I don’t have any scientific way of knowing the musical tastes of the people who visit this site, just rough guesses. My rough guess is that most of the music in this post will be on the outer edge of the comfort zone of most visitors, or maybe outside it altogether. But since I’m starting with Krisiun, maybe that will buy me some leeway from all our necrovorous readers on the final four entries in this round-up. And if it doesn’t, well, I’ve got teflon skin, so you can piss on me in the comments and it will roll right off, no harm done.
I admit that Krisiun is more down the middle of my own comfort zone, too, but for me, the outer edges of the zone are way out there, as the spectrum of this music proves. So, in addition to the new song from Krisiun, I found something to like about all the other new songs included in this post — from Censura (Ireland), The Browning (U.S.), Whitechapel (U.S.), and Subrosa (U.S.). Two of these new songs, by the way, are captured in well-made music videos, and so maybe you’ll be distracted by the moving pictures, though I hope you’ll get something out of the music, too.
The three, mean-ass, Brazilian death-metal overlords in Krisiun have a new album on the way. Called The Great Executioner, it will be released by Century Media in Europe on October 31 and in the U.S. on November 1. About 10 days ago, Krisiun released a song from the album called “The Will To Potency”. Somehow, I missed it until this past weekend. It’s stupendous, titanic, mind-bending. It lashes together strikingly proficient technical musicianship, bursts of head-spinning melody, guitar solos so white-hot as to melt lead, and the voraciously unclean vocal roars we all know and love so well. And wait ’til you hear the song’s intro. Limber up your neck muscles and hear this (right after the jump): Continue reading »