NO CLEAN SINGING

SEEN AND HEARD: UNPURE, MARIANAS REST, NEGATIVE PRAYER

Feb 232023

Since I’m snow-bound this morning and can’t make it to a job-related commitment at mid-day I had time to pull together one more short round-up, to go along with the other one from earlier today.

UNPURE (Sweden)

This seems to be a day for returns from the grave, following my selections from Dååth and 7 H.Target in the earlier round-up. After a silence spanning nearly 20 years, Unpure come back with a new album named Prophecies Ablaze, which will be released at the end of March by Invictus Productions and The Ajna Offensive, and that record is the source of my first pick in this installment. Continue reading »

AN NCS EP PREMIERE (AND A REVIEW): DISGUSTULENT — “LOD”

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Feb 232023

You can guess from this Vancouver trio’s name that creating shiny and seductive music is not their mission. Instead, what you’ll encounter on their debut EP LOD is death metal of a particularly crushing, manic, and mind-mangling variety. But it would go too far to claim that their music is nothing but foul and fetid malignancy and decay, which might be another conclusion you leap to in considering their name. Vicious and voracious it is, but it’s strikingly dynamic and equally capable of creating head-spinning spectacles.

Though the EP you’re about to hear is Disgustulent‘s debut release, it doesn’t sound like anyone’s first effort, and indeed the band’s members have already made their marks in other formations, with guitarist/vocalist Vitharr and bassist Shawn Hillman also having performed as members of SVNEATR and drummer/vocalist Taylor McDonald lending his talents to Death Machine, Blackwater Burial, and Cranial Fungus.

They chose the name Disgustulent, by the way, from a Cerebral Rot song called “Crowning the Disgustulent”. And in its lyrical themes this first EP is based on the world and lore of Diablo (specifically Diablo 2). Continue reading »

SEEN AND HEARD: DÅÅTH, 7 H.TARGET, SARCOPHAGUM

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Feb 232023

I don’t know why I bother counting, but I have 23 new songs and videos on my listening list from what surfaced over the last 7 days, not to mention all the ones that were on there before. But I need to keep this round-up short, because there’s a premiere coming up, but maybe I’ll get a second one finished today after that.

DÅÅTH (U.S.)

No chance I would have missed the new Dååth single digitally released yesterday by Metal Blade, because I got timely enthusiastic messages about it from both DGR and TheMadIsraeli. But I would have paid attention anyway, since seeing their name again revived a ton of fond memories from the first decade of the new millennium, back when they were taking the metal world by storm. Continue reading »

DEATH ETERNAL

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Feb 232023

(Today Axel Stormbreaker focuses attention on an octet of releases by the Virginia-based label Death Eternal.)

Death is final. Death is eternal. Even if there exists some sort of afterlife in what lies beyond, it’s probable we won’t be carrying any of our present memories along. Blame me if today’s mood seems a bit philosophical, but current events can make a guy ponder. You’re wondering what’s the point of it all, or why it’s an aspect all of Earth’s religions won’t dispute. Or even how would our essence grow in the first place, if memories are not supposed to matter.

That being said, Death Eternal Records from Richmond, Virginia is a name rather suitable for an underground DIY endeavor. Especially one that deals with ominous music, even when their criteria do grand salvation on a personal degree. What you may find here, none can quite guarantee. What you shall miss, no one could really answer. All you’ll be getting is nothing besides the dusty offerings of a small-scale label, dedicated to promoting local talent among other relative bands. Continue reading »

AN NCS PREMIERE: ARDENT NOVA — “SOUND THE HORNS”

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Feb 222023

Ardent Nova have done a fantastic job seizing attention in short order. There’s the band’s name itself, which promises both determined fervor and blazing splendor. Then there’s the attention-grabbing cover art (by neo sabbath) for the band’s self-titled debut album, which is simultaneously dark and brilliant, ominous and mystical.

And foremost of all, the two songs that have been revealed so far — as well as the one we’re presenting today — are pure heavy metal glory, earning Wise Blood Records‘ comparative references to the likes of Nite, Amon Amarth, viking-era Bathory, and the much more recent but equally striking work of Majesties.

For those of you who haven’t yet encountered Ardent Nova‘s tremendous music, it’s been a long time coming. It’s the solo work of Mike Pardi (Empty Throne, ex-Draconis), joined on the album by drummer Ryan Gallagher, and first took shape 22 years ago under the name Pagan Thunder. We’ll let Mike Pardi explain more: Continue reading »

AN NCS VIDEO PREMIERE: LOTAN — “DIABOLIS VICTOR”

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Feb 222023

The Danish melodic black metal band Lotan, whose lineup shares members with Vanir, got off to an excellent start in 2021 with a pair of EPs, and we happily premiered songs from both of those. Now they have a debut self-titled album on the way, and in early December of last year and then again in January, they released two singles from the album, both of them with lyric videos. Today we present a third one, which will be released as a single this coming Friday, and it only confirms the album’s harrowing and haunting power.

The first of the singles, “Ignis“, blazes in daunting grandeur yet feels forlorn and even anguished. The vocals are scorching, the drums bring the thunder, and the song manages to dig its talons under the skin despite how emotionally unsettling it is. There’s also a moody and mysterious digression near the middle that adds to the song’s allure. Continue reading »

GOROD: “THE ORB”

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Feb 222023

(Professor D. Grover the XIIIth returns to NCS with the following review of Gorod’s new album, which is set for release on March 7th.)

Greetings and salutations, friends. If you’re reading this, I can only hope that you are familiar with French tech-death masters Gorod, whose career now spans two and a half decades (counting their early years as Gorgasm). The Orb is only their seventh full-length release, with a pair of EPs (and a couple early demos) sprinkled in, but at this point in their career their work has reached legend status in certain corners of the metal world. In my humble esteem, Gorod have for me represented the gold standard of modern tech-death ever since Process Of A New Decline, the album that truly got me interested in tech-death in the first place, and while that release remains my favorite to this day their output has been consistently high.

Gorod‘s style has evolved incrementally with each release, with the biggest shifts generally following a change in the band’s lineup. While the band have been spearheaded from the beginning by guitarist Mathieu Pascal and bassist Benoit Claus, the additions of guitarist Nicolas Alberny and, later, drummer Karol Diers have contributed to the band’s growth. The most notable change came with the additional of current vocalist Julien “Nutz” Deyres after the release of Process, and he made his presence and expanded vocal range felt immediately on the Transcendence EP, especially on that release’s 15 minute title track. ‘Transcendence’ brought with it an expanded focus on progression that paired exceptionally well with the band’s technical prowess and knack for writing catchy hooks and grooves, and the band has further explored that progression on subsequent releases. Continue reading »

AN NCS PREMIERE: MAUDIIR — “L’ÉLOGE DU CUIVRE”

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Feb 212023

Solo musical projects present challenges, but also opportunities. Writing and performing songs without the collaboration of other musicians who might contribute ideas or at least be sounding boards for the principal songwriter, in addition to providing their own talents as performers, can create obstacles. Sometimes a solo artist’s ideas need improvement, or maybe need to be trashed altogether. And sometimes a solo artist’s performance talents fall short of what’s needed for even very good ideas to be expressed in ways that are appealing to listeners.

On the other hand, working alone provides complete creative freedom, and if the solo artist’s vocal and instrumental skills are up to the task, the results can more authentically represent the ideas (for better or worse) than trying to get multiple people to understand them and pull in the same direction.

Again for better or worse, complete creative freedom means that a solo artist’s music can twist and turn in different directions from one release to the next, because creative impulses don’t always follow a straight line or even a coherent progression. One person might stick with a defined style and hone it, but another might indulge more adventurous impulses.

Which is a long-winded way of bringing us to the latest EP by Maudiir, the solo project of the Montreal-based artist who goes by the initial F. Continue reading »

HYPNO5E – SHEOL

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Feb 212023

(Andy Synn takes us on another epic journey soundtracked by French Prog-Metal maestros Hypno5e)

There’s every chance that, while you’re reading this article, I’ll be out at the massive Gojira arena show here in Nottingham.

The only reason I mention this is that, for years now, Hypno5e have been (lazily) compared to the Big G, despite the fact that the two bands have little in common apart from their nationality.

In fact, if anything, the two groups have only grown further apart as time has gone by, with Hypno5e opting for the path less-travelled and growing more complex and ambitious with every new album.

Which brings us to Sheol – simultaneously both a sequel and a prequel to A Distant Dark Shore (the two albums forming a closed conceptual cycle) – which finds the band continuing to stretch themselves, and their sound, in ever more compelling, challenging, and unpredictable ways.

AN NCS INTERVIEW: ULTHAR

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Feb 212023

Photo by Melissa Petisa

(Last Friday 20 Buck Spin released Anthronomicon and Helionomicon, the two new full-length studio offerings from West Coast blackened death metal trio ULTHAR, and today we quickly follow that with Comrade Aleks‘ genuinely fascinating interview of the band’s vocalist/guitarist Shelby Lermo.)

Shame on me! It’s easy to catch my attention if the band communicates with the cosmic horror born from the myths of H. P. Lovecraft. This reference helped me to learn about a few great bands, and Ulthar from the US is one of them now. The trio consists of Shelby Lermo (guitars, vocals), Justin Ennis (drums), and Steve Peacock (bass, vocals). Each of them have a few more bands or projects behind them, but they really put a lot of ideas and energy into Ulthar.

Their first albums Cosmovore (2018) and Providence (2020) demonstrated fanatical devotion to surrealistic and violent blackened death metal. And now 20 Buck Spin have released two new album from Ulthar at once – Anthronomicon and Helionomicon. The band chose not to release them as a double-album, as the two recordings are different entities, and of course you’ll know the reason when you read this interview with Shelby Lermo. Continue reading »

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