A LABOR DAY QUINTET: NEW VIDEOS FROM THE DEVIN TOWNSEND PROJECT, HAIL OF BULLETS, BODYFARM, DEMONIC RESURRECTION, AND DEAD TROOPER

 Metal News, RANDOM FUCKING MUSIC  1 Response »
Sep 022013
 

Because of The Great Seattle NCS Confab, coupled with a bit of day-job grind, I largely missed happenings in the world of metal over the last 10 days. I made an effort to go back and find news and new music worth recommending from that stretch of lost time, and felt overwhelmed. I’ve pretty much given up on the idea of catching up and have decided to start fresh — with this round-up of five new videos that debuted this morning.

DEVIN TOWNSEND PROJECT

Fans of Devin Townsend are aware that September 30 will bring the release of a new DVD/CD entitled The Retinal Circus which captures the stunning three-hour show of the same name that took place in October 2012 at London’s Roundhouse venue (reviewed by our own Andy Synn here). The show featured a full choir, a theatrical cast, and enough visual and sonic bombast to mimic the blitz in WWII.

We previously featured the first publicly released clip from the DVD — the show-stopping performance of “Grace”. Today, DT premiered a second clip, for the song “War” from his third solo album Infinity. Watch and listen next. Continue reading »

AN NCS INTERVIEW: ED WARBY (THE 11TH HOUR, HAIL OF BULLETS, GOREFEST)

 Interviews  3 Responses »
Mar 162012
 

(Guest writer KevinP recently conducted an interview of Dutch multi-instrumentalist/vocalist/songwriter Ed Warby, who is a member of multiple active bands, including The 11th Hour, whose 2012 album Lacrima Mortis was reviewed by Kevin here.)

Everyone knows you from Gorefest and Hail of Bullets. Tell us how The 11th Hour came to be. What was your inspiration and how long did you have this planned (if at all) before it became a reality?

I met Rogga [Johansson] on the Global Domination forums and he asked me if I’d be interested in making some doom together. Somehow this mutated into me joining Demiurg instead, but I liked the idea and started writing on my own. First song I wrote was “One Last Smoke”, which was my take on the ultimate Candlemass type riff and I was quite pleased with the result so I continued, trying different moods and ideas until I had a complete album on my hands. In the meantime I’d seen Krux live for the first time and enjoyed it so much I became even more convinced I had to pursue my doom aspirations. At that point I asked Rogga if he was still interested in participating and the rest as they say is history.
 

Was there something you felt that you needed to express, that you were not able to do with Hail of Bullets (and your other projects)?

It’s taken a while to admit this to myself, but I guess me starting The 11th Hour had a lot to do with the writing/recording of the last Gorefest album. I wrote about 3/4 of the album, but for some reason this was not to be admitted in interviews and my role was so severely downplayed I got more and more frustrated. It’s not necessary to be praised in each interview or review, but I do believe in credit where credit’s due. So if anything, I wanted to prove to myself that I could in fact write, arrange and record an entire album on my own.

Musically, I wanted to further explore my melancholy side. I sneak a sad melody into a HoB song from time to time, but too much and the other guys will hit the brakes (and rightfully so, brutality and aggression should always be the main focus for the Bullets). In doom, I’m free to write a 9-minute song with elaborate melodic sections to counter the heavy riffage and I really enjoy taking these journeys, letting the song unfurl without any restrictions. Continue reading »

MORE 2010 SICKNESS (Part 8)

 Forthcoming Albums, Listmania, Metal News  No Responses »
Aug 312010
 

Another month has passed. Summer is waning. It’s still as hot as the ninth circle of Hell in most parts of our country, but here in the Pacific Northwest, the air is already beginning to feel like fall. And because fall in Seattle lasts about one week, winter is already what we’re thinking about, because winter means getting soaked with rain. In the dark.

Where were we? Oh yeah, another month is over. And here at NCS, that means it’s time for another installment of METAL IN THE FORGE, a forge being the old name for a place where a blacksmith heats metal and works it into the shape of something useful. We thought it sounded literary.

Another name for “forge” is “smithy.” As in, “the blacksmith works in a smithy.” But “smithy” doesn’t sound literary, and METAL IN THE SMITHY just sounds fucked up. METAL IN THE FORGE is a little fucked up, too, the more we think about it, but not as fucked up as METAL IN THE SMITHY.

Where were we? Oh yeah, at the end of every month, we update the list of forthcoming new albums we first posted on January 1. (All the other updates can be found via the “Forthcoming Albums” category link on the right side of our pages.) Below is a list of still more projected new releases we didn’t know about at the time of our previous updates, or updated info about some of the previously noted releases.

Once again, we’ve cobbled together news blurbs about bands whose past work we’ve liked, or who look interesting for other reasons. Perhaps needless to say, these are bands that mostly fit the profile of music we cover on this site — the kind that would like to tear your head off.

So, after the jump, in alphabetical order, you’ll find our list of cut-and-pasted items from various sources since our last update about forthcoming new releases. Look for the bands you like and, if you’re really obsessive like we are, put reminders on your calendar. Continue reading »

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