Sep 272018
 

 

There was once a time when the music of Vreid could be characterized, at least at a high level, as melodic black metal or black thrash. Those days are pretty much gone. The expansion of Vreid’s music into more diverse territory has been an evolving process, evident from the changes that have occurred with each successive album, but the band’s new album Lifehunger seems more heedless of genre boundaries than any other, and the result is an ever-changing experience, richly embroidered with a multitude of musical styles, of which black metal is only one.

Lifehunger will be released tomorrow by Season of Mist, and today we’re helping premiere a full stream of the record — preceded by a few more words of introduction. Continue reading »

Jul 192018
 

 

Well, my fine fiends, yesterday was a very interesting day (and no, I’m not talking about the bizarro-world mind-fuck of American politics at its zenith of gob-smacking grotesquery). I’m talking about the flood of new metal, at least one wave of which proved to be crashingly controversial, and I’ll get to that.

Damned hard to figure out what to shovel into this round-up, which is a big reason why it’s so voluminous, but really not voluminous enough even though it comes in multiple parts today. As usual, I just let my mind percolate a bit, and trusted that whatever twisted thing lurks within it would make the right choices.

UNIFORM

I have a tendency to organize these posts in order from bigger names to lesser names, and sometimes because my subconscious mentation perceives a certain pleasing flow from one to the next, but this time I’m starting with a song by Uniform because last night it pounced on me like a wolf appearing in Aisle 9 in the grocery store — about that surprising, and about that effective in triggering a fight or flight response. The video is a mind-fuck too. Continue reading »

Nov 132015
 

Damnation Festival 2015

 

(Andy Synn provides this report on the 2015 edition of Damnation Festival in the UK.)

It’s been a few years now since I last attended Damnation Festival, the annual celebration of all things dark and metallic hosted (as always) at Leeds University Student’s Union. But this year I knew I simply couldn’t miss it, as not only were a number of my favourite bands playing (hello Sólstafir, hi there Primordial) but also two bands I’ve been a fan of since their very first albums, but whom I’d never actually managed to see live before (The Ocean, Altar of Plagues).

Oh, and some band named At The Gates. Who are apparently pretty famous or something. Continue reading »

Oct 072015
 

Vreid-Solverv

 

Yesterday I compiled a massive round-up featuring new songs and/or videos by seven bands. But that still didn’t exhaust what I had found in the preceding days. And, metal being such an explosively metastasizing tumor, I’ve found still more things to get excited about since I wrote yesterday’s compilation. So, what the hell, I’ve decided to throw caution to the winds and prepare another even more jam-packed post, with good things from eight bands. Once again, I’m choking back my tendency to shower many words over the music… I’ll just scatter a few droplets instead.

VREID

I’m going to start by telling you about a full-album stream that came rushing up like a freight train at night with the lights off. Which is a way of saying that although we here at NCS are enormous fans of Vreid, we received no advance copy of their new album Sólverv, and just learned that all the songs have now been officially uploaded to YouTube for streaming. Continue reading »

Oct 012015
 

Vreid-Solverv

 

Last night and this morning I engaged in an extended bout of metal listening and found not only a lot of new music I’m anxious to share with you but also some fantastic visual art. By chance, much of what I found is in a blackened vein, and so once again I’ve collected these discoveries in an installment of this irregular Shades of Black series. I have a lot to throw your way, and so it will come in at least two parts, with the other(s) headed your way on our site tomorrow.

VREID

It’s not an understatement to say that my NCS comrades and I are huge, slobbering fans of this Norwegian band. Okay… I guess I’m probably the only one who actually slobbers… the others just sweat a lot.

Anyway, I’m excited to spread the news that Vreid have now divulged some additional details about their new album and have also today premiered a video for the album’s title track. Continue reading »

Jan 082014
 

Welcome to Part 2 of my list of the year’s most infectious extreme metal songs. Each day (more or less) until the list is finished, I’m posting at least two songs that made the cut. For more details about what this list is all about and how it was compiled, read the introductory post via this link. To see the selections that preceded the two I’m announcing today, click here.

VREID

Vreid’s 2013 album Welcome Farewell made Andy Synn’s list of the year’s Great Albums as well as his Personal Top 10. It was one of my favorites as well. In Andy’s words: “This is music that deserves to be conquering arenas around the world. Still black as pitch, but with song-writing that goes above and beyond the call of duty, it grooves with grim intent, soars with bleak majesty, and blasts away with freezing, fractured ferocity. Insidiously catchy and ruthlessly aggressive, it thunders away with perfectly focussed, primal force.”

“The Reap” is the catchiest song on Welcome Farewell, and one of the most infectious of the year in my humble opinion. And it was also the subject of one of the year’s best music videos, animated by the wonderful Kim Holm. Enjoy it all over again next, as we add “The Reap” to this list. Continue reading »

Feb 132013
 

(Here we have another installment in UK-based Andy Synn’s occasional series on favorites of his that come in five’s.  Music is included.)

Chance and coincidence are funny little things. One of the various ideas I had noted down for these “Favourite” columns was a short insight into my own collection of non-musical metal materials, specifically the various merch (shirts, etc) I’d picked up over the years.

So when David appeared on the scene with his series of posts on Metal Culture it seemed like the perfect time to actually put this piece together, and hopefully see what items of your ‘metal uniform’ you guys particularly cherish as well!

The funny thing is, I’m actually currently in the process of getting rid of a host of shirts, to various good homes and good people, because I feel like I’ve amassed a rather unnecessary collection, many of which I never/rarely ever wear. So I’ve been winnowing through my wardrobe, selecting the ones I don’t really have a need for, and simultaneously identifying my favourites, all of which plays nicely into this column.

Ok, so we’ll go in some sort of sartorial order, shall we? Continue reading »

Feb 112013
 

In our review of Vreid’s new album Welcome Farewell, Andy Synn compared the listening experience to sex. He said some other things, too, but that’s the part I remember. I remember the music, too. Welcome Farewell is dynamite, and destined to be on year-end lists of all right-thinking metalheads.

I think my favorite song on the album is “The Reap”. It’s massively infectious, with wonderful guitar melodies wrapped around a swinging rhythm, but still black at its core. It’s pretty much guaranteed to be on a certain year-end list I’ll be making 10 or 11 months from now. I’m so happy that the band chose this song for their first official video from Welcome Farewell.

I’m also really fuckin’ happy with the video, especially because it includes animation by Kim Holm, a Norwegian cartoonist who (among other things) created the separate pieces of artwork for each song on  Sólstafir’s 2011 album Svartir Sandar (I collected all of those creations in this post). I’d also like to applaud the video’s director Einar Loftesnes for making something that visually captures the spirit of the music so well.

Check out the video next; the album is due for release by Indie Recordings on March 5.
Continue reading »

Feb 062013
 

(Below, Andy Synn reviews the forthcoming sixth album by Norway’s Vreid.)

To me a new Vreid album is a very… sexual experience…

First we have the announcement that a new album is in the works, the enticing promise of something special to come, a reward for being good boys and girls…

Then comes the build of anticipation, the flirting glimpses of the artwork, the teasing interviews where the band stoke our ardour with their verbal prowess and come-hither eyes…

Then there’s the foreplay, the premiere of a song, the release date announcement, the booking of tours, all designed to get you all primed up and ready to go…

Then, finally, you get to the main event. The album is released and all that pent up frustration and energy finally reaches… climax.

Sorry everyone, I got a bit worked up there.

Anyway, Welcome Farewell is an awesome record, it really is. Continue reading »

Jan 252013
 

Thanks to tips from DGR, I learned about two attention-grabbing developments this morning — new details about the forthcoming albums by Sweden’s Hypocrisy and October Tide plus new songs from each of them. And then on my very own I found a new single from the next album by Norway’s Vreid. It is a good day to be alive.

HYPOCRISY

Here’s how I progressed toward the new Hypocrisy song: First, I saw the cover art for the new album, End of Disclosure, which was created by Wes Benscoter (Slayer, Kreator, Nile, Vader, and more). I found it pleasing. Kind of a Zen demon. Also, many skulls. Second, I read, and was intrigued by, this quote by Hyporcisy’s main man Peter Tägtgren in the Nuclear Blast write-up on the album:

“This time I wanted to go back to basic, felt like we lost it for the last couple of albums , it’s straight to the point, it’s more Hypocrisy than ever, the fast, the heavy, the epic.. Enjoy!”

And then I listened to an edited version of the album’s title track, “End of Disclosure” — which you are about to hear, too, and which is available for free download. Continue reading »