(Norway-based Karina Noctum returns with this interview of Jørn André Størdal, composer/guitarist of the Norwegian metal band Fleshmeadow, whose debut album Umbra we premiered and reviewed here just last month.)
Fleshmeadow are a pretty interesting band. They have a relentless, tight tempo that reminds me of Keep of Kalessin. They have the Norwegian sound roots firmly in place, but have dared to blend in sounds from other modern metal styles, including drumming patterns that range from straightforward powerful BM to a more blues/postmetal subtle elegance. When it comes to the guitars you’ll find BM-oriented harmonics and pretty techy scales that at times blend to conform again to a BM pattern.
So it is varied and textured. It is a refreshening musical experience, if you take into account the amount of black’n’roll that is coming out of Norway now. Layered over a powerful drumming discharge is a subtle atmospheric layer skillfully created with the guitars. So it is both a beautiful and intense musical experience. This is a good solid release that deserves all your support.