AN NCS INTERVIEW: ATARAXIE

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Jan 312025
 


photo by Ben Redcatcity

(Last fall we had the privilege and pleasure of premiering and reviewing a full stream of Le Déclin, a new album by the veteran French band Ataraxie. Today it’s an equal pleasure to present an extremely interesting and topical interview by our Comrade Aleks with two founders and key members of the band.)

They’ve played extreme death-doom since 2000; they have three guitarists in the lineup; they are Ataraxie, and their fifth album Le Déclin was released in October 2024. The band demonstrate a high level of stability, as their new material consists of four tracks with a total duration around 80 minutes. It means that Ataraxie keep on holding to their old patterns and mix both slow and crushing funeral doom riffs with bloodthirsty death metal slaughter and merciless blast beasts. These elements help to make an emphasis on the band’s nihilistic manifest against the foulness of humanity corrupted to the core.

Honestly, it’s a familiar picture to Ataraxie’s fans, because its founders Jonathan Théry (bass, vocals), Pierre Sénécal (drums), and Frédéric Patte-Brasseur (guitars) are still here. And their companions Hugo Gaspar (guitars) and Julien Payan (guitars) aren’t rookies either; they’ve spread these bleak vibes of doom and damnation for the entire decade.

But these guys not only know how to perform such painful, agonizing music, but also how to represent it precisely in a verbal way. And in the end, this interview with Jonathan and Frédéric is something I’m proud of.

Continue reading »

OUR LIST OF 2024’S MOST INFECTIOUS EXTREME METAL SONGS (PART 21): FLESHGOD APOCALYPSE, VITRIOL, DEFEATED SANITY, CONVULSING

 MOST INFECTIOUS SONGS-2024  No Responses »
Jan 302025
 

(written by Islander)

You can tell I’m getting close to the end. How can you tell? Because I expanded yesterday’s entry to four songs and am doing the same again here in Part 21 today. Unless I collapse from writer fatigue, tomorrow’s final episode will probably include five. I’m trying to cram in as many songs as I can before I hit the February wall that will abruptly halt this list.

The four I’ve grouped together today are all high-speed, high-octane, high-intensity onslaughts on the senses, and they’re all mind-benders of a high order too. Obviously, I also think they’re all contagious. For reasons you’ll see, this grouping will also especially please my comrade DGR.

One more installment left ahead for tomorrow, and 20 other Parts lined up behind us for you to explore if you haven’t already, and you can do that via this link. Continue reading »

AN NCS PREMIERE: EXORDIUM MORS — “OATH”

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Jan 302025
 

(written by Islander)

“After more than two decades of relentless chaos, the blackened legions of Exordium Mors return once again, forging their path with maniacal speed, blistering melody, reckless vitriol, and sheer violent brutality. Their sound is hammered with an iron fist, delivering ruthless, in-your-face hostility.”

That is how PR materials we’ve received begin to introduce Sworn To Heresy, a new EP by New Zealand’s Exordium Mors that will be loosed upon the world by Praetorian Sword Records on March 1st. The words are in line with this band’s dominant reputation, a reputation for discharging sounds of frenzy and ferocity. But that is only part of the Exordium Mors story, albeit a significant part.

To quote ourselves this time, from our premiere of the band’s last album As Legends Fade and Gods Die (2022), their music “moves at a dizzying, high-octane pace,” generating “storms of vitriol and volatility,” but it also interweaves “mood-changing melodies that are sinister and gloomy but also exotic and brazenly imperious,” as well as incorporating “wild soloing that reaches epic heights.” And it has proven to be multi-faceted (“every song is a kaleidoscopic adventure”) and executed with surgical precision.

To return to the PR materials for the new EP, they promise “a bold evolution” in the band’s sound as Exordium Mors enter their third decade. What does this mean… and is it cause for concern? Continue reading »

THE GREAT OLD ONES – KADATH

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Jan 302025
 

(Andy Synn traverses the dreamlands in search of the meaning and measure of Kadath)

My history with the musical cult known as The Great Old Ones is a long and storied one indeed.

Way back in 2014 I selected their stunning second album (and still their finest hour, in my opinion) Tekeli-li as one of the best albums of the year, and not long after that I was enraptured by the band’s headlining performance at The Black Heart in London (a show which, despite them moving on to bigger stages, remains their most iconic performance in my mind).

In the years since then I have written about the band multiple times, offering my thoughts on both their live shows and their subsequent recorded output – 2017’s bigger and more bombastic EOD: A Tale of Dark Legacy and 2019’s more furious and ferocious Cosmicism – and remained a faithful acolyte through it all.

And yet there’s always been a part of me wondering, and worrying, if they’d ever be able to recapture that same sense of magic – that immersive, otherworldly atmosphere – which permeated their early work(s).

But… perhaps the stars have finally aligned once more?

Continue reading »

OUR LIST OF 2024’S MOST INFECTIOUS EXTREME METAL SONGS (PART 20): SINISTRO, MAN’S GIN, DEVIN TOWNSEND, YOVEL

 Exceptions to the Rule, MOST INFECTIOUS SONGS-2024  2 Responses »
Jan 292025
 

(written by Islander)

When I picked the name for this blog in 2009 it was partly a joke and partly dead serious. A joke, because I made clear from the outset that some of my favorite metal bands included singing in their music; serious, because at the time I was annoyed by a budding trend among metalcore bands I liked to substitute fairly lame singing for yelling and snarling.

In the ensuing years we’ve written about many bands who have included singers, but it’s fair to say that they’ve been in a minority. Speaking only for myself, I still generally prefer extreme vocals in metal, and it still takes a special singing voice to overcome the prejudice.

In the case of all four songs that I’ve bundled together today, I thought the exception was well-earned, although I’m not sure you would agree that “singing” is the correct way to describe the vocals in the fourth song. Of course, I think all four songs are infectious too. (If you’re new to this series, you can find all the other songs on the list via this link.) Continue reading »

AN NCS PREMIERE: SCARE — “CROWNED IN YELLOW”

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Jan 292025
 

(written by Islander)

The Québec City-based quartet who named themselves Scare pose a question in the title of their new album that seems quite relevant at an anxious time when humankind seems bent on devouring itself and the world through selfishness, greed, delusional paranoia, ignorance, and hatred: In The End, Was It Worth It?

It follows their debut LP from 2019, Not Dead Yet, Probably…, another title that also seems quite fitting for where we found ourselves then, and now, and their 2021 EP Congratulations On Your Death.

The band’s music has become increasingly interesting over time. It has a backbone of lead-weighted metallic hardcore, with the kind of sludgy punch that loosens teeth and vocals that can cause intracranial bleeding, but they’ve also revealed a talent for creating gripping, mood-changing, and even atmospheric melodies that get under the skin and stay there.

You’ll understand this for yourselves when you hear “Crowned In Yellow,” the immediately addictive song we’re premiering today, a song that’s at once supernatural, physically compulsive, and rabidly deranged — and yet also sounds like an anthem. Continue reading »

AN NCS PREMIERE: ETHEREAL DARKNESS — “ON THE EDGE OF THE CLIFF”

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Jan 292025
 

(written by Islander)

Almost six years have passed since the Belgian band Ethereal Darkness released their debut album, Smoke and Shadows. Through a rendering of atmospheric melodic death metal with black and doom metal influences, it presented a great combination of heavy, head-moving power, sublime melancholy moods, wide-screen sweep, and heart-rupturing emotional explosiveness.

Smoke and Shadows was the solo effort of Lars, but in the years since then he has found four other talented musicians to join him, and they have completed a second, hour-long, album entitled Echoes. While they continue searching for a label to handle its release, Ethereal Darkness have decided to release a single from the album named “On the Edge of the Cliff,” and as you can see, we’re hosting its premiere today.

But before we get to that song, however, we should first talk about another album track (its first single) released last November along with a beautifully evocative lyric video: “The Cycle“. Continue reading »

WARDRUNA: “BIRNA”

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Jan 292025
 

(Our Norway-based contributor Chile prepared the following extensive discussion of Wardruna‘s just-released new album Birna.)

Bears have been a constant presence in our minds, stories, and myths from the times undreamed of. It was those first encounters between our ancestors and the majestic dwellers of the forest that shaped our very understanding of nature. For the bears, so perfectly aligned with the changes of the seasons, were like a beacon that shone its light on our wandering hearts and thus setting us on a path of revelation, a path from which we have strayed away in our complacency. Time has come again to take the road less traveled and return to the shade of the trees and the rustling of the leaves.

If there is one band in existence today that we would call upon to take us back into nature’s realm, there is no other better candidate than Wardruna. This Norwegian force of (and for) nature needs no particular introduction, as they have forged their own blazing trail from the noctilucent North into the hearts of the world. Their Runaljod trilogy is a towering achievement in modern music and serves both as an inspiration to many and as a reminder that we belong to the Earth and not the other way around.

Released on January 24th by Sony Music and By Norse Music, the sixth studio album by the band is called Birna and sees their mastermind Einar Selvik reaching for inspiration deep into the dens and the burrows of the earth where the hibernating bears dream on their moss-covered beds. The concept behind the album is best described by the band itself: Continue reading »

OUR LIST OF 2024’S MOST INFECTIOUS EXTREME METAL SONGS (PART 19): SPIDER GOD, SUMMONING SATURN VOIDS, THE BLEAK PICTURE

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Jan 282025
 

(written by Islander)

Welcome to Part 19 of this nearly-finished infectious song list. Although I’ve had some “organizing principles” for the most recent installments, I can’t say I had one for the grouping of today’s three songs, apart from the fact that all three of these got stuck in my head the first time I heard them and they have remain rooted there ever since.

To check out the 53 songs preceding these 3 on the list, use this link. Continue reading »

AN NCS PREMIERE: CARTILAGE — “FROTHED VOMIT SLOSH”

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Jan 282025
 

(written by Islander)

If you see people like these, your first impulse (a sensible one) would be to run first, ask questions later. And you absolutely should run, as fast as you can, but toward their music, not away from it.

Take it from me, a first-hand observer of the unhinged Cartilage performance in Seattle at the 2022 edition of Northwest Terror Fest, their live shows are about as much hell-raising fun as you could want. Their recorded music is kickass too. When we premiered their second album The Deader the Better (also in 2022), I spewed a lot of words, including these:

Cartilage discharge songs that slash like serial killers, convulse in seizures, sear like an acetylene torch, maul like bulldozers, and lurch like zombies (the slow ones, not the fast ones), and as crazed and kaleidoscopic as the songs usually are, they’re cleverly embedded with hook-y melodies and head-moving grooves.

On top of all that, Cartilage manage to make the tracks feel feral even though it quickly becomes evident that all the instrumentalists have got lots of top-shelf technical chops (enough to make prog and tech-death bands jealous) and a sense of twisted adventurousness in the way they write songs.

But don’t take my word for it. Take the word of the dependably tasteful Everlasting Spew Records, who signed Cartilage for the release of their new EP, Tales From The Entrails: A Necrology. Here’s how the label introduces this new feast of frenzy: Continue reading »

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