Mar 132023
 

Today we have an example of music that seems to arrive straight out of the sky without much warning, something that dazzles and destroys with such devastating heaviness and mind-bending but unnerving inventiveness that it’s startling to realize it’s a band’s debut effort. But that indeed is what we have — two songs from Ensemble Under The Dark Sun, the first full-length by the Turkish quintet Serpent of Old.

We don’t yet know very much about the band’s background, though it appears  they share members with the technical death/thrash band Archaic Vanity (who have one 2020 EP to their name). But the music tells us enough to pay very close attention as we wait for the album’s release by Transcending Obscurity Records. Continue reading »

Mar 122023
 

Guess who forgot to jump the clocks ahead one hour before bedtime last night? Yeah, that would be me. Thought I was getting a good head-start on the day when I crawled from the covers at 6:30 a.m., and then took my sweet time making coffee, catching up on all the dismal news, shaving more minutes off my life with smokes, stretching and rubbing eyes, and then suddenly realizing it was 8:30 a.m. instead of 7:30 and I hadn’t done shit on this column.

Well, who would care but me? I’m not sure, but all that really matters is that I care, and the only way to avoid feeling like a failure today was to rush ahead with a few things I had in mind, or that were messing with my mind. The hour-late clock is ticking, and other chores plus a lunch with family and friends lie ahead, so like yesterday’s roundup this one must be brief. But it’s all really good!

HARDIESSE (France)

Hard to resist checking out this first song, since Hardiesse is the project of Hyver (from Véhémence, Hanternoz, Régiment, Grylle, and more), and includes Wÿntër Ärvn (from Aorlhac) on bass and some of the vocals and Torve (from Ascète) doing the drum programming and the mix/master. Continue reading »

Mar 112023
 

 

“Really?!?,” I can hear you say, “Is that all you saw or heard this Saturday? Or yesterday? Or the day before?”

Well, not exactly. I did check out a couple of other things, but I knew I wouldn’t have time to do more than what you’re looking at right now. It’s just been one of those weeks, when my effing day job hammered me into submission. On top of that, we had four visitors at the house yesterday, beginning at noon and extending pretty deep into the night. I slept away most of the morning, and my head has been fuzzier than usual. So this is what I have. Hoping for more tomorrow in the SHADES OF BLACK column….

HEAD OF THE BAPTIST (Belgium)

If you’re looking for a way to un-clog your head of whatever gunked it up overnight, I can testify from personal experience that this first song and video will do that, and right quick. It’s called “Succumb“, and that’s what you will do. Continue reading »

Mar 102023
 

The PR material for Thysia‘s debut album Islands in Cosmic Darkness punch lots of buttons. It informs us that the band-members’ collective experience includes participation in Haemophagus, Messa, Undead Creep, Assumption, and Nox Interitus. It makes stylistic comparisons to Craft, Varathron, Mayhem, Celtic Frost, Tangorodrim, and early Rotting Christ. It further suggests that the album will appeal to fans of Negative Plane, Malokarpatan, Cultes des Ghoules, and Funereal Presence. And thereby it creates very high expectations.

The band’s name is an ancient Greek term that refers to “ritual sacrifice,” and lyrical references in the new album are also rooted in Greek mythology. That also creates expectations — as does the album title — of ancient, supernatural, and bloody connections.

But the true proof, of course, is in the music that this Italian collective have created, and as of today we have two audio signs of the new album in advance of its April 7 release by Chaos Records — the first single “Psallo“ and the song we’re presenting today, “Communicating Halls of the Netherworld“. Continue reading »

Mar 102023
 

A complete biography of the NY band Dimentianon would consume many chapters, and probably test the patience of most readers. The thumbnail sketch is that the band was born in 1995 under the name The Forgotten and then changed to Dimentianon seven years later after releasing a pair of demos, a debut album, and a split. In the ensuing years Dimentianon experienced numerous lineup changes, participated in many shows with numerous household names in the metalverse, and released four more albums, most recently the 2021 “comeback” album Dreaming Yuggoth, which emerged after an 11-year gap.

Fortunately, the lineup has remained stable since then, resulting in a new album set for co-release this year on April 14th by Symbol of Domination (Moldova), Paragon Records (US), and Pest Records (Romania). Entitled Chapter VI: Burning Rebirth, it’s an hour-long work that again features founding member and vocalist M, drummer and cellist Matt Hass, keyboardist and additional vocalist Don Zaros (Evoken), and guitarist/bassist Joe Fogarazzo (who also performs church organ on the record).

Once more, Dimentianon have interwoven ingredients from black, death, and doom metal, but the eclecticism of the stylistic alchemy doesn’t end there, as you’ll discover from the song “Black Angel” that we’re premiering today through a lyric video. Continue reading »

Mar 092023
 

This year the Hungarian black metal band Aetherius Obscuritas celebrate their 21st year of existence by releasing their ninth album overall. Bearing the name A sors szürke pora (“The Grey Dust of Predestination”), it will hit the streets on April 15th through the cooperation of Ukraine-based GrimmDistribution and the U.S. label Paragon Records.

The last time we spoke of this veteran band was in 2020, when they released Mártír, the immediate predecessor to A sors szürke pora. We wrote then:

The Hungarian black metal band Aetherius Obscuritas are certainly capable of mounting musical assaults of cut-throat savagery and spine-tingling wildness, but what makes their new album Mártír stand out from the barbaric pack is, for want of a better word, their adventurousness. The compositions are elaborate and multi-faceted, and the results can seem like musical potions that produce enthralling as well as electrifying effects.

We’ve repeated that little summary because you’ll find some of those same adjectives in our following descriptions of two songs from the new album, one of which we’re happily premiering today — “Cloak of Wolves“. Continue reading »

Mar 092023
 

Undoubtedly, many of you visiting this page will already be familiar with the avant-garde Italian black metal project Derhead, thanks to the increasingly distinctive music captured on a pair of demos and a pair of EPs that have seen release since 2016 (though the project’s existence can be traced back to 2001). But for those who may be newcomers, we’ll disclose that Derhead is the solo work of multi-instrumentalist and vocalist Giorgio Barroccu from Genoa, who is also the founder and co-owner of Brucia Records.

At last, Derhead will be releasing a debut album this month. Entitled The Grey Zone Phobia, it’s a 37-minute opus set for release by the same Brucia Records on March 30th. When you hear it, you’ll discover that Derhead‘s interests have continued to evolve. The label’s preview reports that this time the music has been “contaminated by an incredibly heterogeneous range of sounds spacing from Doom / Gothic Metal to what Satyricon released during the Rebel Extravaganza era.” We’ll also share Derhead‘s summing up of the album’s thematic conceptions: Continue reading »

Mar 092023
 

(Andy Synn continues his busy week of reviews with three excellent examples of black musical magic)

With so many different styles and sub-genres of Metal out there (don’t ever let anyone tell you “it all sounds the same”) it’s perhaps understandable that I, like many of you I’m sure, go through different phases of listening to certain sounds more than others.

In that spirit then, allow me to introduce you to three albums which have, in recent weeks, played a major role in getting me back into a Black Metal mode.

Continue reading »

Mar 082023
 

At the end of 2020 the French atmospheric/psychedelic black metal band Bacchus made their recording debut with a self-titled EP, and we had the pleasure of premiering it. As we explained then, the record was composed by Moïse Mestriaux, and he also performed synthesizers and selected samples used in the music. Aiding him were members of Abyssal Vacuum, Dysylumn, and Ominous Shrine — Sébastien B. (guitars, bass, vocals) and drummer Camille Olivier F.B. (who, who also mixed and mastered the EP.

Continuing to draw inspiration from the cult of the Roman god of wine, ecstasy, and madness, these three are now returning with a debut album that’s set for release by Debemur Morsi Productions on April 7th, and we again have the pleasure of doing a premiere, this time for the second song to be revealed so far from the new full-length, along with a brief interview of vocalist/guitarist Sébastien B. Continue reading »

Mar 082023
 

Just two days from now, on March 10th, the Italian label Lethal Scissor Records will release a new EP named Metastasis by the German band Bloodjob. True to their name, Bloodjob give us a bloody piece of work, an explosive five-track onslaught that’s foul and ferocious, bringing to bear ingredients of both brutal death metal and technically electrifying death metal, as well as the kind of grindcore zealotry that spawns visions of mosh pits gone wild.

The EP features the talents of a new rhythm section that joined the fold after the band’s 2019 debut album Sick Concept Humanity. And so the new EP includes re-recordings by the new lineup of two cuts from the band’s 2012 demo Misogynic Obsessions, as well as three new songs inspired by the band’s “dystopian view on the degenerating civilization we live in” — and we’ve got all five of the songs for you to hear today. Continue reading »