Oct 282016

krypts-remnants-of-expansion

 

(We welcome new NCS contributor Lewis Edwards, who wrote this review of the new album by the Finnish band Krypts, which is being released today by Dark Descent Records.)

Any death metal fan worth his salt needs no introduction to Krypts or why Remnants of Expansion has been one of the most anticipated death metal albums of the year, but for those of you less enlightened, Krypts are a four-piece old school death metal revivalist band, of sorts. Their 2013 debut full-length Unending Degradation saw a preference for slow/mid-tempo dirges in the vein of Rippikoulu, accompanied by the off-kilter riffing styles of Demilich and Adramelech, and it cemented Krypts’ place as one of the most exciting bands in modern death metal.

Remnants of Expansion pulls no punches from the very start; the reverb-laden sustained notes at the beginning of album opener “Arrow of Entropy” really set the tone for the rest of the record, and the sense of atmosphere is clearly felt as the song progresses from one sprawling doom-influenced riff to the next over the course of ten minutes. Simply put, it’s an absolutely monstrous way to open the album, and one which perhaps sees Krypts making a signal of intent.

Sep 102016

krypts-remnants-of-expansion

 

On Thursday I mentioned that I was on the verge of leaving Seattle for a trip related to my day job. I’m still on that trip, which has taken me to a mountainous region of Utah for a “retreat” hosted by the company I work for. This happens every year, and it’s always fun. This year may be even more fun than usual, because so far I haven’t subjected myself to alcohol poisoning.

Yesterday and this morning I had time to pull together some new music and one news item. Despite the title of this post, most of the following six bands either straddle the line between black metal and death metal or might be considered all the way over on the black-metal side of the line. But the title wasn’t intended as a straight genre descriptor. There are other reasons for the title, which you’ll discover soon.

KRYPTS

I’ve been anxiously awaiting the new album by the Finnish band Krypts, because their 2013 debut full-length, Unending Degradation, was damned good. The name of the new album is Remnants of Expansion, it’s embellished with artwork by Timo Ketola, and it’s coming out on October 28 via Dark Descent.

Jan 302013

Here are a few new songs and videos I heard and saw yesterday and this morning that I thought were worth spreading around

NADER SADEK

Nader Sadek is an Egyptian set designer, visual effects director, and composer. His well-received 2011 debut album In the Flesh featured a host of name-brand guest musicians performing Sadek’s compositions. It made several of our “best of 2011” year-end lists, including one from guest contributor Tamás Kátai, the man behind the brilliant band Thy Catafalque, who wrote about it as follows: “This is exactly like Morbid Angel and Chimera-era Mayhem mixed together. Odd, exciting, dark death metal exploiting the contributing musicians’ ability, charisma, and character to the maximum.”

On February 27, Sadek plans to self-release a live CD/DVD called In the Flesh. It’s a video of the first performance of In the Flesh on November 20, 2011, and includes the album’s original line-up — drummer Flo Mournier (Cryptopsy), guitarist Rune Eriksen (Aura Noir, ex-Mayhem), bassist Novy Nowak (ex-Behemoth, ex-Vader), and vocalist Steve Tucker (ex-Morbid Angel) — plus guest guitarist Sean Frey and operatic backing vocalist Carmen Simoes (Ava Inferi).

Today, GunShyAssassin premiered a song from the live CD, “Petropilia”. It’s completely obliterating and remorseless, a cacophony of blackened death rising up from oil-soaked vaults deep beneath the earth and catching fire in a great conflagration. All the performances sound fantastic, but I have to give an extra round of applause to Flo Mournier’s off-the-charts drumming. And I can’t wait to see the video of this show.

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