This article makes the third time we’ve paid attention to Ossadas, the forthcoming second album by the Portuguese band Carma. The first occasion was a commentary on the album’s first single, “Memória“. The second was an unusual review of the album written by Axel Stormbreaker, which integrated the music with the viewing of a movie about Edgar Allan Poe named The Pale Blue Eye. And now we present another single from the album named “Monumento“.
The album is an emotional powerhouse, one that deeply immerses the listener in its concept, which was inspired by the Conchada Cemetery located in Coimbra, Portugal. As described by the Monumental Rex label that will be releasing it next month, Ossadas is an exploration of “various cemeterial aspects, such as the architecture, the burials and the atmosphere, and the related feelings – fatalism, futility, loss, mourning, longing, among others.”
The titles of the record’s nine tracks are the most common words that appear on tombs and tombstones throughout the cemetery, and even the lyrics (in Portuguese) contain certain verses engraved on the cemetery’s tombstones. But it’s the music, which integrates funeral doom, black metal, and ambient, that most deeply involves the listener in the ever-present daunting realm of death and all the feelings that it brings.