Feb 012026
 

(written by Islander)

January is a schizophrenic month for the release of new music. Labels and bands seem to recognize that people aren’t focusing as much as usual on new music, because they’re diverted by things happening during the “holiday season” and then by the turbulence of returning to work and school, and so the pace of new releases in the early part of January is slower than usual. But after a week or two, the dam bursts, and new stuff starts flooding out in a fury. At least that’s how I see it from where I sit.

I had SO MANY new songs and records I was interested in checking out for purposes of this column, too many for me to realistically investigate, especially since our terribly unreliable internet service has been down since mid-day on Saturday. My phone has worked reasonably well as a hot-spot for some things, like typing what you’re reading now, but it doesn’t provide a very good platform for streaming music.

The result is that I defaulted to music I had already acquired for myself before our net service collapsed. Which is not a bad way to proceed, because there’s a reason why I had acquired all this music for myself — it’s all very good! Each selection is also very different from the other two. Continue reading »

Jan 292026
 

(written by Islander)

Near the end of last summer I came across a two-song debut EP named Subhuman Eschatology by the Polish band Wstręt. As I wrote at the time, it floored me. It was like someone spun the intensity dial until it wouldn’t go any further.

Those two songs warped together ingredients of black and death metal to create body-bruising blows and to inflict mind-shredding, needle-sharp riffing that dug in deep. The songs generated moods that were wrecking and wracked, terrorizing and tormented, exhilarating and oppressive, coupled with ragged, reverberating roars were heartless and harrowing.

Given the nature of that introduction to Wstręt, I found myself simultaneously frightened and thrilled to discover that Godz Ov War Productions would be releasing a second EP from them, this new one a 20-minute affair named Enlightened Misanthropy.

Now you’ll have a chance to form your own impressions about it through our full stream of these five new tracks in advance of the EP’s release tomorrow — though of course we have some impressions of our own to share first. Continue reading »

Jan 282026
 

(Andy Synn recommends you carve out some time in your schedule to check out these 3 EPs)

Last year, after several years of promising – but, ultimately failing to deliver on those promises – I actually managed to listen to (significantly) more EPs than the year(s) prior.

So in 2026 I’m going to try and continue that trend – or, at the very least, try to stay about on a par with last year’s numbers – beginning with this terrifying triptych of deathly delights from Guyođ (AUT), Low (NL), and Nightmarer (US/DE).

Continue reading »

Jan 232026
 

(We have our contributor Chile to thank for the following vivid review of the debut demo from California’s Voidhämmer, which was released earlier this month by Caligari Records.)

Yes, the temperature outside is about to go down below -20°C or -4 on the Fahrenheit scale for all you non-followers of the International System of Units (which somehow makes it more tolerable on paper, just barely), and with spring thaw still months away, what better way to warm up than to fire up some filthy, rotting death metal.

You could argue that your everyday central heating would suffice, but nothing warms the heart and soul as hearing those riffs pounding down from your speakers and into your orifices. Newcomers in the Californian outfit of Voidhämmer, who are not really newcomers (see below), understand this very well and offer a variety of putrid riffs on their debut EP/demo Noxious Emissions. Continue reading »

Jan 212026
 

(written by Islander)

On January 23rd, just a couple days from now, Iron Fortress Records will release a new EP by the Massachusetts brutal death metal trio Matriphagy, digitally and in a CD edition that also includes songs from a previous Matriphagy split and an EP as bonuses. What we have for you today is a premiere stream of all the songs on the new EP.

This EP, titled From Nothing to Nothingness, includes three tracks, the last of which is Matriphagy’s demented and demolishing re-working of the Cryptopsy song “Benedictine Convulsions“. All three songs are ruinously punishing, unhinged in various ways, and frequently as head-spinning as they are traumatic. Continue reading »

Jan 182026
 

(written by Islander)

Two days ago people in the tiny Spanish village of San Bartolomé de Pinares renewed a tradition that’s purportedly five centuries long — building bonfires in the central streets and riding horses through the flames. This is done on the eve of the festival of Saint Anthony the Abbott, the patron saint of domestic animals, because what honors domestic animals better than forcing some big ones to hurtle through an inferno?

I always look for photos of the event because they’re typically amazing and because they’re usually pretty good metaphors for people here and around the world trying to brave whatever fiery hells are burning around us. Lots of those to choose from these days.

Oddly, when I went looking for photos of this year’s ritual I had to wade through snowy photos of armed Greenlandic polar bears and sled dogs. What the hell was that about? (Well, I knew, and I guess it’s proof that AI is good for something besides kicking people out of work and threatening humanity with extinction.) Continue reading »

Jan 102026
 

(written by Islander)

I’m obviously still doing what I usually do around here, picking out some new songs and videos to share with you this weekend. But in addition to being overwhelmed by the sudden January surge in new music, the task has been especially difficult because I’ve been so infuriated and depressed by the murder in Minneapolis, the outrageous bald-faced lies spouted about it by Trump and his minions, including the fabricated demonizing of the deceased, and the likelihood that the murderer will face no accountability at all. Only ten days into the New Year, and 2026 already looks devastatingly dark here in the U.S.

I haven’t listened to new music over the last couple of days to take my mind off these events, or other terrible events both here and around the world. I do often immerse myself in music for that very reason, as many people do — to get some relief from more awful aspects of existence. But not now. The rage and the sadness aren’t going to be diverted. Now, I’m just trying to keep my head down and carry on because I don’t have any better ideas, even though it seems on days like this that what we’re doing here is unimportant in the grand scheme of things.

Well, sorry for unloading like that. I still want you to listen to all the songs I picked for today. In my humble estimation, they’re all very good, even though I suspect I’ll appreciate them even more on some distant and brighter day. Continue reading »

Jan 042026
 

(written by Islander)

I had grand ambitions for this column but they were derailed when I spent more than five alcohol-assisted hours yesterday afternoon and evening watching an especially important football game with my spouse and friends, and then celebrating the outcome. When all was said and done I must have needed a really long period of sleep, because that’s what I got. As I write this, the day is well underway but my head hasn’t caught up yet.

Well, enough about me. I should turn to the music I’d like to recommend, even though the lateness of the hour and the slowness of my mind have conspired to make this column shorter than originally planned. Continue reading »

Jan 032026
 

(written by Islander)

Here we have the first Saturday NCS roundup of new songs and videos in 2026. It’s a temporal and stylistic mix of things. Temporally, some of it is from records released in 2025 and some from releases slated to happen this year. Stylistically, it will jump you around like popcorn kernels getting hot, including one new song and video that’s well outside our usual musical focus and a closing selection that’s beyond categorization.

I don’t expect everyone to enjoy everything I’ve assembled here, even though I do. That would be too much to expect. I do hope you’ll find at least one thing to brighten your day (i.e., to darken it like a storm cloud). Continue reading »

Jan 012026
 


Seattle Space Needle in the fog, Dec. 31, 2025, photo by Akash Pamarthy for The Seattle Times

(written by Islander)

Yesterday a newsletter I subscribe to (“This, Not That“) compiled quotations by many famous writers about New Year’s Day and the ending of the previous year, some of them humorous, some of them depressing, some of them wise. One of the quotes, by Charles Lamb, seemed to sum up all the others: “No one ever regarded the First of January with indifference.”

I’m certainly not indifferent. I’m determined… determined not to let the day go by without posting here about new music, notwithstanding the likelihood that many people are too hungover or sleep-deprived to wreck their heads with our preferred sonics today. It’s a compulsion of long standing, one that has resulted in our making some kind of music post 365 days a year, or close to that, with fewer than a dozen missed days over the 16+ years of our site’s existence.

As it always does, the new year of heavy music won’t waste much time taking off and achieving orbit velocity. We’ve already seen and spotlighted lots of songs from albums slated for release in the new year’s first quarter, and more will begin surfacing at an accelerated rate after this relatively slow week ends. I’ve picked an array of recent surfacings in this New Year’s Day column.

But, for better or worse, we haven’t completely finished reflecting in other ways on the music that 2025 brought us, including a few of today’s picks. Continue reading »