May 022012

Here is a typically random round-up of interesting items that cleverly captivated my eager eyes during my ludicrously limited last break from the jacked-up job that plentifully puts bread on my tilted table, unlike this NCS job, which only feeds my spirit. And the pleasurable purveyors of entertainment in this post are: Ahab (Germany), Nachtblut (Germany), Stam1na (Finland), and Ne Obliviscaris (Australia).


NCS writer TheMadIsraeli turned me on to this German doom band at some point last winter. Doom is still a taste I am slowly acquiring, and I can’t say that I’m yet able to consume it in large quantities at a single sitting. However, at the right time and if properly prepared, I do find it tasty. And though I haven’t explored the discography of Ahab in depth, I’m interested in their new album, The Giant.

The band have used their music to explore dark literature with a nautical theme. The Call of the Wretched Sea (2006) was devoted to Melville’s novel Moby Dick, and The Divinity of Oceans (2009) was a soundtrack to the 1820 sinking of the whaling vessel The Essex, an event that partly inspired Moby Dick and was also the subject of a great more recent book, In the Heart of the Sea by Nathaniel Philbrick. It appears The Giant will follow at least a somewhat similar nautical path.

It takes as its theme a whaling novel by Edgar Allan Poe (his only complete novel), The Narrative Of Arthur Gordon Pym of Nantucket. I haven’t read it, but from what I’ve read about it (here), it certainly seems dark  . . . and strange.

Ahab’s new album will be released by Napalm Records on May 25, and Ahab have put up a studio video, the soundtrack to which is an almost five-minute portion of the title track (the entire song is more than 10 minutes long). This song really grabbed me with its massive riffs, its bleak melody, and its effective mixing of clean and cavernous harsh vocals. And Enslaved’s Herbrand Larsen makes a guest appearance on the song.

Check it out — and if you like what you hear, you can track the entire song on the SoundCloud player below — or you could just jump to that without delay.


[soundcloud url=”″ iframe=”true” /]


This next band is also from Germany, they’re also in the Napalm stable of artists, and they also have a new album (Dogma) scheduled for release on May 25 — but there the resemblances end. So far, I’ve only heard one track from the album, which I feel permitted to stream for you because Nachtblut themselves are streaming it on their official web page. Based on that one song — which is the sum total of my direct experience with their music, it’s somewhere on the other side of the musical world from Ahab.

Let’s put it this way: if you know the music of Rammstein and like it, then odds are you’re going to like this, too. You might even like it more, because the cheese is not as strong with Nachtblut (based on this song, at least). The song is called “Eiskönigin” and its both bouncy and evil-sounding. It made me want to dance — in one of those clubs where masked women wear fishnet stockings and stiletto heels and wield whips, and various patrons are manacled in chains and forced to engage in degrading behavior and people are drinking drinks that smoke.

Uh, where was I?  Oh yeah, “Eiskönigin”. Here it is:



Stam1na are fun, too, though perhaps somewhat more wholesome and a whole lot more humorous. I wrote about their last video here. It was for a song from their 2012 album Nocebo called “Valtiaan uudet vaateet”, which I decided is Finnish for “I’m about to get really fucked up”. It’s still one of the best videos of the year for my tastes. My tastes are, of course, highly suspect, but the video is a fucking hoot to watch.

Today Stam1na released yet another video from Nocebo. This one is for a song called “Puolikas ihminen”. Google Translate tells me that means “half a man”, and when you watch the video you’ll see that it kind of fits what happens in the vid. Yet another catchy song, yet another entertaining Stam1na video, which I’m glad I saw despite the clean singing.



Okay, forgive me for the bait and switch, because I have neither new music nor a new video from Ne Obliviscaris for you. I have only news, but fuck, it’s some good news: This band will be releasing the second song from their looooooooong-awaited album Portal of I later today.

Why is that exciting? Because if you’ve heard the album’s first song “And Plague Flowers The Kaleidoscope”, you know they are capable of creating some genuinely distinctive, completely killer metal. And if by chance you haven’t heard it, you can go do that in one of the 100 posts we wrote about the song here at NCS.

Now, why am I writing about this news now instead of just waiting for the song to premiere and then sticking it up here at the NCS site? Well, because the band says the song will start streaming at 5:00 pm AEST on May 3, which I think is a reference to Eastern Standard Time in Australia. With the help of the internets, I figured out that this translates to midnight in Seattle tonight.

I plan to be sleeping the sleep of the just at midnight tonight, much as I love this band. So listening to the album and embedding it at NCS will have to wait until tomorrow morning, my time. But maybe some of you will be awake, depending on your time zone. If so, you could check the NeO Facebook page at the appointed hour and check out the new music.

By the way, the album will be out on May 7 and can be pre-ordered here. I don’t know why we haven’t received our free advance copy here at NCS, but as you can tell, I’m overlooking that traumatic personal slight and waiting impatiently like everyone else.

That’s all for now. Enjoy the rest of your fucking day.


  1. Man I love Ahab, They’ve really come along. I remember getting into Mastodon’s “Leviathan” album and searching for music with a similar theme. Stumbled upon “Call of the Wretched Sea” and fell in love. Their second album was even better in almost every way. This looks to not disappoint either. Love the art, love the musical direction. They’ve refined their sound so much and the contrast between soft, delicate melodic parts and sheer, unrelenting brutality stands out even more. Their music is almost as vast and humongous as the oceans themselves.

  2. Gonna be awesome to see NE OBLIVISCARIS in Melbourne in a few weeks and pick up their CD at the gig. Can’t wait.

  3. You can find much of Edgar Allen Poe for free at Project Gutenberg ( In addition to HTML they also have formats for most e-readers.

  4. Sigh, I don’t like cleans in my Ahab. Generally in favor of clean vocals because they spice up the dynamics of a song, but this sounds like nothing more than a watered down version of “Call of the Wretched Sea” (which is otherwise the best doom album ever, in my opinion).

    • Funny you say that. My buddy who also likes this band said this after I showed it to him: “Aquatic funeral doom whalecore purists are going to be SOOOO mad at the singing. Just like with the last album a lot of people were like ‘Ummm, excuse me, Ahab? Maybe you, uh, didn’t know, but funeral doom doesn’t HAVE singing? We aren’t MAINSTREAM. Mmmkay? 1/5.’ ”

      Then I see this comment. I lol-ed.

  5. If the NeO track is the same one they debuted on Australian radio a couple days ago, then get excited. By far the heaviest shit they’ve written, but still with all the dynamics you expect from these guys. So hot for this album.

  6. The new Ahab album has a distinctive stoner vibe to it compared to their earlier work. It’s pretty neat.

  7. It’s cool to see you’ve picked up Stam1na!

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