Jan 122017

 

(Norway-based Karina Noctum returns with this interview of Jørn André Størdal, composer/guitarist of the Norwegian metal band Fleshmeadow, whose debut album Umbra we premiered and reviewed here just last month.)

Fleshmeadow are a pretty interesting band. They have a relentless, tight tempo that reminds me of Keep of Kalessin. They have the Norwegian sound roots firmly in place, but have dared to blend in sounds from other modern metal styles, including drumming patterns that range from straightforward powerful BM to a more blues/postmetal subtle elegance. When it comes to the guitars you’ll find BM-oriented harmonics and pretty techy scales that at times blend to conform again to a BM pattern.

So it is varied and textured. It is a refreshening musical experience, if you take into account the amount of black’n’roll that is coming out of Norway now. Layered over a  powerful drumming discharge is a subtle atmospheric layer skillfully created with the guitars. So it is both a beautiful and intense musical experience. This is a good solid release that deserves all your support.

Dec 292016

fleshmeadow-umbra-album-cover

 

(TheMadIsraeli reviews the debut album by Norway’s Fleshmeadow and brings us a premiere of a full album stream.)

Ok. This is my REAL last 2016 review. I promise. And it comes with a stream premiere.

Fleshmeadow are in the vein of progressive AND technical black metal that I’ve fallen in love with. When I think of black metal I enjoy, I think of bands like Khonsu, Keep of Kalessin, Dark Fortress, Old Man’s Child. These bands are always doing interesting things, writing superbly crafted riff-storms of frigid ice comprised of foreign alien matter and scathing nihilism toward existence itself — and so is Fleshmeadow.

Fleshmeadow’s  Umbra came out on December 16th, so it’s another one of those releases that has come too late in the month to get its proper year-end recognition. That’s really sad, because if you like more deliberate, progressive, and machine-cold black metal, this might be the best black metal album released in 2016 that wasn’t Khonsu’s The Xun Protectorate.

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