Feb 232023
 

(Today Axel Stormbreaker focuses attention on an octet of releases by the Virginia-based label Death Eternal.)

Death is final. Death is eternal. Even if there exists some sort of afterlife in what lies beyond, it’s probable we won’t be carrying any of our present memories along. Blame me if today’s mood seems a bit philosophical, but current events can make a guy ponder. You’re wondering what’s the point of it all, or why it’s an aspect all of Earth’s religions won’t dispute. Or even how would our essence grow in the first place, if memories are not supposed to matter.

That being said, Death Eternal Records from Richmond, Virginia is a name rather suitable for an underground DIY endeavor. Especially one that deals with ominous music, even when their criteria do grand salvation on a personal degree. What you may find here, none can quite guarantee. What you shall miss, no one could really answer. All you’ll be getting is nothing besides the dusty offerings of a small-scale label, dedicated to promoting local talent among other relative bands. Continue reading »

Feb 192023
 

I didn’t oversleep today, so there’s a lot here. And I don’t just mean the volume of music, but the stylistic range of it too. Black metal has become a vast canvass, but I’ve often gone off the edge of the canvass too. And I’ll add that there are more variants of doom in this mix than usual.

MYLINGEN (Sweden)

To begin today, I’ve chosen At Night I See Demons, the head-spinning debut EP released last month by the Swedish black metal band Mylingen, a collaboration between multi-instrumentalist V.J. (from Apathy Noir) and vocalist G.C. According to Metal Archives, their name is based on the word “myling“, which in Scandinavian folklore was “the phantasmal incarnations of the souls of unwanted children killed by their mothers and forced to roam the Earth until they could persuade someone to bury them properly.” Continue reading »

Feb 132023
 

 

(In a seasonal mood, our friend Neill Jameson (Krieg) has brought us and you a playlist of varied dark music for these chilly days in the northern half of the globe.)

We’re halfway through winter here in the northern hemisphere and, as is tradition by some of the louder dunces on the internet, people are already proclaiming their albums of the year. And while I could spend another few hundred words decrying the shortsightedness of this instant gratification culture we’ve fostered, that would only serve to give Metal Twitter™ more reason to warble on and on about my merits as a human being, which would take away from their time trying to figure out which band you like once shared an elevator ride with someone wearing a Goatmoon shirt.

As I’ve traditionally been a shut-in most of my life, I’ve spent a lot of evenings this winter reading, drinking tea and listening to music to find new projects to admire. I wrote that to sound more sophisticated than it actually plays out in an effort to make you like me. In actuality I’m just old and this is my idea of a wild night now. 

Anyway I’ve discovered a lot of interesting and dark music, mostly through the excellent Rites of Pestilence YouYube channel, most of which was unfamiliar to me, and started making a list of what I’ve really gotten something out of. Here’s that list.

Continue reading »

Feb 122023
 

Obviously, I had time to pull together a lot of music for this Sunday’s column. I pushed at the usual boundaries by including bands that wouldn’t get a black metal label, but in different ways they’re close enough to blur the borders.

I ordered these seven offerings to create pendulum swings. One of them happens when you reach Lux Sine Lumine, and another happens at the end, with Lesath. In between those two are firestorms. I also thought the flow of the first three worked well, but you’ll be the judge of that.

 

RÄUM (Belgium)

Les Acteurs de L’Ombre Productions tell us that Räum was founded in Liege, Belgium during the first pandemic year, and perhaps they were influenced by those times. On the debut record’s Bandcamp page you’ll find this description of the music on these four tracks:

“It reveals the vacuity and the auto-destructive nature of the human soul, leading to an endless movement of rise and fall. Like a demon, it needs to burn our world to the ground to [be[ reborn again.” Continue reading »

Feb 112023
 

I had a fairly quiet Friday night, with just enough spirits over dinner to get loose but not enough to feel wrecked and disjointed this morning. Kept making my way through the first season of “Poker Face“, which is enormously entertaining through episode 4, and then another chunk of pages in the latest Murderbot novel, which I’m forcing myself to ration since I’ll be so morose when I have to wait for the next one.

Anyway, thanks for asking about my Friday night. Pretty sure that’s what those whispers were in my head. But now to drown out all whispers with a few more things I got into this morning. Yesterday’s roundup was heavy on the death metal, so I decided to branch out a bit today, while saving most (but not all) of the black stuff ’til tomorrow.

YSKELGROTH (Spain)

Well, as I said, I didn’t save all the black stuff for tomorrow. This first song was just too good a way to wake people the fuck up. It’s a head-spinning amalgam of symphonic grandiosity, bizarro-world guitar convulsions (with a few bracing gallops and insectile quiverings in the mix), full-throttle madhouse drumwork, bunker-busting grooves, and macabre vocals that stretch far to find so many ways to be ugly. Continue reading »

Feb 052023
 

I hope this Sunday is treating you well. Or maybe you’re landing here on Monday… or Tuesday… or (heaven forfend) on Hump Day (what a lot of time those people have been wasting).

My Sunday is off to a slow start, thanks for asking. I had a riot of a Saturday night. Splattered on the couch with the cats, binge-watching a fantastic series I don’t need to name (it was Slow Horses) until way late. So I was late to rise and feeling very groggy. But there’s nothing like plunging into a lake of black and black-adjacent metal (sometimes only barely black-adjacent) to kick-start your heart. Here’s what I surfaced with today: Continue reading »

Jan 252023
 

The Dutch band Dead Will Walk pack six songs into their new EP A New Day of Dawning, and you’ll get to hear every one of them today in advance of the record’s January 27th release. Horror and ferocity await you in this music, with its roots sunk deep into the fetid earth of death metal from decades past, but delivered with the killing efficiency of modern mechanized armaments and the kind of songwriting chops that make the songs highly addictive. We share these thoughts from the band:

Our goal for this release was to write songs that underline our roots for the old school underground scene. Here we have tried to convey the same feeling as from the glory days of death metal. Thoughtful songs that remain listenable and always have a small twitch. We don’t take ourselves too seriously and we wanted to record an EP that wouldn’t look out of place in a record collection from the late eighties or early nineties.

The humility in that comment is admirable, and so the task is left to us to explain just how damned good A New Day of Dawning really is and why it definitely should not be overlooked in the vast seas of old school death metal that now surround us. Continue reading »

Jan 062023
 

(Andy Synn provides a short but sweet review of a mesmerising EP from last year)

As the grinding gears of another year begin to slowly spin once again, I’m going to be taking some time over the rest of this month – in between reviewing new and/or upcoming releases – to feature some of the albums and artists from 2022 that I wasn’t able to cover properly last year, beginning with an EP that I totally missed out on by dreamlike “Doomgaze” chanteuse Suvi Savikko, aka Shedfromthebody.

Continue reading »

Jan 042023
 

Like yesterday I found myself with a little extra time this morning before having to turn to other tasks that are un-connected to NCS. The music I chose to recommend goes in many different directions, but one thing they have in common (with one exception) is the terrifying intensity of the vocals.

SUM LIGHTS (Germany)

I’ve mentioned before that Rennie Resmini (starkweather), one of my constant sources of new musical discoveries, has a fairly new SubStack blog where he writes about his own new musical discoveries. I have found it to be a blessing and a curse, a blessing because it’s packed with good shit, a curse because I was already deluged with new music to check out before I started reading there.

I’ve decided to book-end today’s round-up with music I found via Rennie’s newest SubStack newsletter. The opening salvo is a song by the German black/death unit Sum Lights, who came roaring out of the gates in late 2021 with an album named Emanating Fulguration. I can only hope that the new song, “The Sense Of A Sun“, is sign of more to come soon. Continue reading »