May 242020
 

 

As you can see, I’ve managed to complete the second Part of today’s column in time to post it in its usual Sunday space. I hope you’ll find everything here as exciting as I have.

ÁRSTÍÐIR LÍFSINS

2020 has been a miserable year in most respects, but a great year for the Icelandic/German band Árstíðir lífsins. They contributed a tremendous song to Aldrnari, the tremendous album-length split with Carpe Noctem (reviewed here) that was released in April, and on Friday they digitally released their new album Saga á tveim tungum II: Eigi fjǫll né firðir (physical editions will follow from Ván Records). It is (you guessed it) tremendous. Continue reading »

Mar 172014
 

(Our long-standing supporter and guest writer Black Shuck turns in this report on the inaugural Blood of the Wolf Fest, which took place in Lexington, Kentucky, on Feb 22, 2014. All photos are by AnnSydney Taylor.)

A few weeks ago, I had the pleasure of experiencing the dark, mysterious ritual known as the Blood of the Wolf Fest. What’s that, you haven’t heard of it? That’s because this was the first one to ever take place. I’d be very suspicious if you had. (For any reader who had heard about it, take your scrying pool and begone, wizard. We’ll hold no truck with your starry-hatted nonsense here.)

This festival was the brainchild of those Kentuckian warriors of chaos, Tombstalker. Primarily organized by vocalist/guitarist Anton Escobar and bassist Chuck McIntyre, the lineup featured several bands from a group known as the Wolven Brotherhood. The Brotherhood was founded several years ago by Tombstalker and Dawn of Wolves (now Valdrin), when they released their split Cemetery Wolven Ritual (are you sensing a theme here?). The Brotherhood has now expanded to include many other bands from across the country. Presumably their collective subject material has also expanded to cover things that are not wolves, although I hold out hope that I will have a place there once my one-man black metal band, Death to the Three Little Pigs, gets off the ground.

Anyways, on with the fest. Note: All of the excellent photographs that appear here were taken by one AnnSydney Taylor. The festival poster and banner were designed by Lucas Ruggieri. Continue reading »

Sep 092013
 

Every time I write one of these MISCELLANY posts, I swear to myself that I’m going to do it more regularly. But the promises you make to yourself are the easiest ones to break. My last one of these posts was on July 30, long enough ago that a refresher about the self-imposed rules of this game might be worthwhile:

I randomly pick bands whose music I’ve never heard (usually bands whose names I’ve never heard either), I listen to one recent track from each of them (though sometimes I cheat and listen to more than one), I write my impressions, and I stream the music so you can judge for yourselves. The bands I picked for this edition of the game, all from the U.S., are Black Snake (Oregon), Prosanctus Inferi (Ohio), and Seker (Washington).

BLACK SNAKE

I found out about this band because they wrote us. I’m ashamed to admit that I can’t listen to every band who writes us, and I can’t really explain why I made time for this one, but I did.

Last week they self-released a four-song collection on Bandcamp named Black Snake EP – Vol. 2. I picked the first song, “Red Eyes” for this MISCELLANY experiment, and wound up listening to the other three. The rules you set for yourself are the easiest ones to break, too. Continue reading »