NO CLEAN SINGING

OUR LIST OF 2024’S MOST INFECTIOUS EXTREME METAL SONGS (PART 15): KANONENFIEBER, BLOODCROSS, DARKENED

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Jan 222025

(written by Islander)

Continuing on with my plan to group songs in most of the remaining installments of this list in ways that make sense to me, today’s Part 15 includes three tracks from three very good 2024 albums that are highly propulsive, and all of them would fit into my weekly SHADES OF BLACK column, even though the last band is usually classified as death metal.

Also, all three album covers gives places of prominence to… skeletons.

The albums that house these songs are also records from which I easily could have picked different tracks for the list, which is one reason (among others) why they were so good. So I won’t be surprised if any of you would have made other picks; on a different day, I might have too.

To explore the songs in the previous 14 Parts of the list, use this link. Continue reading »

BEST OF BRITISH: BARSHASKETH / GRIEF RITUAL / MUTAGENIC HOST

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Jan 222025

(Andy Synn once more sets out to share a few of his favourite home-grown exports)

My main hope, for all of these “Best of British” articles, is that they encourage people to check out some of the grass-roots talent from this dark, Satanic isle that they might otherwise have overlooked.

After all, I know from bitter, personal experience how hard it can be to break through and get yourselves noticed when there’s so many other bands vying for attention and exposure at the same time.

Not, it must be said, that this seems to be an issue for any of the bands in today’s piece – Barshasketh are one of the most respected bands in the UK Black Metal Scene, Grief Ritual have played multiple festivals and are about to release their much-hyped debut album on Church Road Records, and Mutagenic Host have already been pegged by some as the “next big thing” in British Death Metal – but hopefully this article can still play a role in bringing them all to an even wider audience.

THE HALO EFFECT: “MARCH OF THE UNHEARD”

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Jan 222025

(Not long ago Nuclear Blast released the second album by the Swedish melodic death metal band The Halo Effect, and today we have DGR‘s review of the record.)

We are now a couple weeks removed from the release of The Halo Effect‘s newest album March Of The Unheard and the one thought that keeps rattling around the ole’ brainpan is a discussion of what exactly you might come to music for.

This can seem repetitive of course because everyone has a chosen purpose that music might fulfill for them, whether it’s simple enjoyment or some deeper resonance with the artist. I am more often part of the second club, which is why you’ll see many screeds penned that spend more time pontificating about why a specific piece of art might have arisen versus the actual general quality of it. Yet in the case of a group like The Halo Effect I’ve found myself firmly in the former camp.

When it comes to The Halo Effect, I’m not seeking anything deeper and I’m present for the simple enjoyment of whatever the band are creating, and it seems that largely, the band feel the same way. There’s nothing deeper here. No inner quest, nothing revealing itself, and no long-lasting message with which we can walk away from March Of The Unheard feeling fulfilled, with our lives changed. March Of The Unheard is musical red-meat at its finest and, for lack of better term, a perfectly fine ‘pop’ album. Continue reading »

AN NCS INTERVIEW: SACRIFICE

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Jan 222025

photo by Kelly Clark Fotography

(On February 21st Cursed Blessings Records and High Roller Records will release Volume Six, a new album by the ’80s-era Canadian thrash metal band Sacrifice — their first one in 16 years and with their original lineup intact. Yesterday we published Wil Cifer’s review, and today we bring you Comrade Aleks‘ interview of Sacrifice vocalist/guitarist Rob Urbinati.)

It’s always cool to know that there are veterans of the metal scene who keeps its fire burning, who are able to give it hot and strong. Sacrifice is one such band.

They started in 1984 as one of the first Canadian thrash/speed bands and evolving at the same time as bands like Anvil, Exciter, and Razor did. Torment in Fire (1986), Forward to Termination (1987), Soldiers of Misfortune (1990), and Apocalypse Inside (1993) left their impact on the world’s scene, but Sacrifice disbanded in 1993 on the peak of their activity, as one may say.

The band returned in 2006 in its original lineup, and they keep on rocking until today. Scott Watts (bass), Joe Rico (guitars), Gus Pynn (drums), and Rob Urbinati (guitars, vocals) haven’t forgotten how to do aggressive, technical, and highly tense metal. Their new album Volume Six easily proves it, as well as this interview. Continue reading »

OUR LIST OF 2024’S MOST INFECTIOUS EXTREME METAL SONGS (PART 14): BRODEQUIN, WORMED, KONKHRA

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Jan 212025

In yesterday’s installment of this list I mentioned that I had a certain logic or organizing principle in mind when I grouped songs together in most of the remaining Parts of the list. Today’s feature is evidence of that.

All three of today’s songs are brutalizing experiences, but they’re also head-spinners, especially the first two. And both of those aspects are key reasons why I think the songs turned out to be infectious.

For those of you who might be stumbling into this list for the first time, you can find the preceding 13 installments via this link. Continue reading »

AN NCS PREMIERE: MALACATH — “A HYMN FOR THE HARVEST”

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Jan 212025

(written by Islander)

In February Eternal Death will release the fifth album by the New England black metal band Malacath, which began as the solo project of multi-instrumentalist and songwriter Lykos but has been a two-piece of Lykos and drummer Hiraeth for most of Malacath‘s discography. (Both members have been involved in many other bands, including their collaboration in Angel Morgue.)

The new album, Eternal Roar of the Thunder and Rain, brings us four substantial songs ranging in length from 10 minutes to more than 16, followed by a relatively brief acoustic closer (“Eleusis”). What we have for you today is the premiere of one of the long ones, an astonishing epic named “A Hymn for the Harvest.” Continue reading »

SACRIFICE: “VOLUME SIX”

Album Reviews 1 Response »

Jan 212025

(This is Wil Cifer‘s review of a new album by the ’80s-era Canadian thrash metal band Sacrifice, their first one in 16 years and with their original lineup intact. It will be released on February 21st by Cursed Blessings Records.)

Thrash is a metal subgenre perhaps most shackled to a golden era that reached its peak in 1990 with albums like Seasons in the Abyss and Rust in Peace. Death metal gained prominence and bands either doubled down and got heavier to keep up or veered off to follow the ’90s alternative sound. The Canadian thrash band Sacrifice has been kicking it since the ’80s but never caught on to gain the cult status of a band like Voivod. They have however changed with the times on for their 6th album, which finds them sharing sonic ground with bands like Power Trip, who blended hardcore sounds with the thrash of the past.

If you were to listen back to the 1986 album Torment in Fire, while it captures the energy of that time, the guitar tones are a little dated, so the current production value plays to their benefit and breathes new life into what they do. This band is not jumping on a bandwagon to be relevant, but staying true to what they do while packing a suitable song punch, rather than digging up their pedal board from the ’80s to cash in on nostalgia for 1986. Continue reading »

OUR LIST OF 2024’S MOST INFECTIOUS EXTREME METAL SONGS (PART 13): HIPPOTRAKTOR, TEN TON SLUG, IHSAHN

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Jan 202025

(written by Islander)

Welcome to the lucky 13th Part of this list. In line with my original plan of posting a new installment every weekday until January expires, I now have 9 Parts left to go. Out of line with previous years’ lists, I’ve already planned which songs to include in each of those remaining Parts, though I suspect I’ll still make revisions because my brain won’t stay still and it’s so fucking difficult to stare at all the worthy songs I haven’t made room for.

As for today’s installment (and most of the ones still to come), I have grouped the songs together because they include certain stylistic ingredients that I thought would fit them together well. But you’ll be the judge of that, of course. To see the songs in the preceding 12 Parts, use this link. Continue reading »

AN NCS PREMIERE: WHERE THE LIGHT FADES — “TORN OUT”

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Jan 202025

(written by Islander)

A new week dawns at our site, and with it we bring a song premiere that’s the dawn of a new EP by Where The Light Fades, a Toronto-area band that arose during the pandemic from the ashes of Astaroth Incarnate.

This new EP is a three-song offering entitled Into The Depths of The Black Creek, and it will be released on January 31st by the Northernshadow label, which previews it this way:

Expect a mixture of black, doom, and some melodic death metal in the vein of Wolves In The Throne Room, Imperium Dekadenz, Mgła, Darkthrone, Taake, and early Katatonia.The lyrics are based on life, death, and grieving – something anyone can relate to. Continue reading »

SHEDFROMTHEBODY – WHISPER AND WANE

Album Reviews 1 Response »

Jan 202025

(Andy Synn finds that the fourth time continues to charm when it comes to Shedfromthebody)

With 2025 finally starting to get into gear, it’s time for us to start looking ahead and planning out what artists and albums we’re going to review over the next few months (and beyond).

That being said, it’s always important to leave a little bit of wiggle room in your schedule for an unexpected surprise or two… such as the recently-released new album from Finnish “Doom-gaze” chanteuse Suvi Savikko, aka Shedfromthebody.

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