(For his first post of the week, Andy Synn takes aim at three of last month’s most sacred cows… but is he here to slaughter them, or just give them a little push?)
Last month saw the release of several new albums from some pretty big and (in)famous names (well, in Metal terms at least) and a resultant storm of press and PR both leading up to and following on from these releases.
And, to be honest, I wasn’t sure whether it was really worth us commenting on them. After all, they’re all well past the point where write-ups and reviews are going to have any sort of major impact on album sales, and have reached a stage in their careers where the fans are going to praise, and the haters are going to hate, no matter what.
Case in point, I’ve seen people calling the new Cannibal Corpse album “boring” even as others declare that it “pushes the Death Metal genre forward” (it doesn’t, but it’s far from “boring”), I’ve read posts claiming that Gojira are either “just a generic groove-metal act” or “the greatest band of the century” (they’re neither, as it happens), and observed several sites giving the latest Vreid a perfect 10/10 score (c’mon guys, it’s good, but do you really think it’s on the level of, say, Master of Puppets or are you just spitting hype because you know it gets clicks?).
That being the case, however, I still feel like there’s a place for a more measured and “objective” analysis of each of these releases, one which doesn’t exist just to confirm the pre-existing prejudices of its readers, which is why I decided to step up to the plate, take one for the team, and attempt to bring a little bit of balance to the force, by reviewing them all myself.
Continue reading »