(After a seven-month hiatus, we present the continuation of a series of reviews prepared by our Russian connoisseur of all things doom, Comrade Aleks.)
First, I was busy finishing the Doom Metal Lexicanum book, and then I put the weight of the “Lexicanum II” project on my shoulders, but blood calls for revenge! And I have some obligations, so here are four overviews of doom albums you may have missed at the end of 2017.
Alastor: Blood On Satan’s Claw (Ljudkassett!)
Blood On Satan’s Claw is the second Alastor EP for 2017, and actually I wonder why they didn’t release one full-length album instead. This time the Swedish quartet prepared two ten-minute tracks with a deep psychedelic touch and pop-occult lyrics. The record surpasses its predecessor, Blood Magic, with more effective songwriting and delivery, though the production is on the same underground level. The vocals on these new songs sound different. Actually I was thinking that Alastor had recruited a lady on vocals, but I was wrong. It’s still their bass-player, R, who sings.