Feb 122023
 

Obviously, I had time to pull together a lot of music for this Sunday’s column. I pushed at the usual boundaries by including bands that wouldn’t get a black metal label, but in different ways they’re close enough to blur the borders.

I ordered these seven offerings to create pendulum swings. One of them happens when you reach Lux Sine Lumine, and another happens at the end, with Lesath. In between those two are firestorms. I also thought the flow of the first three worked well, but you’ll be the judge of that.

 

RÄUM (Belgium)

Les Acteurs de L’Ombre Productions tell us that Räum was founded in Liege, Belgium during the first pandemic year, and perhaps they were influenced by those times. On the debut record’s Bandcamp page you’ll find this description of the music on these four tracks:

“It reveals the vacuity and the auto-destructive nature of the human soul, leading to an endless movement of rise and fall. Like a demon, it needs to burn our world to the ground to [be[ reborn again.” Continue reading »

Feb 142021
 

 

Someone (besides Andy Synn) must have noticed that yesterday I posted a round-up of new songs and videos that I named “Seen and Heard on Valentine’s Day“, when in fact yesterday was not Valentine’s Day. I conceived of various justifications for this, including the assertion that I live in the future. But the truth is that what I did was probably dictated by my subconscious mind: Sundays here are for Shades of Black, even a Valentine’s Day Sunday, and I sure as hell couldn’t call this “Valentine’s Day Shades of Black”.

Let’s face it, black metal is not about love, even when it’s the kind of more modern blackened metal that wears its heart on its sleeve. It’s more about bitterness, hate, and hopelessness. When it becomes celebratory, it’s usually envisioning the savage triumph of the Fallen Angel over the deluded sheep of humanity and the institutions that have herded them, or the death of the cosmos itself.

Well, those observations may not cover the entire spectrum of black metal, especially in the modern era, but you know what I mean. Generally speaking, black metal isn’t about hearts and flowers unless the hearts have been freshly ripped from chest cavities and the flowers bloom at night and are poisonous. So, I’m just going to continue pretending that yesterday was Valentine’s Day, and we’ll say nothing more about it today.

As usual, I’ve struggled to make the following selections because so much worthy new music surfaced over the last week. There was a lot of other news as well, including the announcement that the long-running Serbian band The Stone will have a new album named Kosturnice coming out in late March, and that Necros Christos have announced their permanent disbanding. Nevertheless I did my best with these choices, and of course you should feel free to use the Comment section to point out other new black metal that I should have paid attention to in print. Continue reading »

Jan 062020
 

 

On January 6, 2020, the label alliance of Casus Belli Musica and Beverina will release the debut album of a mysterious atmospheric black metal band named Lesath, whose location and membership remain undisclosed. The album’s name is Sacred Ashes. It consists of six tracks, but really four songs, because two of those four are divided into two parts in the track list.

In September of this year, Lesath (and subsequently the two labels) released one of those two-part songs, “Like the Wind“, which we reviewed here. In November we presented the second half of the other two-part song, “A New Life“, which like the first single was presented with its own artwork. And in December we added to these musical revelations with the premiere of the album’s title track, “Sacred Ashes“. Now, at last, we  have the opportunity to deliver a full stream of the entire album, which enables us to discover how these pieces and others all fit together. Continue reading »

Dec 122019
 

 

On January 6, 2020, the label alliance of Casus Belli Musica and Beverina will release the debut album of a mysterious atmospheric black metal band named Lesath, whose location and membership remain undisclosed. The album’s name is Sacred Ashes. It consists of six tracks, but really four songs, because two of those four are divided into two parts in the track list.

In September of this year, Lesath (and subsequently the two labels) released one of those two-part songs, “Like the Wind“, which we reviewed here. In November we presented the second half of the other two-part song, “A New Life“, which like the first single was presented with its own artwork. And today we add to these musical revelations with the premiere of the album’s title track, “Sacred Ashes“. Continue reading »

Nov 142019
 

 

On January 6, 2020, the label alliance of Casus Belli Musica and Beverina will release the debut album of a mysterious atmospheric black metal band named Lesath. The album’s name is Sacred Ashes. It consists of six tracks, but really four songs, because two of those four are divided into two parts in the track list.

In September of this year, Lesath (and subsequently the two labels) released one of those two-part songs, “Like the Wind“, which we reviewed here. Today we present the second half of the other two-part song, “A New Life“, which like the first single is presented with its own artwork. Continue reading »

Sep 302019
 

 

I can’t think of anything very coherent to say by way of introduction this week, perhaps because the music below has rendered me incoherent. [Correction: more incoherent.] So let’s just go right in:

VOID PRAYER

Void Prayer (previously known as Cave Ritual) are from Bosnia and Herzegovina, and its members are part of the Black Plague Circle, which also includes Nigrum Ignis Circuli, Deathcircle, Niteris, and Obskuritatem. Their previous releases under the Void Prayer name include a 2014 self-titled demo and a 2017 debut album, Stillbirth From the Psychotic Void, neither of which I’ve heard, but about which I’ve heard good things.

The Signal Rex label will be releasing a new Void Prayer three-track promo tape called L’appel du vide (“the call of the void”), and the first song in this collection is its title track. Continue reading »