Sep 142023
 

(Andy Synn offers up another triple-taste of British steel)

Let me tell you something, the last quarter of this year is absolutely packed with awesome (and potentially awesome) new releases.

And that’s just as true when you take a look at the UK scene too, with a bunch of big names and new contenders scheduled to drop their proverbial bombs over the next couple of months.

As a primer for all that, I’ve selected three albums – two from last month, one set for release next week – that I can practically guarantee are going to end up on several end-of-year lists.

They really are that good, embodying the best of the best of merciless Metallic Hardcore, audaciously unorthodox Black Metal, and dynamcally doomy, drone-inflected Post-Metal, respectively.

Continue reading »

Sep 142023
 

For those of us who enjoy our weekly or daily descents into the black metal underground, discovering the existence of a new band whose line-up includes members of Dauþuz, Häxenzijrkell, Abythic, and Lunar Chalice is an intriguing development. For those of us familiar with the music of those other entities, nothing more is needed to kindle the desire to listen to what this new formation — Hagatiz — has created.

The allure is even stronger because the label (Amor Fati Productions) that will unveil the Hagatiz debut album Cursed to the Night on October 11th has such a strong track record in choosing what to release.

Of course, even die-hard fans of those other groups named above will want to hear what Hagatiz has done, because it’s not predictable. And for the die-hards, and everyone else, we have an early sign today through our premiere of the album track “Drown In Darkness“. Continue reading »

Sep 142023
 

Across all the many sub-genres of extreme and not-so-extreme metal, there’s an upper echelon of technical virtuosity — musicians who, through some combination of genetics, devotion to practice, and experience, are exceptionally good performers.

Across the same range of sub-genres there is also an upper echelon of composers who have a knack for writing songs that not only make an immediate impact but also get stuck in people’s heads and stay there — albeit for differing reasons.

To achieve success it’s not necessary for a band to combine both types of exceptionalism. For example, as the ongoing tech-death arms race demonstrates, some bands do quite well moving at ferocious speeds and demonstrating exceptional dexterity, even when there’s not much more than that on offer. On the other hand, other bands are capable of consistently leaving people humming, head-nodding, and remembering, with music that makes few technical demands.

But when a band not only achieves rarefied heights of technical skill at all positions but also conceives of songwriting ideas that are so far outside the ordinary as to be startling, and memorable for that reason, the results can be truly exceptional.

Which of course brings us to Alkaloid and their new album Numen. Continue reading »

Sep 132023
 

The birth of the Italian band Huronian in 2020 was one of the silver linings to the lethal black clouds with which the covid pandemic was then shrouding the world.

Word of their existence spread through a self-titled EP released that year, and then spread further through a very impressive 2021 debut album, As Cold as a Stranger Sunset.

Now Huronian are returning with a new five-track EP. Entitled Beyond Frozen Heights, it’s set for release on September 15th by Gruesome Records, and today we’re bringing you an advance listen to the whole record. Continue reading »

Sep 132023
 

On September 29th the UK label Cult Never Dies will release Eloah Burns Out, the second album by the black/death band Trivax. The group have already made a notable name for themselves since their recording debut in 2012 with a scattering of demos and EPs and an impressive first album, 2016’s SIN (which we praised here as “a rip-roaring assault of burly (yet melodic) riffs, slithering tremolo runs, and punchy drum work topped off with Shayan’s surprisingly comprehensible mid-range snarl”).

The Shayan referred to there is the band’s Iranian-born founder and guitarist as well as vocalist. The founding occurred under challenging circumstances, as Shayan planted the seeds of Trivax‘s fruition in Iran, whose theocratic government has been hostile (to put it mildly) to the music and lyrical themes of extreme metal bands like Trivax.

Shayan managed to exit Iran and put down new roots in the UK, where he established the band with bassist Sully (himself an immigrant from Syria, where we’re told he faced imprisonment for his metal associations) and drummer Matthew Croton. Continue reading »

Sep 132023
 

(Andy Synn sets out once more to explore the post-genre hybrid of Limbs)

The bitter truth is that, no matter how dedicated and conscientious you are about trying to keep up with new releases, you’re always going to miss stuff.

Heck, there are albums which have gone on to become all-time favourites of mine that I didn’t get around to hearing until months, sometimes years, after their original release, and bands I’ve been fans of ever since they started who I didn’t realise had something new out until they announced they were working on their next record.

Thankfully, however, I’m only a little late to the party when it comes to Everything Under Heaven, the recently-released third album from Manila-based trio Limbs.

Continue reading »

Sep 122023
 

In this article we present a full stream of the debut EP by the two-person band Aabode from the French town of Nancy. The EP’s name is Moist, and it’s set for release on September 15th by Godz Ov War Productions. The label introduces it, at a high level, with these words:

Aabode is a dissonant, haunting twisted mixture of industrial beats and death metal riffing. Low-tuned, blackened, oppressive death metal riffing provided by Aabstracter is combined with ambient noise and glitched 808’s drum patterns. Assymetric track composition is overhanged by Abyssal‘s harsh vocals.

But like most views from a high level, that summary, while useful, omits the details. So let’s move into the EP at ground level, where the riotous dangers it poses to sanity are more apparent. Continue reading »

Sep 122023
 

(We gave a very favorable review here to the second album by the German band The Circle, which was released last month by AOP Records. Comrade Aleks enjoyed the album too, and that led to the following interview with the band’s composer and guitarist Stanley Robertson.)

Stanley Robertson (guitars) and Alex Wirt (bass) played together in the epic melodic death metal band Vagrant from 2016 to 2020. They both decided to change its name to The Circle and change the style as well, to symphonic black metal.

When Alex left The Circle, Stanley recorded the project’s first album Metamorphosis on his own with guest vocalist Asim Searah in 2021, and then Stanley, Asim and Philipp Wende (drums) recorded the sophomore album Of Awakening as a trio.

The album was released by AOP Records on August 18th, and it was interesting enough to make me want learn more about this band. Hameln’s guitarist Stanley Robertson is here with us tonight.

(We thank Nathan Birk (Suspicious Activities PR) for organizing the interview.) Continue reading »

Sep 112023
 

Happy Monday to one and all. It can’t hurt to wish for that, even if the odds aren’t high, especially on this particular Monday. But rather than stop at empty wishes, I also have some news and new music that might improve the day.

SUFFOCATION (U.S.)

I detest clickbait, but well, this first item is very close to that. I’ve not yet seen an official announcement of a new Suffocation album, only the surfacing of the cover art at the top of this page and a notice on Metal-Archives that a new Suffo full-length named Hymns from the Apocrypha will be released by Nuclear Blast on November 3rd. Continue reading »

Sep 112023
 

Founded in Switzerland in 2020 as a solo project and now ensconced in Finland as a full band with a new lineup following its founder’s move, the melodic death metal group As the Sun Falls have firmly planted their flag in the audio territory of “Northern Melancholy”.

It’s a soundscape where giants stride and cast long shadows. Such better-known bands as Before the Dawn, Wolfheart, and In Mourning readily come to mind.

As the Sun Falls proudly follow in those footsteps, immersing listeners in earthshaking yet evocative experiences that are steeped in sorrow and are best heard in winter. And if you don’t live in a Nordic land of forest and snow, no matter, because the music will quite powerfully transport you there in a state of solitude, where the distressing contemplation of mortality becomes inescapable. Continue reading »