(Our friend Conchobar has prepared the following guest review of the new album by the French project Esoctrilihum, which will be released by I, Voidhanger Records on October 19th with cover art by Jef Whitehead — and we are also presenting the premiere of a track from the album named “Exhortathyon Od Saths Scriptum“.)
There looms, within abjection, one of those violent, dark revolts of being, directed against a threat that seems to emanate from an exorbitant outside or inside, ejected beyond the scope of the possible, the tolerable, the thinkable. It lies there, quite close, but it cannot be assimilated. It beseeches, worries, and fascinates desire, which, nevertheless, does not let itself be seduced. Apprehensive, desire turns aside; sickened, it rejects. A certainty protects it from the shameful—a certainty of which it is proud holds on to it. But simultaneously, just the same, that impetus, that spasm, that leap is drawn toward an elsewhere as tempting as it is condemned. Unflaggingly, like an inescapable boomerang, a vortex of summons and repulsion places the one haunted by it literally beside himself.
– Kristeva, Powers of Horror
Abjection is an appropriate sign under which this reaction to Esoctrilihum’s album, Inhüma, should be convened. The work represents a threat — a breakdown of the apparently clear strapping and structures of a consensus reality. The violence of the occult-agrarian, the protohistory of sacrifice, of bloodied fields, serve as auspex: this is a harrowing; a threshing through which preconceived meaning is grist for the machinations of the ritualist — it is taken apart, buried in the soil, and grown into things that horrify and make reality itself alien and other.