Oct 312017

 

(We present Andy Synn’s review of the new EP by Pennsylvania-based Zao, which will be released this coming Friday and is streaming in full as of today.)

Zao’s fantastic comeback album, The Well-Intentioned Virus, was easily one of the best and brightest releases of last year, even if its December release date kept it from appearing on most end of year lists.

Regardless of this, the band are clearly keen on capitalising on the momentum of their return, and are already working on their next full-length… while also set to drop a brand new EP, the five-track Pyrrhic Victory this Friday.

Well, you know what they say about striking while the iron is hot, right?

Jul 212017

 

(In the fifth and final part of a week-long series of interviews by Andy Synn, he talks with Scott Mellinger of the Pittsburgh band Zao, whose late-2016 album The Well-Intentioned Virus was reviewed by Andy here.)

Last, but by no means least, in my retrospective on some of 2016’s unsung heroes we have a band who are probably the most well-known out of all five, though still nowhere near enough in my estimation!

After a seven year break Zao returned in 2016 with The Well-Intentioned Virus, their tenth/eleventh full-length album (depending on whether or not you count the 2003 re-recording of All Else Failed), which proved to be one of the finest slabs of music the band had ever produced.

Now, a little over half a year later, I wanted to catch up with the band and welcome them back to the land of the living, as well as grill them on their time away, and what it took to produce an album which may well go down as their magnum opus.

Jan 052017

 

(Andy Synn reviews the latest album by the band Zao.)

Remember when the word “Metalcore” actually meant something? Those halcyon days when it referred to bands mixing the breakneck emotional intensity of Hardcore with the prodigious sonic power of Metal, rather than being a watchword for formulaic, anodyne angst-merchants desperate for their fifteen minutes of dubious fame?

NoCleanSinging remembers.

And so, it seems, do Zao, who returned at the tail-end of 2016 with what could very well be the best thing they’ve ever released.

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