SEEN AND HEARD: COLONY DROP, CRYPTA, MORAY, HAMMERFILOSOFI

 Metal News, RANDOM FUCKING MUSIC  2 Responses »
Jun 272023
 

As you can see, I found just enough time after finishing today’s two premieres to jump quickly into the non-stop churn of new songs and videos and grab just a few of them to hurl your way.

COLONY DROP (U.S.)

Full disclosure: Colony Drop‘s frontperson Joseph Schafer is a very good friend, and at one time a writer for NCS who long ago helped propel us into a higher orbit before going on to become editor at Invisible Oranges, a writer at other high-profile publications such as Decibel, and a leading co-conspirator of ours in the production of Seattle’s Northwest Terror Fest.

Now with that out of the way, here’s why I’d be recommending Colony Drop‘s genre-bending new song “Colony Drop (Brace For Impact)” even if the vocalist had been hooded and anonymous: because it’s one hell of a rocket ride. Continue reading »

SEEN AND HEARD ON A SATURDAY (STILL TOO MANY NAMES TO PUT IN A POST TITLE)

 Metal News, RANDOM FUCKING MUSIC  5 Responses »
Aug 072021
 

 

By some kind of industry consensus Fridays have become big days for the release of new music. When you stack a Bandcamp Friday on top of that, you get a deluge of biblical proportions. In an effort to keep up with the torrent, I compiled an extra-large roundup yesterday, but even though it included 14 new songs and videos that I enjoyed it still only scratched the surface. So I decided to do it again today, and to go even bigger, though I didn’t quite make it to Z in the alphabet.

Once again, there are a lot of bigger names in this collection, and once again I’ve injected some lesser-knowns as well. I’ve also included some playthrough videos. There’s not a lot of black metal in the mix, but that’s because tomorrow is Sunday, and you know what that means. Don’t you?

A THOUSAND SUFFERINGS (Belgium)

In this first song the dark, folksy, acoustic opening grabbed me, and then I felt both swept aloft and heart-stricken by the ensuing waves of bleak but grand melody and the shattering screams. The sounds are immense, stately, and emotionally crushing, even with the softer, haunting interstitials that arrive. The music boils over into sounds of torment and fury, and becomes almost hallucinatory in its agony, which makes this rendering of black/doom even more powerful. Continue reading »