Jan 122026
 

(written by Islander)

A new week begins and so we resume the rollout of this 2025 Most Infectious Song list. With this Part 7 the number of songs climbs to 21.

For this installment I decided to lean into death metal, very different flavors of death metal to be sure, but each track a neck-wrecker. These choices ought to make my comrade DGR particularly happy, but hopefully many of you as well — though I quickly admit that the three albums from which I extracted these songs were home to lots of other infectious ones too. Continue reading »

Jan 122026
 

(Our Norway-based contributor Chile has brought us his first review of 2026, and the subject is the long-awaited debut album by the Croatian extremists Bezdan.)

Where did the time go? Well, that’s not really a rhetorical question. Listmania 2025 started happening and the wheels just seemed to fell off my proverbial writing wagon, so the time mostly went with me pouring over all the published lists and scratching my head at how the hell did I miss this or that album. Nevertheless, as a wise man said once: “Metal is never late, nor is it early. It arrives precisely when it means to”. Or something like that.

As another wise man said once (or twice) on these very pages, it seems like we do spend a lot of our time here at NCS playing catch-up, so here we go once again. This review would have been better suited to have happened around the time of the actual release date of this album back in late November or at least early December, but time is relative anyway, as we are about to find out. Continue reading »

Jan 112026
 

(written by Islander)

This morning I read an unexpectedly engrossing essay written by a woman who unexpectedly became an obsessive fan of a Broadway musical named Operation Mincemeat. She makes very clear that fanatical fandom isn’t typically part of her personality — far from it. She spends the entire essay thinking out loud, trying to understand why she has seen the musical at least 12 times, interspersed with evidence of her obsession and stories about how the musical came to be and what it’s about.

Eventually the writer comes close to an answer, which is that the musical is an exception to the “desert drought of originality and ideas” that surrounds us. She writes: Continue reading »

Jan 102026
 

(written by Islander)

I’m obviously still doing what I usually do around here, picking out some new songs and videos to share with you this weekend. But in addition to being overwhelmed by the sudden January surge in new music, the task has been especially difficult because I’ve been so infuriated and depressed by the murder in Minneapolis, the outrageous bald-faced lies spouted about it by Trump and his minions, including the fabricated demonizing of the deceased, and the likelihood that the murderer will face no accountability at all. Only ten days into the New Year, and 2026 already looks devastatingly dark here in the U.S.

I haven’t listened to new music over the last couple of days to take my mind off these events, or other terrible events both here and around the world. I do often immerse myself in music for that very reason, as many people do — to get some relief from more awful aspects of existence. But not now. The rage and the sadness aren’t going to be diverted. Now, I’m just trying to keep my head down and carry on because I don’t have any better ideas, even though it seems on days like this that what we’re doing here is unimportant in the grand scheme of things.

Well, sorry for unloading like that. I still want you to listen to all the songs I picked for today. In my humble estimation, they’re all very good, even though I suspect I’ll appreciate them even more on some distant and brighter day. Continue reading »

Jan 092026
 

(written by Islander)

As someone who tries to keep a very close eye every week on the emergence of new metal across a range of sub-genres, I can tell you that the holiday break is well and truly over. Since last week, the relative trickle has become a flood. I now find myself staring at dozens of computer tabs I opened in just a handful of days for songs and complete releases I thought I might want to check out.

I haven’t yet made my way through all of them, and doubt that I can. But with no premieres on our calendar today, I thought I ought to at least make a start, so that the task of compiling our two usual weekend roundups won’t be completely overwhelming, just moderately overwhelming. Here’s what I unearthed from the underground and enjoyed this morning. Continue reading »

Jan 092026
 

(written by Islander)

As a reminder to people that our site’s name isn’t really the ironclad rule that it pretends to be, I always include songs on this list that include… singing.

I mean, the site’s name isn’t a complete joke. The vast majority of the music we feature has no singing in it — only growls, howls, or screams — and most of the time sung vocals don’t hold a lot of appeal for me. Given my tastes in metallic extremity, I find that they often tend to diminish or distract from the emotional and sonic intensity I’m after.

On the other hand, I readily admit that singing can enhance a song’s power, or add contrasting or complementary “colors” that elevate a song’s impact beyond what it could achieve with harsh vox or no vocals at all. The three songs I’ve added to this list today are examples of what I’m getting at. Of course, there are other aspects to the songs which make them addictive, but the voices — which are dramatically different from each other — are a key reason why they got their hooks in me last year. Continue reading »

Jan 092026
 

(Last August Personal Records released the second album from the multi-national doom band Anchorite, whose lineup is full of veteran names. Their music features singing (remarkable singing), but of course that won’t stop us from publishing Comrade Aleks’ interview of Anchorite’s vocalist, Leo Stivala.)

After a five-year hiatus, the international project Anchorite is ready to remind us of themselves with their second full-length album, Realm of Ruin. Anchorite’s strengths extend beyond the fact that Forsaken frontman Leo Stivala is on vocals; the entire lineup is remarkable. Leading the charge is bassist Peter Svensson, whom we recently wrote about in light of the new album from his main doom band, Void Moon, and who is known for countless other projects he’s involved in! Behind the drums is Void Moon’s drummer (and vocalist), Marcus Rosenqvist, and on guitar is Martin Andersen from the Danish heavy metal band Meridian.

The professionalism of Anchorite’s members guarantees the quality of Realm of Ruin, but if you’re familiar with Svensson’s discography, it’s time to ask: Is it physically possible for a person to produce so much metal without wearing himself out? Especially since three more albums featuring his most active contributions were released in 2025. True, two of the three (Furnace and War Magic) are death metal, and one (Bardo Thodol) is heavy metal, but jokes aside, Anchorite delight the ear with solid, never-failing doom metal with a leaning toward traditional, combative heavy metal. Continue reading »

Jan 082026
 

(written by Islander)

In this fifth installment of my Most Infectious Song list I’ve concentrated on tracks that create varying intersections of black and death metal. No two of them are quite alike, but all three have left lasting impressions. I’ve included the first one despite the fact that the album it comes from will be a 2026 release, because the song itself was released as a single last August.

Without further ado, let’s get straight to them. Continue reading »

Jan 082026
 

(written by Islander)

The world will end. All life will end. Each life will end, tomorrow, or the next day, or millions of years from now. What comes next? That question has occupied human thought almost more than any others — right after thoughts about what we must do to keep ourselves alive for one more day. What comes next?

The question remains the same, and it still evokes the same answers — either some vision of life everlasting or the acceptance of oblivion, with the fear of the latter seeding the growth of the former. But given how much suffering human lives must endure, one might wonder whether bringing new life into existence is a worthy act, regardless of what comes after its end.

That question lies at the heart of the new song by Ennui (from Tbilisi, Georgia) that we’re premiering today along with a captivating lyric video in conjunction with the announcement of the band’s new album Qroba, their first full-length in more than seven years. It will be released by Meuse Music on February 27th. The name of the song we’re presenting today is “Antinatalism“. Continue reading »

Jan 082026
 

(written by Islander)

The death metal band Banisher was formed in Rzeszów, Poland, in 2005 by Hubert Więcek (DIETH, ex-Acid Drinkers live, ex-Decapitated). Since then, the band’s full lineup has also included members of such well-known groups as Fleshgod Apocalypse, Belphegor, Vital Remains, and Hate.

They have released four albums over the last 20 years, and now, after a six-year hiatus, a fifth one is set for release on January 30th by Selfmadegod Records. Its title is Metamorphosis.

To help introduce the new album, today we premiere a song from it named “Manifest of Justice“, presented with a lyric video. Continue reading »