s new EP Paralytic Love. This time it’s us that are being caught and killed. The catching employs lures of different kinds that are damned difficult to resist. The killing occurs in equally ingenious (one might also say aberrant) ways.

The whole experience, though separated into 8 tracks, comes to an abrupt end less than 8 minutes after it begins. It seems longer, like there’s some time-dilation effect happening, maybe because it’s so packed to the gills with mad, head-spinning permutations — which become the lures. The songs rush and rampage with centrifugal force, but simultaneously bamboozle the listener’s higher faculties with the whipping whirligig of genres and sounds that feed into the chaos. Continue reading »

SEEN AND HEARD ON A SATURDAY: MANIACO, EASTWOOD, CHADHEL, DELYRIA, MAN AS PLAGUE, IZROD

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Apr 082023
 


Maniaco

My track record of posting new-music roundups on Bandcamp Fridays is spotty. I probably fail as often as I succeed. I know that people save up Bandcamp wish lists based on things they’ve discovered in between those Fridays, including music they’ve found through our reviews and other roundups. But those Fridays still seem like good days to spread the word about enticing new metal because lots of people are making purchase decisions right then, when Bandcamp has a moratorium on its 15% and 10% revenue grabs.

I did manage to pull together a roundup on yesterday’s Bandcamp Friday. I didn’t have much time to do it (I again blame my fucking day job), which resulted in fewer choices than I had in mind and a lot fewer words, but I hope it was better than nothing. I hope it gave those six bands a bit of a push for their forthcoming records.

Now we’re back to the in-between period. I hope some of what I picked today will wind up on new wish lists or result in immediate pick-ups. Or maybe you’ll just get pumped up listening, like I did this morning. (P.S. If you wonder why I give a damn about Bandcamp as a platform for music, scroll to the very bottom of this article.) Continue reading »

AN NCS DEMO PREMIERE (AND A REVIEW): KUOLEVAN RUKOUS — “DEMO 2023”

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Apr 062023
 

We don’t know much about the background of Kuolevan Rukous. The names used by the band’s three members — Unholy Necrosis, Tuliips, and Buer Enkoimesis — are not the ones they were born with. Although a German band, they chose a Finnish name for themselves, one that translates as “The Prayer of the Dead“. And apart from the track names, we don’t have any special insights into the inspirations or conceptions behind their first demo release, which will be out on April 14th.

And so, Kuolevan Rukous are a paradigm example of an obscure group whose music must speak for itself. It turns out to be a very interesting form of speech. A trio of underground labels — Vita Detestabilis, Reaping Death Records, and Grieve Records — will release this debut demo on tape, and Vita Detestabilis previews it by telling us that Kuolevan Rukous have expressed themselves “through asphyxiating dissonances, noisy atmospheres, and using death doom as a conductor for funeral black”.

Those words created intrigue around here, and the music itself proved to be intriguing, and far, far more than that. It was not a difficult decision for us to be the bearer of the demo’s premiere today. Continue reading »

AN NCS EP PREMIERE (AND A REVIEW): NECRONOMICON EX MORTIS (SELF-TITLED)

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Mar 302023
 

What you’re about to experience is likely to be the most electrifying 18 minutes of your day, unless you lose control of your car, the brakes fail, and you’re surging toward a concrete pylon at Formula One speed.

Those 18 minutes of full-throttle, mind-boggling music are wrapped within the self-titled debut EP by the Chicago quintet Necronomicon Ex Mortis, which will be released tomorrow (March 31st). Their brand of death metal is so fast, so technically head-spinning, and so devilishly inventive that it allows no room for any calm contemplation. All you can do is hang on for dear life and enjoy the flame-throwing madhouse thrills while they last — and then yield to the impulse to throw yourself back in right away. Continue reading »

SHADES OF BLACK (PART I): INTO DARKNESS, NATTEHIMMEL, BERGRISAR

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Mar 262023
 


Into Darkness – photo by Nicolette A. Radoi

As I began making my way through my list of new music I might want to recommend for this Sunday’s column I had one mental WOW! after another. Some actual exclamatory sounds might have escaped my mouth, but the headphones were clamped on too tight for me to tell. After realizing that I’d already found more than enough to occupy this installment I had to make myself stop listening, even with lots of things left to check out,

Maybe I didn’t stop soon enough. There’s a lot here — four advance tracks from forthcoming records, two complete EPs, and one complete albums. To make all this a little more accessiblke, I’ve divided the recommendations into two Parts. I hope you’ll find time to delve into all of it instead of feeling overwhelmed, and that you get a few WOW‘s yourself.

INTO DARKNESS (Italy)

After experiencing the weirdness of time seeming to slow down during the depths of pandemic lockdowns, it now seems that it’s speeding ahead faster than ever. That includes the release of new music, which whizzes by so fast that it almost becomes a blur. That makes it easy to overlook things, and I confess that as a result I missed the release of a new Into Darkness EP about 10 days ago. It certainly wasn’t for lack of interest, since I’ve written enthusiastically about every release by this Italian band since their first demo in 2012. Continue reading »

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