METAL MEETS LITERATURE

 RANDOM FUCKING MUSIC  32 Responses »
Dec 052013
 

(In this guest post, Booker identifies works of literature that he was inspired to read as a result of metal, along with the specific music that provided the push. If you’ve had similar experiences, we’d like to hear about them in the Comments, along with any thoughts you might have about Booker’s post.)

Well, if you’re reading NCS, you’ve probably come to the conclusion that metal is one of mankind’s greatest creations. When I’m feeling generous I’d even expand that to music in general. You know what one of human beings’ other greatest creations is? Sending humans to an orbiting lunar body in specially controlled atmospheric craft and protective suits? Pfft, no! Using a modified virus to evoke lasting immune responses to deadly diseases? Meh.

What I’m talking about is writing. That’s right, writing, without which those other achievements wouldn’t even be possible. When you think about it, it’s pretty mind-blowing that we can scrawl lines on paper, and now digital displays, and someone else can look at those hieroglyphics and almost instantaneously discern meaning, enabling us to convey ideas and thoughts to someone else without even talking to them! From one side of the planet to another, or even from one mind to another across the abyss of time and the divide of death. Think about that after smoking a few pipes (oh my god, it’s like there’s people reading my mind!… over the internet!… and I’m reading some thoughts from someone who’s dead!… woooaahh).

And with writing came literature (and humorous toilet graffiti).  Not surprisingly, given the vast array of ideas and storylines conveyed by literature, some of those works have in turn inspired musicians to craft musical works covering the same themes, and when metal musicians do it you get what I’d call a veritable orgy of humanity’s greatest creations – metal meets literature, all getting off over each other. That’s what I’m talking about! But what I’m going to cover here is taking this one step further – not just metal albums inspired by literature, but albums/songs/bands that have in turn inspired me to go back to the source and read the inspirational literature in question. Continue reading »

AHAB: “THE GIANT”

 Album Reviews  2 Responses »
May 082012
 

(TheMadIsraeli recently went on a reviewing rampage. We may have one from him every day this week. Today’s review focuses on “The Giant”, the new album by Germany’s Ahab, which will be released by Napalm Records on May 25.)

Doom metal is a genre that is often hard for many to accept or buy into.  I get why.  I didn’t even start to appreciate it until only last year when I forced myself to sit down and really listen.  In the end, I found it to be ideal contemplation music, music to which I could meditate about my life.  It’s not so much depressing as I find it to be the soundtrack to introspection, often the introspection of one’s mortality and shortcomings.

Funeral doom, however, is where my love for this style really shines.  If you aren’t going to be chaotic and frantic, you best be as morose and macabre as possible.  Four bands have accomplished this for me with the most powerful of results: Mournful Congregation, Colosseum (R.I.P), Pantheist, and Ahab.

Ahab’s new album The Giant continues their tradition of seafaring melodic death doom.  Their music has always penetrated my soul to its very depths, but The Giant is a whole other beast entirely.  An added strong presence of stoner vibes is evident throughout, creating something of an otherworldly experience akin to drowning yet not feeling or experiencing any of the fear, pain, or frantic desperation.  You are simply accepting.

The Giant is only six songs long.  That may not sound like much, until I tell you the shortest song is about eight minutes and the longest is about thirteen.  Ahab have taken a much more introspective and dynamic heavy approach this time around, crafting a journey that leaves the listener feeling like that lone shipwreck survivor holding onto a single plank of wood, floating in the middle of the ocean, hoping he’ll find land soon. Continue reading »

TODAY’S ROUND-UP: NEW THINGS FROM AHAB, NACHTBLUT, STAM1NA, AND NE OBLIVISCARIS

 Metal News, RANDOM FUCKING MUSIC  12 Responses »
May 022012
 

Here is a typically random round-up of interesting items that cleverly captivated my eager eyes during my ludicrously limited last break from the jacked-up job that plentifully puts bread on my tilted table, unlike this NCS job, which only feeds my spirit. And the pleasurable purveyors of entertainment in this post are: Ahab (Germany), Nachtblut (Germany), Stam1na (Finland), and Ne Obliviscaris (Australia).

AHAB

NCS writer TheMadIsraeli turned me on to this German doom band at some point last winter. Doom is still a taste I am slowly acquiring, and I can’t say that I’m yet able to consume it in large quantities at a single sitting. However, at the right time and if properly prepared, I do find it tasty. And though I haven’t explored the discography of Ahab in depth, I’m interested in their new album, The Giant.

The band have used their music to explore dark literature with a nautical theme. The Call of the Wretched Sea (2006) was devoted to Melville’s novel Moby Dick, and The Divinity of Oceans (2009) was a soundtrack to the 1820 sinking of the whaling vessel The Essex, an event that partly inspired Moby Dick and was also the subject of a great more recent book, In the Heart of the Sea by Nathaniel Philbrick. It appears The Giant will follow at least a somewhat similar nautical path. Continue reading »

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