DGR’s… HELL I DON’T KNOW, HERE’S SOME MUSIC FROM 2023: 20-11

 LISTMANIA 2023  2 Responses »
Jan 112024
 

(Here we are with DGR‘s penultimate post of the week)

Every year these take a lot out of me. I’ve always said that it gets easier as you get closer to the end but this year that hasn’t been the case.

I’ve been terrified to repeat myself and so I comb over this stuff again and again to make sure that you’re not seeing the same turn of phrase to often. I know I’m slowly turning into a sentient jar of mustard as I get older but at the very least I don’t want it super obvious that I don’t language no good more these days.

This block is where a lot of the heavy hitters lay, not in terms of critic-bait or the ones that are shared on a lot of people’s lists – though I’d hazard about half of the bunch here are popping up elsewhere since I am a simpleton – but because the music may be some of the punchier stuff I’ve included thus far.

We’ve also got the much vaunted “watch DGR describe a bunch of music that he lacks the vocabulary to do so!” bit, which is always fun as those have often felt like I’m attempting to ride downhill with a plastic trash can lid as a sled and the amount of control suggested therein.

The party – and the cheap shots at my fellow writers [someone’s forgotten that I have editorial control – Andy] – continues tomorrow and I’ll finally send this damned thing off with coins over its eyes to pay the ferryman.

I’ll see you then. Hopefully.

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DGR’s… HELL I DON’T KNOW, HERE’S SOME MUSIC FROM 2023: 30-21

 LISTMANIA 2023  No Responses »
Jan 102024
 

(We’re half-way through the week and half-way through DGR‘s round-up of his favourites from 2023)

Part three is where this list starts to journey up its own ass a little bit [Starts? – Andy].

In between my penchant for Death and Grind truly starting to show itself here, you’ll notice a lot of the critical favorites that’ve been going around maybe poking their heads up.

I don’t consider myself truly in touch with “the scene” as a whole – I’ve happily ensconced myself in a comfortably corner here – yet occasionally one or two do land on these far shores and get noticed.

This one has a couple of odd blocks to it – you’ll see them right about the time I call them out – there’s multiple forms of insanely dumb on here as well as insanely smart, and if you like some high peaks and some low, guttural valleys, I think I’ve got a pretty even spread on this part of the list.

Thirty or so is where things start to harden a little more when it comes to exact number placement so now you can start your arguing as if what’s written here is written in stone. Just remember that stone can be blown up too.

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DGR’s… HELL I DON’T KNOW, HERE’S SOME MUSIC FROM 2023: 40-31

 LISTMANIA 2023  5 Responses »
Jan 092024
 

(DGR continues his run-down of his favourite releases of 2023)

This segment is an intriguing one for me because you start to see a few of the EPs I enjoyed throughout the year popping up.

I’ll go deeper into why I didn’t split them out as I come across them but alongside all of that noise there’s a bunch of the weirder and more challenging works of my year.

There’s hooks and power-choruses to be found for sure but some these groups are going to make you work to get there.

This is also where a lot of my old favorites find themselves – its like how I have a fondness for Mountain Dew, I know what one tastes like and I know that I still whole heartedly enjoy a particularly good one – since they’re known factors and did very good versions of their sound.

They deserve to be highlighted and rewarded for that even as I explored elsewhere for much of 2023 as I think I did hit a bit of a breaking point when it came to having simply good additions to a group’s overall discography.

The next edition should be equally exciting if I ever get up to fighting my way through it as I think there’ll be a lot of interesting names there – though I assure you its none of your favorites, so stop asking.

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DGR’s… HELL I DON’T KNOW, HERE’S SOME MUSIC FROM 2023: 50-41

 LISTMANIA 2023  1 Response »
Jan 082024
 

(DGR is doing his own mini-takeover of the site this week, counting down his top 50 albums of 2023)

To put things exceptionally bluntly I didn’t know if I was going to do a year end roundup this time.

Things have been exceptionally tough at home in regards to personal family matters and it’s been difficult to try to build up the will to do much of anything.

It’s an ongoing process that will likely be that way for a long fucking time.

However, I think that my reason for doing these remains the same because it does allow me to send the year off in a funeral pyre – though it’s not the only one I’m lighting this time.

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DGR’S YEAR-END REVIEW ROUNDUP (PART 4): PSYGNOSIS, VALE OF TEARS, Θλίψις

 Album Reviews  No Responses »
Dec 212023
 

This isn’t DGR‘s annual year-end list. That might yet come. This is the final Part of his four-Part collection of reviews that we started rolling out earlier this week, focusing on 2023 albums we hadn’t managed to review before. You’ll find his full explanation for what he’s doing here at the beginning of Part I. Continue reading »

DGR’S YEAR-END REVIEW ROUNDUP (PART 3): SNAKEMOTHER, ABSOLUTISM, DEVILS REEF

 Album Reviews  No Responses »
Dec 202023
 

This isn’t DGR‘s annual year-end list. That might yet come. This is the third Part of his four-Part collection of reviews that we started rolling out yesterday, focusing on 2023 albums we hadn’t managed to review before. You’ll find his full explanation for what he’s doing here at the beginning of Part I. Continue reading »

DGR’S YEAR-END REVIEW ROUNDUP (PART 2): NIGHT CROWNED, GHOSTS OF ATLANTIS, MORTIS CRUENTAS, SECRET OF DARKNESS

 Album Reviews  1 Response »
Dec 192023
 

This isn’t DGR‘s annual year-end list. That might yet come. This is the second Part of a four-Part collection of reviews that we started rolling out yesterday, focusing on 2023 albums we hadn’t managed to review before. You’ll find his full explanation for what he’s doing here at the beginning of Part I. Continue reading »

DGR’S YEAR-END REVIEW ROUNDUP (PART 1): THE BREATHING PROCESS, BERZERKER LEGION, COSMITORIUM, THE RITUAL AURA

 Album Reviews  No Responses »
Dec 182023
 

(This isn’t DGR‘s annual year-end list. That might yet come. This is the first Part of a four-Part collection of reviews, focusing on 2023 albums we hadn’t managed to review before.)

Every year we do this; the final clearing of the slate before the annual list-making season begins. This year will be no different, because like every other year, I’m also opening this with an apology to the bands included.

Normally my reviews tend to be long-winded and wordy as can get because I enjoy the long-form dissection of an album – no matter how repetitive in my choice of phrases as I may get – and the final clearing tends to be shorter. It was my intent not to do so this year but life happened.

Not only that, life happened hard and life happened in such a way that I’m going to have a very, very difficult time talking about it for a long time and I’m not entirely convinced that we’ll ever be any definition of ‘okay’ again around here, so much as we are just getting by and in a permanent state of ‘recovering’. It’s been tough.

But, I haven’t forgotten about this because as much as we’ve spoken about how life and work kick our asses and the website takes a backseat, this is one of my few outlets. As a result, I’m not sure if I have it in me to do my usual end of the year clusterfuck – though I will try – but I do want to at least get some words out about the last remaining groups of releases that have haunted my ‘to review’ notes over the year. Continue reading »

SYLOSIS: “A SIGN OF THINGS TO COME”

 Album Reviews  1 Response »
Nov 232023
 

(In September Nuclear Blast released a new album by the UK’s Sylosis. Our writer DGR, who never rushes into anything, finally got around to setting down thoughts about it, which is what you’ll find below.)

If you’ll forgive the slightly more personal approach to this one, Sylosis are a band that I’ve followed for a long time now, spanning almost a decade plus of their career – starting when they first signed with Roadrunner (they popped up on their news page and believe it or not, it was one of the ways I would find bands) and then across multiple record labels, lineup changes, and even a hiatus while its members spread out to other projects.

I’ve espoused the theory before on this site but I’ve always felt that Sylosis are one of those groups that are a fantastic gateway band, mostly credited to their three-part combination of thrash, metalcore, and melodeath that has them resting somewhere in the center. It’s the VIT, INT, DEX triangle that you’ll see in some roleplaying games of their musical career. They may never fully dive into the full depths of being one particular type, but their combination of them has held enough power to draw people in from multiple directions, and just as possibly, to send people off into exploring other parts of the metal world once they make the same connection of what Sylosis are constructed out of. Continue reading »

STORTREGN: “FINITUDE”

 Album Reviews  No Responses »
Nov 172023
 

(DGR finally caught up with reviewing the new album by Stortregn, and one reason you can guess at is that it’s probably going to appear again on his NCS year-end list. That’s our bet at least.)

You probably noticed this before I did, but a glance at the calendar in this clusterfuck of a year showed that it had suddenly because November. Traditionally – and there are a few traditions that even us heretics in this corner of the interweb observe – November is something of a ‘panic month’, wherein not only do you have your new releases, but you also have people – like our own Austin Weber recently – who are desperately trying to play catch-up with albums that have come out throughout the year.

This writer does the same of course and with similar purpose, because there are albums that for one reason or another didn’t get covered or ones that we’ve discovered while burying our nose in the tree roots and sniffing around the dirt, or the more personal one: to introduce people to an album now so that when it starts popping up within people’s year-end collections they won’t suddenly be taken aback by a release that has had fuck-all coverage on a site now praising it as one of the best of the year.

It’s a compulsion to complete a narrative arc, and I have that sense that Stortregn‘s Finitude may actually dark-horse its way into a few people’s year-end collectives. A bigger part of that story may be how it will likely find a place somewhere in the year-end celebration we throw around here, because Finitude is a very fine distillation of the tech-death genre as a whole, and the one that these Swiss madmen have created here is one that will surprise people – even when you can recognize many of its component parts. Continue reading »

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