Nov 062021
 

 

Given the usual massive flood of new music this past week, I was hell-bent on getting at least one round-up completed before the weekend — but I failed. I had this lined up for Friday, with all the picks made, but ran out of time before I could finish it.

About these picks: When I made the selection on Friday morning it didn’t turn out at all like I thought it would. I had been building a mental list during the week just based on the band names I added to my monstrous list, most of them at least fairly well-known, but not one of those names is included here.

What happened was that as I started listening, this group just fell into place before I ever got to the names that had affixed themselves to my mental plan. These fell into place because they are all intense assaults on the senses and the emotions, albeit in different ways, until you reach the final track, which helped me partially recover from all the music that preceded it — but that last song still haunts me. Continue reading »

Sep 122016
 

Mutterlein-Orphans of the Black Sun

 

In late July of this year we presented the first in a series of videos that were being created for the songs on an album named Orphans of the Black Sun by Mütterlein, and today we bring you another. This time, the video takes the song “Black Dog” as its subject.

For those who may yet be unfamiliar with Mütterlein, it’s a band named for a song on a 1970 album by the German musician and actress Nico; a band whose principal creative force Marion Leclercq (of the cult French act Overmars) has named NicoThe Cure, and Breach as the three main pillars of her widely varying influences; a band for whom krautrock and Shannon Wright seem to be as beloved as Sabbath and Tragedy; a band who caught the ear of Phil at Debemur Morti Productions and Blut Aus Nord’s Vindsval, who together made Mütterlein’s debut album Orphans of the Black Sun the first release of their new collaborative label Sundust Records. Continue reading »

Jul 282016
 

Mutterlein-Orphans of the Black Sun

 

Those of us who hunger for darkness in music find sustenance in particular forms of extreme metal, made by people who sustain themselves by making it. But sometimes the essence of pain, frustration, anger, isolation, and the defiant desire to throw off the yokes that both engender such feelings and restrain their expression can be captured in other ways. And sometimes the summoning of that essence comes from unexpected sources.

Which brings us to Mütterlein — a band named for a song on a 1970 album by the German musician and actress Nico; a band whose principal creative force Marion Leclercq (of the cult French act Overmars) has named Nico, The Cure, and Breach as the three main pillars of her widely varying influences; a band for whom krautrock and Shannon Wright seem to be as beloved as Sabbath and Tragedy; a band who caught the ear of Phil at Debemur Morti Productions and Blut Aus Nord’s Vindsval, who together made Mütterlein’s debut album Orphans of the Black Sun the first release of their new collaborative label Sundust Records. Continue reading »