PLAGUESTORM: “EMPTY EYES”

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Nov 132023
 

(This is DGR‘s review of the latest record by the Argentinian melodic death metal band Plaguestorm, out now on the Noble Demon label.)

Heavy metal fantasy draft is always fun and the proliferation of projects with the ability to do so has increased tremendously in recent years. No doubt a combination of musicians using the internet to find each other and the more likely possibility of constantly being trapped inside, you’re now seeing a ton of projects wherein musicians from all over the world are combined into one thing via session work and constant guest appearances.

We have musicians now who’re quickly approaching a point in history where they may have more guest/session appearances and releases to their name than they’ve got material with the band they’re most famous for being in. This has also been a pretty big movement within melodeath circles as we’re now multiple generations removed from the classics and old guard and well into an era of bands that were inspired by the keyboard/groove metal happy early-aughts of the genre that were built around big riffs/big choruses with just enough of ye-olde Gotenburg two-step to keep things ‘dangerous’. Continue reading »

SHADES OF BLACK: VESTÍGIO, VARE, DEEMTEE

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Nov 122023
 


Caio Lemos

Welcome to another Sunday edition of this column dedicated to black arts. It’s not as extensive as I’d hoped this time, because after finishing yesterday’s very large “Seen and Heard” round-up of new songs and videos I had to do some paying work, took a two-hour nap (I did wake up at 4 a.m. yesterday), and then drank way too much wine last night with my spouse.

Also the Seahawks are playing right after lunch today and I want to watch, even though I have serious doubts whether they’ll win. Also I have to figure out how to change the battery in the key fob for my car, and the dishes aren’t going to wash themselves.

See, I do have a very exciting life outside of NCS. Continue reading »

AN NCS EP PREMIERE (AND A REVIEW): HEBEPHRENIQUE — “NON COMPOS MENTIS”

 Album Reviews, Premieres, SHORT BUT SWEET  1 Response »
Oct 272023
 

The Australian band Hebephrenique chose a name that may contort the part of your brain responsible for making sense of letters and checking new words into the vocabulary library. We’ll make it easier, since we’ve already done a bit of research:

Hebephrenique seems to be the French word (without accent marks) for hebephrenic, which refers to a “disorganized” type of schizophrenia, one “typified by shallow and inappropriate emotional responses, foolish or bizarre behaviour, false beliefs (delusions), and false perceptions (hallucinations).” So says this source.

That this is what the band had in mind when they chose their name is guesswork on our part, but their debut EP Non Compos Mentis provides circumstantial evidence that we’re on the right track. Continue reading »

AN NCS SPLIT PREMIERE: GREAT FALLS AND RADIATION BLACKBODY

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Oct 262023
 

On October 27th — tomorrow! — Ancient Temple Recordings and 7 Degrees Records will jointly release a new 7″ split by Seattle’s Great Falls and Brooklyn’s Radiation Blackbody, and today we’re presenting a stream of both bands’ contributions to the split.

The news of this release seized our attention mainly because of the presence of Great Falls. Even though Metal Archives hasn’t yet seen fit to include them, the band’s 2023 album Objects Without Pain is one of the most emotionally intense and stupefyingly heavy records you’ll find this year, and a worthy candidate as we get closer to year-end listmania.

At least for those of us around the NCS hovel, Radiation Blackbody was a new discovery — and, it turns out, a very good one. Continue reading »

TIDES OF KHARON: “ANCIENT SLEEPER”

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Oct 262023
 

(DGR has finally completed a review of the latest EP, released last June, by Tides of Kharon from Edmonton, Alberta, Canada.)

Believe it or not we actually do have a history with Canadian group Tides Of Kharon. Up to this point we’ve covered every EP the band have released – no full-length albums as of yet – most recently the 2021 release of Titanomachy alongside British group Ghosts of Atlantis in a two-fer review collective. June saw the Greek-mythology inspired melodeath group unleash a new one in the form of Ancient Sleeper, closing out a two-year gap of silence from the band in exchange for another five songs and near half-hour of music.

Tides Of Kharon‘s chosen release method feels a bit like checking in with the band as they forge and hammer new material, working on their sound and experimenting with the wide vareity of approaches that the genre has available to them. Both expert and continual student, Tides Of Kharon absorb into their sound as much as they issue forth, all in service of the particular tales they have chosen to craft a song around this time. Ancient Sleeper then, could be considered the newest check-in with the band. Continue reading »

STRIGOI: “BATHED IN A BLACK SUN”

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Oct 192023
 

(Strigoi‘s new EP is set for release by Season of Mist on November 3rd, and so it’s a good time for DGR to share his thoughts about it — which he does here.)

The trend in recent years of bands collecting all of the material that did not make it into an album’s main sequence and releasing it on an EP later is one that I’ve particularly enjoyed. There’s a variety of reasons why songs won’t make the main cut, whether it be that the band felt they didn’t quite fit, or they were set aside for various global demands – some markets often requiring extra songs, for instance – or others were jammed onto the end of an album for deluxe editions released alongside the regular albums.

Whatever the reason may be, in recent years you’ve stood a pretty good shot of those songs being just as good as the ones on the main album, so when a band is later able to compile those into an EP of some sort, then the purchase is near guaranteed.

Strigoi are the latest to hop on that particular bus with their new collection of Bathed In A Black Sun, comprising five songs that didn’t make it onto the crawling doom of Viscera last year, and now about to be released into the wild. Continue reading »

DEATHBLOW: “ROTTEN TRAJECTORY”

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Oct 182023
 

(Here’s Todd Manning‘s review of a new EP from the Salt Lake band Deathblow.)

It’s a bit baffling to me that the word ‘crossover’ does not appear a single time in the press release for the latest E.P. from Salt Lake City-based Deathblow because that’s exactly what kind of damage they’re dealing out. Rotten Trajectory spewed forth into this decaying world on September 29th, courtesy of the appropriately monikered Sewer Mouth Records.

For the youth not familiar with the term crossover, it was used to describe that late eighties-early nineties blend of punk and thrash characterized by acts such as D.R.I., Crumbsuckers, and early Excel. Deathblow tread similar territory but update their sound with a smidge of death metal brutality. Continue reading »

DESOLATE SPHERE: “MALEDICTUS”

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Oct 172023
 

(On October 13th Necrogenesis Records released a new EP by the Japanese band Desolate Sphere, and it caught our writer DGR by surprise in more ways than one, as he explains in the following enthusiastic review.)

Who doesn’t love themselves a good ole’ fashioned Friday the 13th release date? Even across waters and international borders the idea is fun….or most likely lost, since Western world superstitions probably rest at the corner of fuck all and jack shit in terms of how much Desolate Sphere might be aware of it.

But needless to say, while we’ve often portrayed the date as being a harbinger of bad luck and decent slasher films in this corner of the world, last Friday gifted us a pleasant surprise in the form of Maledictus, a new EP from a newer death metal project hailing from Japan.

Lesser creatures out there might admit that they were drawn in almost by their album art alone but we…..oh, that’s what we did too? Oh, well in that case…with our attention initially grabbed entirely by the fiery and bright orange album art, Desolate Sphere‘s Maledictus proceeded to surprise on multiple fronts, though the tracklist being only five songs and the average tempo of every song hovering just shy of blisteringly fast was certainly a bonus. Continue reading »

EXHUMED: “BEYOND THE DEAD”

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Oct 162023
 

(Below is DGR‘s review of a new EP by Exhumed, which is out now on Relapse Records.)

Still catching up on everything that has passed through the void between the two eardrums in the last few months. This is going to be a weird/wild journey by the time we call it.

Exhumed‘s sudden release of their new EP Beyond The Dead came as a pleasant surprise. Their album To The Dead ranked pretty high with yours truly, and just about any time the band are tearing through a bevy of death and thrash riffs with a high-low vocal interchange tends to leave us in a happy place.

Exhumed have traversed through a few genres over the year but always within a familiar heirarchy; that a band calling themselves Exhumed are familiar with the worlds of deathgrind and goregrind should come as no surprise. Beyond The Dead comes from the grindcore songwriting philosophy of sudden-appearance/sudden-exit, and that includes the way Beyond The Dead appeared, with the band releasing it at the tail end of August just as they were gearing up to hit the road. Continue reading »

AN NCS EP PREMIERE (AND A REVIEW): SINNERY — “BELOW THE SUMMIT”

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Sep 282023
 

Last year we opened the floodgates on a great volume of words when we premiered and reviewed a new album named Black Bile by the Israeli band Sinnery. We were delivering a full stream of the album, so what was the point of all those words?

The point was to try to wake people up and get them to look past the simple genre descriptions of “thrash” or “death/thrash” that seemed to follow the band around like lost dogs. The point was that Sinnery‘s music is much more multi-faceted and thus much more interesting than the labels might suggest — and also even more riotously exhilarating.

Black Bile was so damned good that we’re very damned fortunate Sinnery have quickly followed it up, releasing three singles this year and now a new EP named Below the Summit that includes those, plus two more tracks. Once again, we’ve got a full stream for you, and once again a torrent of words. Continue reading »

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