Sep 072021


Almost a quarter-century passed between the debut album from Journey Into Darkness and the second one, Multitudes of Emptiness, that emerged in 2020. But the creative fires were clearly burningbright, because now the third one — Infinite Universe Infinite Death — is already on its way. It will be released on September 10th by Spirit Coffin Publishing, and today we draw the curtain all the way back on this astonishing piece of star-faring musical theater through our full streaming premiere. In addition, we’re presenting complete track-by-track commentary by the band’s sole member, Florida-based Brett Clarin.

For those who may be new to this symphonic black/death project, it’s worth knowing that Clarin‘s roots in extreme metal are deep. Between 1987 and 1993, he played guitar in the death metal band Sorrow (formerly Apparition), which released two records on the Roadrunner label. After Sorrow called it quits in the mid-’90s, Clarin started Journey Into Darkness as an all-synth solo project, having been inspired by the intros and interludes on extreme metal albums.

After releasing that 1996 debut album (Life Is a Near Death Experience), he put the project on hold for a long time. When he resurrected it with that second album, he made Journey Into Darkness sound like a full band, though the synths still played distinctive roles. The same is true of this new album, though it’s fair to say that the darkness in the music is even more pronounced. Continue reading »

Aug 102021


If a blogger like me could pull together roundups of recommended new music on a daily basis, it would be a lot easier to keep my head above the constantly rising musical tides. But sadly I don’t have enough time for that, and so I wind up doing things like this and this as the week ends and the weekend begins. Which is to say that what you’re about to embark on has become a rarity — a roundup early in the week. And this one, again arrangd alphabetically, turns out to be a real roller-coaster ride. Enjoy!


The lead-off item is a new video (with a message) for a song that’s a head-spinner, one that melds barking growls and caustic screams, darting symphonics and scintillating drumwork, feelings of jolting hostility and jittery tension, a jazz-like interlude, and abundant flurries of flickering and fret-leaping guitar. Deep drilling tones give the music a cold, grim, and desolate mood as the song draws to a tragic and haunting end. Continue reading »