May 242020
 

 

At the risk of overwhelming our visitors (a constant risk around here), I have again found so many new songs I’d like to recommend that I thought it best to divide today’s column into two parts, and will do my best not to become too verbose so that I have time to finish Part 2 in time to post it today — because Monday is going to be loaded with new things too.

ENSLAVED

I haven’t tried to find out how Enslaved’s new single is being received among fans and the metal press. I, for one, think it’s fantastic, and would rather not spoil the feeling by coming across some grim cur who’s sour about it. Not because I actually think anyone is entitled to be sour about it, but metalheads being metalheads, it’s inevitable. Continue reading »

May 122020
 

 

(At the end of February we published a guest edition of our SHADES OF BLACK column [here] which began as an e-mailed group of recommendations by our valued supporter Speelie. It included music from the Québec black metal scene. Just a few days ago Speelie e-mailed additional recommendations that focused entirely on black metal from Québec, and with our encouragement he turned that into the following post.)

The Métal Noir Québécois guys sure like to keep busy. NCS has posted plenty of news and links about the Quebec scene, including some from me previously. But Quebec continues to take a leading place among the flood of 2020 Black Metal releases.

Forteresse were always the standard bearers for the Métal Noir Québécois movement, but I suspect the band is on hold for the moment. The guys are all involved in other projects right now, and these are starting to see the light. There seems to be an unwritten rule that the cooler the old, colonial-era painting that a Quebec band can find, the better the album it is used for. Guitarist Moribond has a new solo project called Serment, with this amazing cover art: Continue reading »