VENOM: “FROM THE VERY DEPTHS”

 Album Reviews  3 Responses »
Feb 042015
 

 

(Wil Cifer reviews the new album by Venom.)

One of those bands whose name alone makes them legends. They often get credited for creating black metal, due to an album called, well… Black Metal. As a kid I took down their poster upon realizing they only used satanic imagery as a gimmick, like Slayer (and finding out Slayer were not satanists was like finding out Santa Claus wasn’t real). So this album puts Venom in the hot seat as it’s time to once again prove themselves.

The last album I paid attention to was Prime Evil which came out in ’89. This had “Demolition Man” on it rather than Cronos. So Venom really came to an end after Resurrection, and this is more of a Cronos solo album than a Venom album. The rest of the band is Danny Needham, who also bangs the skins for Tony Martin, and guitarist Stuart Dixon from Order of the Black Sun. Of course, using the Venom name is smarter than calling this Cronos. No one will buy a Cronos shirt, but you better bet they will be buying Venom shirts. Continue reading »

AN NCS FULL-ALBUM PREMIERE (AND A REVIEW): ARCHGOAT — “THE APOCALYPTIC TRIUMPHATOR”

 Album Reviews, Premieres  4 Responses »
Jan 132015
 

 

(We bring you the premiere of a full-album stream of the new work by the primordial Finnish horde Archgoat, preceded by Will Cifer’s introductory review.)

This album is another argument in favor of the dominance of European black metal. This Finnish band have been spreading the unholy word since the church-burning second wave of black metal in the early nineties. They have left a trail of splits and EPs in their wake, but this is only the band’s third full-length… so it’s kind of a big deal.

Archgoat combine the more classic metal sounds of early black metal with elements of a more grime-coated flavor of death metal than an entity like Mortuary Drape does, even though the two bands circle a similar sonic landscape. Archgoat’s strength is in mid-paced and even crawling tempos, and the mood of the music is often shrouded in a heavy cloak of doom. Continue reading »

A YEAR-END LIST OF THE BEST METAL BY WIL CIFER

 LISTMANIA 2014  2 Responses »
Jan 052015
 

 

(Last month we posted Wil Cifer’s list of 2014’s best black metal albums. Today we post his personal list of the year’s best metal, regardless of genre.)

Here are the top 10 metal albums. None of these are black metal, even though some of these bands might have once leaned that way. Of course, it’s partial to doom, but death metal fared pretty well this year with some old favorites coming back to kick ass.

10- Wormwood – S/T

These sludge merchants were crushing enough to keep the album in rotation.

Continue reading »

WIL CIFER’S TOP 10 BLACK METAL ALBUMS OF 2014

 LISTMANIA 2014  13 Responses »
Dec 242014
 

 

(In this post Wil Cifer presents his list of the year’s best black metal albums.)

At this point half the bands in metal today are trying to be blackened something, so here are the top ten black metal bands, that aren’t death metal bands trying to grim it up or post- rock bands with some anguished screams mixed in… these are all bands that are so pure… so cold. The cream of the crop this year came from not only Norway, but also France, Canada, Sweden, Chicago, and the Deep South. So here we go… Continue reading »

UNSACRED: “FALSE LIGHT”

 Album Reviews  4 Responses »
Dec 012014
 

 

(In this post, guest contributor Will Cifer reviews False Light, the forthcoming debut album by Virginia’s Unsacred.)

This Virginia band explodes from the start with an impressive burst of feral black metal. The vocals are as hateful a rasp as anything you could ask for from the States. The vocals sit up front in the mix rather than the more typical buried placement. There is a constrained chaos to the attack, making the triumphant gallops stand out.

With most heavy releases, the opening song is impressive by virtue of the sheer violence this sort of music invokes, so it’s up to the band from that point on to prove they can not only maintain the quality, but also continue to write actual engaging songs. So when Unsacred followed the opening title track with the more punk-paced “Idle”, I began to adjust my expectations. In this song, they lean heavily on blast beats and tremolo picking, sticking to the more cookie-cutter black metal approach that they defied on the first song. Continue reading »

UNFATHOMED OF ABYSS: “ARISEN UPON OBLIVION”

 Album Reviews  2 Responses »
Nov 262014
 

 

(We welcome Wil Cifer to NCS with this review of the debut album by Unfathomed of Abyss of San Antonio, Texas.)

Like everything else in Texas, Kevin Price thinks big, so he employed Kevin Talley of Dying Fetus / Daath fame to provide the drums. Price forsakes the organic approach taken by the flux of American Black metal bands to weave his own path. This path is filled with discordant geometry and angular atmosphere.

Opening with the 14-minute, piano-inflected “To Unequal the Balance of the Cosmos”, the album has an oddly uncertain beginning. While Kevin Talley is certainly not shabby as a drummer, he is not a black metal drummer and a drummer more versed in the genre would know where to throw in the appropriate blast beats to create the desired sound. Nevertheless, Talley does more than dial it in, adding a few creative accents of his own. Continue reading »

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