Oct 032024
 

(Andy Synn celebrates the return of Portuguese Post-Doom prodigies Sinistro)

As a reviewer I happen to think that context is pretty important.

I don’t just mean the usual types of context you might expect – references to the band’s background and influences, considerations about how an album stack’s up to the group’s previous work, etc – but the context of how your review is going to sit in the wider world.

Questions like “is this review coming out at a good time?” or “who else out there has already written about this?” are ones I think are important to ask, especially since I only have a limited amount of time to dedicate to writing here (I do have a life outside the site, you know).

Case in point, knowing I only had time for one more review this week I had to decide whether to write about Blood Incantation‘s new album or the new record from Sinistro, both of which are set for release this Friday.

But considering that practically everyone is going to be writing about Absolute Elsewhere this week (and I may still pen some thoughts about it myself at some point) I thought it more prudent to dedicate my efforts to reviewing Vértice instead, since my words are likely to have more impact on the latter’s success.

Continue reading »

Oct 022024
 


Mitochondrion

(written by Islander)

With my wife out of town visiting one of her sisters and me having gotten a head-start on the premieres I’d committed to write for today, I found myself with a rare chunk of time to go musically exploring yesterday, and to prepare this rare mid-week roundup.

Entirely by coincidence, most of what I listened to was head-spinning in different ways (as you can tell by the post title). I think it’s fair to call all of the following songs unconventional, and maybe even experimental in some respects, including the ones that feature singing (and yes, some of these are “exceptions to the rule” around here).

But lest you think I’m about to load you up with many melodious things, let’s incinerate that assumption immediately. Continue reading »

Oct 022024
 

(written by Islander)

“Nasty, miserable, no-nonsense sludge played at maximum volume with a focus on what is shit in life.” That’s the elevator pitch that Cursed Monk Records throws for Writhing Between Birth And Death, the debut EP from the UK band Bile Caster, and it hits the mark.

This Leicester-based trio, who might draw comparisons to the likes of Primitive Man and Meth Drinker, specialize in ugly, angry, primitive music that slugs hard enough to rupture spleens and is bleak enough that it might leave damaged souls looking for a permanent way out.

The new EP also has the capacity to leave anyone who survives it feeling dazed. It’s too ruthless to be truly entrancing, but the shock-and-awe effect may be enough to leave people feeling incapacitated, wondering what the hell they’re going to do while waiting for their reptile brains to yield back control of the higher faculties. Continue reading »

Oct 022024
 

(written by Islander)

To be honest, “post metal” is an amorphous term (though maybe not as amorphous as metal genre labels such as “avant-garde” or “dark metal”). As such, it probably brings to mind different things to different listeners, in part because bands who helped spawn the term and others since then have often engaged in experimentation.

In my case, I tend to think of :post metal” as music that’s expansive, heavy, and atmospherically dark, with a tendency to build upon repeating cycles of sound, though I recognize that bands grouped under the post-metal label often sound very, very different from each other, in part because they draw upon differing ingredients from other recognized metallic genres, including sludge, doom, and black metal.

And that brings me to One With the Riverbed, a quintet from Kalamazoo, Michigan that first came together in 2017. Their discography to date, including their 2021 debut album Absence, has attracted the “post metal” label, and that will probably be true of their forthcoming second album Succumb, which is set for release on October 25th by the Dusktone label. Yet, for reasons explained above, that leaves questions about the nature of their new music unanswered.

But we have some answers today through our premiere of a visualizer for the new album’s opening track, “Infested“, for which the term “post-black metal” seems more specific. Continue reading »

Oct 022024
 

(Andy Synn presents three more artful examples of the Best of British)

There are three things which the three bands featured in today’s article all share:

One… they’re all British (though I suppose that’s obvious).

Two… they’ve all got eye-catching, instantly memorable, double-barrelled names.

And three… they’re all really fucking good.

Continue reading »

Oct 012024
 

(A festival, a move between towns, and a hurricane have slowed but not stalled Daniel Barkasi‘s preparation of monthly album reviews, and today he rejoins us with a selection of eight recommended albums that saw the light of day in August.)

This is the summer that doesn’t end. Yes, it goes on and on, my friend. Yeah, I’m making my own version of the song from Lamb Chop. If you don’t know the one, I weep for your childhood, but also give a nod to your sanity. The song doesn’t end, after all. Here in the swamp that is Florida, Summer doesn’t really end a whole lot. Maybe that’s why I listen to The Midnight so much – their album Endless Summer is where the title of this column is coming from, after all. We’re not here to speak about synthwave – though that’s a subject that this guy could go on about in perpetuity. Continue reading »

Oct 012024
 

And now, for something completely different.

What we’re about to present is a video for a song from a forthcoming album that’s the soundtrack to a dark fantasy first-person retro-shooter game developed for PCs. The name of the game, and of the album, is Hands of Necromancy II.

The project responsible for the music is Asciimov, and though you may not be familiar with that name, many of you will be familiar with the person behind it, the Spanish musical shapeshifter NHT (Oscar Martin), whose other creative endeavors (in the realms of metal) include As Light Dies, Garth Arum, and Deemtee (among others).

But what’s really different, especially in the context of our site, is the music. As a hint, here’s how the label that’s releasing the album (Darkwoods) describes it: Continue reading »

Oct 012024
 

(Andy Synn presents a collection of four six killer cuts from last month you may have overlooked)

Today’s edition of “Things You May Have Missed (But Shouldn’t)” is a little larger than usual – six artists/albums rather than the normal four – because it was utterly impossible to keep up with the overwhelming torrent of new records that came out in September (and I’m not just talking about all the “big” releases).

Hell, just to get it down to just six bands I had to leave the likes of Ars Veneficium, Convictive, Glare of the Sun, Servant, Ubiquity, and more on the proverbial cutting room floor… so if you’re still looking for stuff to check out after listening to all the albums in this article then there’s a few more names to lend your ear to!

Continue reading »

Sep 302024
 

(NCS contributor Gonzo usually helps us close the end of months with a collection of reviews, and he does so again today, but this time focusing on just two albums, both of them created by bands from Denver.)

This won’t be news to most of you, so I’ll get right to it –

The rolling thunder of the Denver metal scene cannot be denied. It’s been on a powerful sort of kick in the 2020s, and few American cities can rival the raw talent and creativity that constantly comes pouring out of it. I know this because I live here. Between the crushing ubiquity of heavy music and craft beer, this place is a veritable haven for people who wear battle jackets to bars.

And as the metal gods would have it, two new albums from two rising stars in the Denver scene have been released within a week of each other – Glacial Tomb’s Lightless Expanse and Nightwraith’s Divergenceand if you haven’t heard of either band, buckle up motherfuckers – these albums are poised to change that. Continue reading »

Sep 302024
 

When Everlasting Spew Records refers to the Italian death metal band Feral Forms as “one of the most vicious and ferocious bands we have ever released”, that gets our attention very fast, because this label has an extensive roster of vicious and ferocious bands. And it turns out not to be an exaggeration.

This quartet from Trieste, which features current and former members of Grime, The Secret, Claustrum, and Fierce, already made their ruthlessness plain for all to hear, through their 2023 debut EP Premalignant, but they were only warming up. If the EP was “premalignant”, their new album Through Demonic Spell is fully malignant — as you’ll discover today through our premiere of a song from the new record: “Sadistic Inner Hate“. Continue reading »