Jun 132010

Lift yourselves from your Sunday morning slumbers and feast your carnivorous ears on the wonders of Keep of Kalessin. We could run off at the mouth with genre labels and call this Norwegian band’s just-released fifth album blackened, paganized, anthemic, proggy, power melodic death metal. Or, we could keep it simple and just call Reptilian dragon metal. You know, simple things for simple people.

Thematically, Keep of Kalessin has always included elements of fantasy and folklore in their music. “Kalessin” itself is the name of the arch-dragon in the wonderful Earthsea trilogy written by Ursula K. Le Guin between 1968 and 1972. But in Reptilian, Keep of Kalessin  have given themselves over entirely to the worship of “claw and fang,” in homage to the imagined reawakening of the “reptilian king of kings.” And musically, the creative fires in the lair of these dragonlords have never burned hotter.

We were first drawn to this album back in April by the announcement of its amazing cover art by Brazilian graphic designer Marcelo Vasco, and we included it in the first installment of our “Eye-Catchers” series. At that point, we had one track from the forthcoming album (“The Awakening”) available to us on the band’s MySpace page, and were bowled over by it. Now, we’ve heard the entire album, and it’s filled to overflowing with draconic treasure.  (more after the jump, including a track for you to hear . . .)

As our first paragraph suggested, there’s considerable stylistic variation in Reptilian. For example “Dragon Iconography”, “The Awakening”, and “The Divine Land” are galloping rampages of melodic death metal, enlivened by rapid-fire technical riffing and tremolo-picked chords, powerfully infectious musical themes, and vocals that veer from gravelly growls to passionate shrieking to the black-mass chanting of a dragonchoir, and even some clean singing that soars like dragons in flight.

By contrast, “Dark As Moonless Night” is a down-tempo, murderously majestic anthem with ominously ringing guitars, a mix of growls and those soaring clean vocals, and lyrics that command, “Bow down in awe/And salute the dragon’s claw/Thunder from above/Fire from below.”

And then there’s the 14-minute closing track, “Reptilian Majesty”. It’s cinematic in its feel and scope, the soundtrack to a dawning new age in which “the spear of darkness has overthrown the light” and the reptilian order once again roams the land. Interspersed within this massive ode are waves of tremolo-picked fury and dense blast-beats, epic keyboard orchestration, clear guitar solos that would be at home in a hard-rock song, and lengthy prog-metal instrumental passages driven by infectious guitar arpeggios.

We don’t love all the songs on this album equally. There is a reason why Keep of Kalessin rode “The Dragontower” to a third place finish in the Norwegian national finals of the Eurovision 2010 contest (in competition with a bunch of pop artists): It has the most mass appeal potential of all the album’s songs — which is probably why it’s our least favorite. And on this song, the music itself isn’t quite epic enough to prevent lyrics such as the repeated refrain, “Grant me the power of the dragontower”, from sounding cheesy.

But our disappointments on this album are few and far between. It is indeed filled with gems, and for the most part the music fully realizes the lyrical imagery. As we listen, it is oh so easy for us to see the black-scaled, ancient reptile crawl from its mountain fastness, stretch its giant bat-wings as it briefly surveys the waiting world below, and then launch itself into the night sky trailing fire and smoke behind, soaring and diving in predatory magnificence as the lesser creatures of the earth scatter in breakneck mayhem or cower in fear at the new reptilian order that is dawning.

Or we could just keep it simple and say that this album is a fucking headbanger’s delight.  Here’s one of those melodeath marauders from Reptilian that we’ve been playing over and over again. Let us know what you think.

Keep of Kalessin: Dragon Iconography

P.S. In an earlier post (which includes tour dates and places), we frothed at the mouth over the announcement of a U.S. tour featuring not only Keep of Kalessin but also Nile, Ex Deo, Psycroptic, and Pathology. Barring death or dismemberment, we’ll be there when it hits Seattle. With that awesome, stylistically varied line-up, it promises to be one of the best tours of the fall season.

  8 Responses to “KEEP OF KALESSIN”

  1. YES! Great album. Great band live too. I quite like “The Dragontower” as well. Still, what the album most recalls (in my mind) is the most recent work of Old Man’s Child, in that it’s definitely “blackened” but equally as thrashy and melodic. Obsidian Claw (lol) is a riff-maestro, some great technicality and border-line thrashy riffs all over the place. Plus Vyl, the drummer, is an absolute monster. Thebon’s voice, which seemed a bit thin (as did much of the production) on Kolossus (still a great album) has really matured, he has a great, evocative blackened-rasp, a nice deep low growl and a surpsisingly effective singing voice (the influence of Attila is self-evident on his performance).

    Keep Of Kalessin have always been more interested in bringing a vast, epic sound to their music, and I don’t think should be villified for this aim. The power-metal-esque “Dark As Moonless Night” works surprisingly well, and “The Divine Land” may well be one of the best song they’ve ever written, riding a mighty tremolo-based chorus hook into the darkest night (it reminds me why we ALL like a bit of Dethklok, it’s so over the top it makes you want to lay waste to the land).

    I second the term “Dragon Metal” btw, as although there are definitely some satanic references still present lyrically, they are bound up in the overall “reptilian” metaphors which make up the majority of the lyrics.

    • Andy, thanks for the thoughtful comment. I think this will push me over the edge to check out Old Man’s Child. They’ve been recommended to me before, and I’ve just never gotten around to listening. Agree completely with what you say about Obsidian C, Vyl, and Thebon, and about “Dark As Moonless Night” and “The Divine Land.” I’m pretty head-over-heels about this whole album. These dudes have definitely hit their stride with this one.

      • Old Man’s Child have two wonderful advantages…

        1 – they get all of Galder’s awesome rifs that wouldn’t fit on Dimmu albums.

        2 – they get some of the world’s best drummers. Tjodalv, Nick Barker, Gene Hoglan, Peter Wildoer…

        I’d definitely go for the latest “Slaves Of The World” ft Peter Wildoer, “In Defiance Of Existence” ft Nick Barker, and then “Ill-Natured Spiritual Invasion” ft Gene Hoglan.

        Great band. Not kvlt, but !m!

      • I second the recommendation to check out Old Man’s Child – although I need to practice what I preach here and get around to doing so myself. I’ve really liked what I heard from them in the past and they’ve been on the list for years.

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