Dec 112025
 

(Andy Synn presents another detailed selection of 10 albums representing the absolute best of 2025)

In the words of the late, great Lieutenant Jean Rasczak… “this is for all you new people.”

Now the “Critical Top Ten” is not, and I need to stress not, a traditional “Top Ten”, in that it’s not ranked, nor is it actually intended to be the 10 “best” albums of the year (since, if we’re being realistic, that’s pretty much impossible to quantify, considering all the different factors that go into making all these different styles and sub-genres of Metal).

What it’s supposed to do, however, is provide a selection of 10 of the best releases of the year, drawn from my “Great” list (so if it wasn’t there then it’s not going to be here either… something which I try to clarify every year, even though I still get people complaining that [x] band isn’t mentioned despite the fact that, as I’ve stressed several times, if it wasn’t featured in my massive round-up over the last couple of days that means I didn’t get round to hearing it), that are designed to represent the impressive quality and creative variety of the scene over the last twelve months.

Again, it’s not comprehensive… obviously… and while I try to be as objective as possible in my selections (these aren’t my “favourite” albums of the year, those are coming tomorrow) I’m sure there’ll be lots of disagreements with my choices (in fact, looking at some of the comments we’ve already received, some of you are going to be very pleased, and a few of you are going to be very upset, but all of you should at least appreciate some of the surprises I have in store this year).

But I’ve found the best way to think about this article is as a sort of “time capsule” of the year… sure, there’s not room for everything, but when future generations look back on 2025 this should serve as an excellent snapshot of the year in Metal, across as many styles and sub-genres as I was able to squeeze into just 10 albums!

Continue reading »

Jan 292020
 

 

Coincidentally, while thinking about how to introduce our premiere of Ainsoph‘s debut album (which will be released by Wolves Of Hades on February 2nd), I paused to finish an essay I had been reading about the great American songwriter Cole Porter. It ended with this paragraph:

“All art aspires to the condition of music, Walter Pater wrote; within music itself, all music dreams of becoming another kind of music. Art songs dream of becoming pop songs and pop songs dream of becoming folk songs, too familiar to need an author. We hear Porter now without knowing that it’s Porter we’re hearing. Like Stephen Foster, he sublimated his suffering into his songs, until the songs are all we have, thereby achieving every artist’s dream, to cease to be a suffering self and become just one of those things we share.”

What does this have to do with Ainsoph and their album Ω – V? I don’t want to push the connections too strongly, but some of the phrases in what I just quoted seemed relevant to what I was thinking about this album.

Ideas about the emptiness of human existence, about the endless void that will consume us all, and perhaps abut the search for meaning, or at least the embrace of endlessness, seem to have played a role in inspiring the album. In its own way, it seems a sublimation of suffering into music, both expressing it and transcending it. And in its own way, it’s also music that seems to dream of becoming another kind of music. Continue reading »

Dec 122019
 

 

It’s been another of those weeks when the rest of life has rudely intruded on my NCS time, and so I haven’t been keeping up very well with new songs and videos. Haven’t even had time to add to my list of things to check out based on what has popped up in the various sources I use. Still, I did pay attention to the following four new songs, and the attention was rewarded.

Be forewarned: If you come to NCS expecting us to rigidly adhere to the site’s title, today’s collection includes a couple of exceptions — two of four.

DAWN OF SOLACE

Fourteen years is a very long time between albums. And in the case of Dawn of Solace, there was no reason to expect a follow-up to The Darkness (released in 2006), because in 2013 the band’s alter ego Tuomas Saukkonen announced the interment of all of his previous bands and projects, and the decision to replace them all with Wolfheart.

But now there will be a second Dawn of Solace album, the title of which is Waves. It’s set for release on January 24th by the new label Noble Demon (who will also be releasing the debut album of Night Crowned, for which we hosted a song premiere last week). Continue reading »