Aug 102022
 

(We continue a week-long run of reviews by DGR, and this one takes stock of the latest release by the always-interesting NY crew Tombs.)

Tombs have made a name for themselves as more than just a black metal collective out of the East Coast. Whether through the rotating cast of band members or influences pulled from all around the underground scene, Mike Hill and gang have absorbed a lot more into their sound, evolving Tombs past a post-metal/black metal hybrid and into an art collective where you never fully know what to expect next.

Tombs have kept busy as well, especially in recent years, because, save for 2019, every year has seen some sort of release from them, whether it be an EP, full-length, compilation, or a single. There’s always something to keep them out there and show that maybe the constant refresh works for them.

Mid-June of 2022 saw the release of the latest addition to the group’s collective musical works with the EP Ex Oblivion, which contains one new song, one ambient block of experimentation, a remix/housewrecking of a track from Under Sullen Skies, and two cover tracks – for a combined total of three cover songs within the last year, if you caught their cover of Samhain‘s “The Shift” in 2021 – for twenty-two minutes of music. Continue reading »

Jul 122022
 

 

In the dozen years of this site’s existence we’ve had fewer than a dozen days (including weekends and holidays) when we posted nothing new. Yesterday was one of those. I’ll spare you the excuses, which were numerous, but I still felt guilty about it. So I’m trying to make up for that void today.

In gazing upon my long list of songs I wanted to recommend, it occurred to me that most of them were variations of black and blackened metal, so I decided to focus on those and leave other genre variants for another day.

There’s a lot here, all of them tracks from forthcoming releases, and so I’ve truncated the introductions and mostly omitted the usual artwork. I begin with bigger names and then drift into more obscure ones. Continue reading »

May 172022
 

I have the freedom to do whatever the hell I want with these round-ups, which should mean an absence of any pressure but somehow doesn’t work out that way. No one tells me to pick this song or that song, no one will live or die (or succeed or fail) depending on what I pick, and I guess the only “wrong” choice is one that no one else likes. So where does the pressure come from?

Damned if I know. Some gremlin in my head that gnaws at the wiring and gibbers “You could have done better! You could have done more!” Begone you devil, I’d rather forget about you and listen to these devils instead:

ORNÆMENTAL SHINE (U.S.)

Not too long ago I, Voidhanger Records launched a flurry of new album announcements and advance tracks from each of them. Eventually I hope to touch on all of them. Today I’ll touch on Deima Panikon, the debut album from Ornæmental Shrine, an avant-garde U.S. quintet that includes members of Uada and Black Hate. Continue reading »

Apr 022022
 

 

I had a hellish work-week at my fucking day job, which caused me to fall behind again in listening to candidates for this weekend round-up. I’ve also got an appointment for a second booster jab coming up soon this morning. Putting those two things together means this round-up will be shorter than I’d like. As is becoming something of a habit, I also included a curveball at the end.

JUST BEFORE DAWN (Sweden)

These Swedish favorites of mine have always chosen themes that focus on war, mainly WWII. They’ve repeatedly demonstrated a talent for channeling not just the mad exhilaration and explosive destructiveness of armed conflict but also the pain and grief it brings. It’s not surprising, therefore, that they would record a song for the victims of Russia’s invasion of Ukraine. Continue reading »

Nov 112020
 

 

(This is Wil Cifer‘s review of the new album by Tombs, which will be released by Season of Mist on November 20th.)

I am going to assume that since Mike Hill has been pumping it out with this project for 13 years you know what Tombs is about. If you have read my reviews before, then you know darkness is what I am listening for when it comes to any genre of music. Hill delivers darkness in full here.

Flanked by the same line up that played on the Monarchy of Shadows EP, the band open with the almost thrash-tinged Swedish touch to black metal. In the first song alone (“Bone Furnace”) there are almost all the staples of their sound. A more overt metal chugging powers “Void Constellation”. The songs have a more focused and hooky bite than what I remember coming from the Monarchy of Shadows EP. They have certainly retained the dense guitar sound they have had since The Grand Annihilation. Continue reading »

Sep 072020
 


TOMBS (photo by Dan Higgins)

 

EDITOR’S CONFESSION: Is it possible? Could I have actually failed to post the second installment of this series by our contributor Gonzo on Friday, just like I was late in posting the first one? Even though it’s called NEW MUSIC FRIDAY? Hell yes! It’s true! I fucked up two weeks in a row! But I’m risking covid to visit a tattoo parlor today to have NEW MUSIC FRIDAY tattooed on my forehead so I’ll never forget again. Of course, when looking in the mirror it will read YADIRF CISUM WEN.

 

The show must go on.

Given the quality output so far in a year otherwise mired with seemingly every kind of imaginable strife dominating the headlines, you’d think those words were the mantra of every working band out there.

Some of those themes of the year, as it turns out, make for excellent and timely material to write songs out of. I have no doubt that we’ll start seeing more and more of it start to emerge as we trudge on through this supremely uncomfortable and anxiety-inducing timeline we’re living through. This week [Editor’s Correction: last week!] has dropped a few hints of what’s to come, with spectacular results. Continue reading »

May 192020
 


Bombs of Hades – photo by Susan Wicher

 

(DGR prepared this collection of reviews, focusing on six 2020 EPs across a range of metal genres.)

If you’ve been reading the site recently you might’ve caught fellow writer Andy Synn doing a deep dive on six EPs that had seen recent release (here). Well, that wasn’t the only one of those on the docket, and what you’re looking at is a second collection of EPs: Stuff that I’ve noticed we haven’t dived into in print, stuff that might’ve glanced by us, and one or two that are basically on the DGR radar by proximity alone.

Musically, we’re all over the map – hell, Ovaryrot’s presence alone was likely to have that effect – as we travel through crusty death metal realms, thrashier-death and black hybrids, to black metal itself and all of its post-genre cousins, even making a trip to the tech-death world to say hi to those over-complicated goofballs and their tendency to try to write everything and the kitchen sink into five-minute chunks, before finally winding up on the doorstep of some nightmare music, because who the hell needs to sleep?

So if you saw the previous six EPs and thought, “Wow, what a fantastic idea”, then settle in my oddly specific friend because do we have a treat for you, another six EPs of music that have hit over the past few months for you to check out and bang your head to. Continue reading »

Dec 122019
 

 

It’s been another of those weeks when the rest of life has rudely intruded on my NCS time, and so I haven’t been keeping up very well with new songs and videos. Haven’t even had time to add to my list of things to check out based on what has popped up in the various sources I use. Still, I did pay attention to the following four new songs, and the attention was rewarded.

Be forewarned: If you come to NCS expecting us to rigidly adhere to the site’s title, today’s collection includes a couple of exceptions — two of four.

DAWN OF SOLACE

Fourteen years is a very long time between albums. And in the case of Dawn of Solace, there was no reason to expect a follow-up to The Darkness (released in 2006), because in 2013 the band’s alter ego Tuomas Saukkonen announced the interment of all of his previous bands and projects, and the decision to replace them all with Wolfheart.

But now there will be a second Dawn of Solace album, the title of which is Waves. It’s set for release on January 24th by the new label Noble Demon (who will also be releasing the debut album of Night Crowned, for which we hosted a song premiere last week). Continue reading »

Mar 222016
 

Tombs-All Empires Fall

 

(Wil Cifer reviews the powerful new EP by Brooklyn’s Tombs.)

After wrecking eardrums with 1349 and Full of Hell on the Chaos Raids tour, the Brooklyn band is stepping further into the darkness on their new EP All Empires Fall. It might not seem  as grim a journey, with the increased focus of their song-writing lighting the band’s way, but it is a powerful addition to their legacy.

Without a doubt, things have changed for this Brooklyn band since releasing Winter Hours in 2009. Some of those changes include the band’s line-up, which now includes Fade Kainer from Batillus / Statiqbloom. Kainer’s industrial side is set back in the shadows as a slight drone launches them into the solid metal chug of the opening instrumental “The World Is Made of Fire”, with the band lashing themselves into straight-up black metal for “Obsidian”. But it’s not just full blast ahead. These guys have more tricks up their sleeves with Kainer‘s synths adding a new depth to the band’s post-apocalyptic sonic layering. Continue reading »

Feb 042016
 

Tombs-All Empires Fall

 

This is called Part 2 because it follows another round-up that I posted on Tuesday. I intended to post this second half either later that same day or yesterday, but my fucking day job shoved those plans aside without so much as an “Excuse me, asshole”.

In the meantime, of course, I found more stuff that got me excited, making this post longer than originally planned and also providing fodder for a further follow-on post. Barring another rude interruption, I’m hoping to get that ready for tomorrow (it might come under the heading “Shades of Black“). As for the length of this one, just bookmark the motherfucker and make your way through it as time permits. You really ought to sample everything here.

TOMBS

This is one of the songs that reared its head after I had originally planned to post this collection. Actually, it didn’t just rear its head — it kicked down the door, busted up the furniture, and then set the place on fire. Continue reading »