Jun 152017

 

(DGR takes over our round-up rodeo for this Thursday, with a mix of news and new music from 8 bands.)

By the time you are reading this, I will likely be hiding like a coward underneath a fan set on incredibly high as this region of California experiences its first legit summer heatwave of one hundred plus temperatures. Considering that I am a soft wuss who has somehow survived many of these prior, you’d think that attempting to lose weight so that I may one day fit in my freezer with the door closed wouldn’t be the go-to gameplan, but alas, here we are.

You may have noticed by our recent slowdown post that a good chunk of the NCS crew plans to spend the weekend cooped up in a handful of venues in Seattle for the Northwest Terror Fest, enjoying a smattering of different groups. So in order to offset that I’ve made a hefty collection of new music and some album artwork that has slowly been cropping up on the web in recent weeks that have floated by us recently, to be caught in the patented super-porous DGR news net. At the very end I’ll even toss in an album that I came across recently for all of you to enjoy.

So let us sunder forth so that I can quickly go back to attempting to stuff myself onto the second shelf of the freezer next to the frozen lasagna boxes.

Aug 222014

(In this post DGR reviews music from three bands, with complete music streams for each one.)

FractallinePolymath Theory

Fractalline are a Los Angeles-based death metal band who have been around for a while now, with two prior releases to their name. However, those came out in 2010, and a lot can happen in four years, as evidenced by this group’s June 2014 release Polymath Theory.

The band currently have the album listed as “name your own price” on Bandcamp. As a whole, it’s a concept disc with a heavy science fiction bent. Part of what makes Polymath Theory interesting is that it pursues the theme without the album art just being a picture of a planet and the words ‘SPAAAAAAAAAAAACE’ underneath it, as so many other bands who’ve tried their hands at this subject matter seem to have done.

In the words of the band themselves:

Polymath Theory is a concept album that is a “commentary on humankind’s evolution from basic beings subject to the whims of their universe, to intergalactic explorers and energistic entities in search of purpose – while touching upon our present state in the final trek – DeEvolution.”

The album is full of infinitely complex mid-tempo grinders that see the band in a markedly different market than the current string of light-speed hyperblasting bands out there. Since the group don’t have the benefits of pyrotechnic speed on their side to help in their appeal, they have instead chosen to build Polymath Theory out of odd shapes and weird, angular structures.

Feb 192010

What do the following people all have in common?

* Gene Hoglan (FEAR FACTORY, DETHKLOK, DEATH, DARK ANGEL) – Drums
* Kevin Talley (DAATH, CHIMAIRA, MISERY INDEX) – Drums
* Larry Tarnowski (ICED EARTH) – Lead Guitar
* Brendon Small (DETHKLOK, “Metalocalypse”) – Lead Guitar
* Andy LaRocque (KING DIAMOND, DEATH) – Lead Guitar
* Michael Angelo Batio (MAB, NITRO) – Lead Guitar
* Roland Grapow (HELLOWEEN, MASTERPLAN) – Lead Guitar
* The Heathen (ZIMMERS HOLE) – Vocals
* Bill Hudson (CELLADOR, POWER QUEST) – Lead Guitar
* Emil Werstler (DAATH) – Lead Guitar
* Rob Caggiano (ANTHRAX) – Lead Guitar
* “Metal” Mike Chlasciak (HALFORD, SEBASTIAN BACH, PAINMUSEUM) – Lead Guitar
* Steve DiGiorgio (SADUS, DEATH, TESTAMENT, ICED EARTH) – Bass
* Alexei Rodriguez (PRONG, 3 INCHES OF BLOOD, WALLS OF JERICHO) – Drums
* Eyal Levi (DAATH) – Lead Guitar
* Sean Reinert (CYNIC, AEON SPOKE, DEATH) – Drums

The answer is:  All these people will be making guest appearances on the forthcoming debut album by a relatively unknown, unsigned, two-man band from Chicago called Asylum.  Even Slash couldn’t line up talent like this for his upcoming solo album (not that we give a crap what Slash does, just sayin’). How in the world did this come about?  Read on after the jump . . .

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