May 162020
 

 

I hope your weekend is treating you well. Because I didn’t over-do things during my usual Friday night virtual happy hours, I was able to spend some time catching up with new songs and videos this morning, and I picked these to share with you. It’s an eclectic mix, even by the standards that I usually apply to these round-ups in an effort to ensure variety (and to keep our visitors off-balance). Lots of videos in this particular collection, too.

TRIPTYKON (Switzerland)

To lead off, here’s a video of a live performance by Triptykon of “Rex Irae” from Celtic Frost’s Into the Pandemonium. The song is the first movement in the “Requiem” trilogy, which also includes “Grave” (performed for the first time at the same concert where this video was filmed) and “Winter” (which first appeared on Monotheist).

The performance of all three movements of “Requiem” took place at Roadburn 2019, and Triptykon was accompanied by the Metropole Orkest, by Hannes Grossmann on drums, and by vocalist Safa Heraghi. The orchestration was composed by Alkaloid and Dark Fortress frontman Florian “Morean” Maier, working with Tom G. Warrior. Continue reading »

May 122020
 

 

(At the end of February we published a guest edition of our SHADES OF BLACK column [here] which began as an e-mailed group of recommendations by our valued supporter Speelie. It included music from the Québec black metal scene. Just a few days ago Speelie e-mailed additional recommendations that focused entirely on black metal from Québec, and with our encouragement he turned that into the following post.)

The Métal Noir Québécois guys sure like to keep busy. NCS has posted plenty of news and links about the Quebec scene, including some from me previously. But Quebec continues to take a leading place among the flood of 2020 Black Metal releases.

Forteresse were always the standard bearers for the Métal Noir Québécois movement, but I suspect the band is on hold for the moment. The guys are all involved in other projects right now, and these are starting to see the light. There seems to be an unwritten rule that the cooler the old, colonial-era painting that a Quebec band can find, the better the album it is used for. Guitarist Moribond has a new solo project called Serment, with this amazing cover art: Continue reading »