Mar 122024
 

(Andy Synn has a lot of love for the new album from a little band called Judas Priest)

It’s been well-documented by now, I’m sure, but it’s worth reiterating that – despite our slowly growing profile (and, as an aside, let me say thank you to all of you for continuing to read, and recommend, our various well-intentioned witterings) – our focus here at NCS is more on covering and critiquing (positively, for the most part) less well-known and more underground/under-exposed acts, rather than the big names and famous faces.

So when a little bird told me about a new album from a bunch of up-and-coming young whippersnappers by the name of Judas Priest – great name by the way guys, I’m surprised it wasn’t already taken – I decided to take a chance and give Invincible Shield a listen, since it’s always cool to be able to say you were into a band right before they blew up, right?

Continue reading »

Mar 122024
 

We are very pleased today to premiere a complete stream of the newest album by the Spanish death/doom metal project Ornamentos del Miedo. Entitled Escapando a Través de la Tierra, it will be released by Tragedy Productions and Meuse Music Records on March 15th.

This stunning new opus is again the solo work of Angel Chicote from Burgos, who was responsible not only for all the vocals and instrumentation but also the mixing, mastering, and artwork.

Lyrically, the songs address “interest disguised as friendship, mental illness, forgotten memories”. “Here there are no more demons, monsters or fantastic beings than those that life gives us”. But while the lyrics may express recognizable vagaries of human life, the intensely atmospheric and emotionally moving music transports the listener to realms far, far away from the mundane. Continue reading »

Mar 122024
 

(Our editor wasn’t able to compile a list of Most Infectious Extreme Metal Songs from 2023, but our supporter Vizzah Harri, a resident of Hanoi, Vietnam, has stepped in to fill the void. We’ve already published Parts 1-4 of his list (find those here), and now we’re proceeding with Part 5.)

This series can be seen as a coagulation of forms on psychological de-fractured symbiosis. As in, this isn’t some SCP level troll, I tried to bring the avant-garde into writing about music that appeals to me but on songs from genres and locations that are varied enough that it would appeal to most readers of this site (yes it’s still heavily biased with 14 from the USA, six from Germany, 3 each from Norway and England, two each from Vietnam, Sweden and France, while Denmark, Canada, China, Australia, Hungary, Italy, Belarus, Poland, Wales, India, Russia and Finland each were represented by one band – math ain’t my strong point, there’s a miscount in there somewhere). Continue reading »

Mar 112024
 

(Belatedly, we are still catching up with interviews conducted by Comrade Aleks at a time when our editor was too incapacitated by work to publish them in a timely manner, and today we catch up to his discussion with Ion Santos from the Basque Country brutal death metal band Putrid Torso.)

About a year ago we did the interview with Hopelessness, a melodic death metal band from Basque Country. And somewhere around November 2023 I got the message from their guitar player Ion Santos. He said that he’s also involved in the brutal death act Putrid Torso and that Trails of Hypnotized Human Veins had just been released by Pathologically Explicit Recordings.

And, honestly, brutal death isn’t my cup of tea (even Lovecraftian brutal death), but we’re just mere puppets in the hands of Ruinous Powers. So here’s the interview with Ion for those who are into extreme and misanthropic metal. Continue reading »

Mar 112024
 

(Andy Synn steps up to take communion with the new album from Ecclesia, out now)

While our site’s name may be a little tongue-in-cheek (even if some people seem to take it way too seriously) it’s true that we don’t write about the clean-sung variants of Metal – Trad, Power, “classic” Doom, etc – very often.

But there are certainly exceptions to this “rule”, and today’s exception goes by the name Ecclesia Militans.

Continue reading »

Mar 112024
 

It’s a public relations cliché, and too often a misrepresentation, to say that a band’s new album is their best work yet. It’s as common to see regression as it is to witness true progress. But in the case of Vorga‘s new album Beyond the Palest Star, the cliché really does hold true — it represents a thrilling advance beyond what this German black metal band have done before (and what they’ve done before has been very good).

As proof of that claim we have for you the premiere of a song from the album appropriately named “The Cataclysm“. Continue reading »

Mar 102024
 

What the hell happened? This collection of new black metal is appearing an hour later than it should have. I finished it at 10:00 and then I looked at an electronic clock and suddenly it was 11:00, without anything happening during that hour.

My first thought was that the music I picked had skewed space-time. The music, as you will see (or rather, hear), is certainly epic enough to cause such an upheaval. But then I discovered the reason was much more stupidly mundane. I gather that on a Sunday next November this column will appear an hour earlier than when I finish it. I look forward to being surprised again. Incipient dementia has its rewards.

AUSTERE (Australia)

Yes, “epic” is an overused and often poorly used word, but even worn-out words still mean something and sometimes are still better than the less-abused alternatives. And yes, “Cold Cerecloth” is epic. It’s also epically infectious. Continue reading »

Mar 092024
 

Like yesterday, I had enough time to compile a very big roundup of new music for this Saturday. It includes two full EPs and seven individual songs, most of them from forthcoming releases, presented in alphabetical order by band name.

Like yesterday, there’s so much to hear here that I’ve attempted to cut back on the usual volume of impressionistic words so I can finish this before I turn into a pumpkin. Also like yesterday, I think there’s a lot of variety in the music I picked.

Unlike yesterday, I decided to focus on more obscure names from different corners of the metalverse.(P.S. For newcomers here, there will be yet another roundup tomorrow, focusing on black metal and its kindred.) Continue reading »

Mar 082024
 

No long-winded introduction today, nor any long-winded impressions of the songs and videos either, because… there are so many of them!

Most of these choices (though not all of them) are from bigger names in the extreme metalverse. Most of them were also suggested by my NCS compatriots, because I didn’t do a great job of keeping up with new releases this week. I do plan to have another roundup on Saturday, as usual, and will dig deeper into obscurities, of my own choosing.

ULCERATE (New Zealand)

This first item is a rarity, just a news item without any music to go along with it. But it’s exciting news, and so I couldn’t resist. Continue reading »

Mar 082024
 

(Yesterday we presented Daniel Barkasi‘s interview of Texas-based Gost, and today we deliver his review of Gost‘s new album Prophecy on the day of its release by Metal Blade Records.)

The connection between metal and electronic music is an alluring one; both have existed side-by-side for decades. There’s always been some similarities in the aesthetic and structure of specific forms of each. One of the latest phenomena is the synthwave genre, and more specifically for this review, it’s where a sub-genre known as darksynth emerged. A caustic and menacing method of synth music, many have been gripped by its extremely heavy sounds and dark themes.

One of the most heralded innovators of that style is Gost, who has carved a large following through the last 11 years, never producing the same album twice. Early works centered around more Satanic subjects and vigorous sounds, while more recent albums such as Rights of Love and Reverence portray more on the personal side with gothic/industrial conventions. New album Prophecy is a merging of both subjects and nearly all sonic inclinations of Gost’s career, resulting in a familiar-yet-fresh album that continues to position the project further into its own air. Continue reading »