Aug 012016

Krieg-Photo by Hillarie Jason


(Neill Jameson (Krieg) returns with the third installment of a three-part post devoted to under-the-radar black metal releases worthy of greater attention. You can find Part 1 here and Part 2 here.)

One thing I’ve come to realize while doing this series is my mix tapes in the late ’90s were fucking great and anyone who was forced to drive with me during those times should start a kickstarter to throw me a parade. The other thing I’ve realized is how fortunate I was to come up at a time when all this was actually happening and not a footnote in some elderly man’s rantings twenty years later. The emphasis on performing music you were passionate about versus the current metal scene’s (sometimes) inane need for innovation meant that while you might be getting three dozen variations on the same Darkthrone or Emperor songs, at least they still possessed something special.

The conversation around black metal at the time was easier to digest, too, since it was basically all based on a form of honesty that isn’t really around any more, and there wasn’t someone standing up on a soap box because they were offended you owned a Burzum record. While I value the deeper intellectualism that the contemporary era can bring, it also has its shortcomings, especially in people’s perceptions.

Anyway, this is the final piece of my three-part black metal series. My list is obviously far from complete and I may revisit it someday, but for now here’s six more: Continue reading »