Apr 252015
 

 

Hell has visited Earth again, in spectacular fashion. This time, the portion of Earth visited by Hell is Chile, where three days ago the Calbuco volcano erupted near the southern town of Puerto Montt after being quiet for 42 years. It has become the subject of some truly breathtaking photos and videos, some of which I’ve embedded in this post after the jump.

Are there any natural occurrences in the world more metal than an explosive volcanic eruption — especially eruptions that include lightning within the volcanic plume? I think not.

So, of course I decided that I needed to include some metal from Chile to accompany the photos and videos you’re about to see. I did dome searching through the NCS archives and discovered that in just the last 18 months we’ve written about more than a half dozen Chilean bands. I’ve collected songs from each of those bands, plus a couple of others. For a change, I’m not going to write any florid descriptions of the music, but just provide the streams and some links in case you want to explore further. All the music is excellent — volcanos aren’t the only things that unleash hell in Chile. Continue reading »

Aug 012014
 

I’m indulging my rarely indulged taste for thrash in this post — rare, because usually thrash doesn’t taste very good to me, except when it’s as vicious as a starving wolverine. Often, death/thrash qualifies very well, and that’s what we have here. One of these bands (the second one) I’ve been sitting on a while without writing about them, and the other I discovered only yesterday. In my addled mind, they seem to make a natural pairing, even though the songs are separated by decades.

NUM SKULL

Thanks to a tip from NCS supporter Utmu, I learned yesterday that on September 16, 2014, Relapse Records plans to reissue on vinyl, CD, and digital the 1988 debut album of a band named Num Skull. The album’s name is Ritually Abused.

I had never heard of Num Skull. Metal-Archives says they were from Winthrop Harbor, Illinois, and that their last album was released in 1996. The first review of Ritually Abused that I read on MA began this way:

“This record is perfect and then some. A proper score would be 103.” And it continues as follows (written by someone who says he heard the band practicing in a two-car garage when he was 12 or 13 years old and had no idea what was going on): Continue reading »