Almost five years have passed since Entombed released their last album, Serpent Saints – The Ten Amendments. Two days ago, the band finally released a new recording in Sweden, and it’s available for download as of today in the U.S. And what have the band given us after five years of creative hibernation? A re-recording of a song from Serpent Saints called “Amok”.
This “new” single is the result of a collaboration between Entombed and Ninetone Records, a Swedish rock/metal label that has released albums by Soreption, Corroded, and a bunch of other bands whose names I don’t recognize. I don’t know know whether Entombed and Ninetone have plans for something more than the “Amok” single — such as a new album or EP. I guess we’ll find out in due course.
The artwork for the new single is sort of a re-issue as well. It’s a stylized painting of a moth called “Instar” that was created by the super-talented Dan Seagrave (and still seems to be available here as a limited edition print if you’ve got $95 you don’t know what else to do with). As used for the sleeve of this single, it bears a resemblance to the cover of a 1995 album — also called Amok — by the now-defunct but highly influential Finnish band Sentenced. (who were the lead subject of an NCS feature during our Finland Tribute Week series in late 2010). Based on a post by Entombed on their Facebook page, this appears to be coincidental — but man, what a coincidence.
As mentioned, the new single is a re-recording. I haven’t yet found any explanation of why Entombed picked “Amok”, among all the previous songs they could have chosen, for a new recording. it’s a puzzle, especially since the band’s membership hasn’t really changed significantly since they recorded “Amok” for Serpent Saints (bassist Victor Brandt has joined the ranks since then, with former bassist Nico Elgstrand moving to guitars).
Whatever the reason, it’s definitely a different take on the song.
The band have shaved almost a minute and a half off the track’s length, compressing both the intro and the outro — and the intro now features the synthesized sound of plucked strings. The production also sounds more modern, more massive, heavier. The guitars have less of a raw, garage-band tone, though they’re still distorted. And there are synthesizers in the mix.
Overall, there’s a slight industrial-metal feel to the music this time, to go along with the Pantera-like strut and swagger and the few remaining elements of death ‘n’ roll.
The song’s strongest feature, besides a catchy-as-fuck riff, remains L.G. Petrov’s vocals. His nasty, throaty bellowing sounds awesome (even though the lyrics are as juvenile as ever), and this time there’s more multi-tracking and layering of the vocals.
I confess that I’m incapable of being truly objective about Entombed’s music. I’m just too damned influenced by the fact that this is the band (in a former incarnation, of course) that created Left Hand Path and Clandestine — seminal albums in the development and spread of the Swedish take on death metal that have stood the test of time. This is the band that made Wolverine Blues and launched “death ‘n’ roll”. And even though nothing they’ve done since then recaptures those glories (and recapturing them has never been on Entombed’s agenda, as far as I can tell), I remain a stupid fanboy when it comes to basically anything they do.
So, with that long-winded preamble and caveat, I will say that I really like this re-recording of “Amok”.
Below, you can hear both the re-recording and the original version of the song as it appeared on Serpent Saints. The single is available now on iTunes and Amazon mp3.
“Amok” (Serpent Saints – The Ten Amendments)[audio:https://www.nocleansinging.com/wp-content/uploads/2012/05/03-Amok.mp3|titles=Entombed – Amok (Serpent Saints)]
“Amok” (2012 Single)[audio:https://www.nocleansinging.com/wp-content/uploads/2012/05/01-Amok.mp3|titles=Entombed – Amok (2012)]
Having not listened to anything past Wolverine Blues, this was certainly an interesting experience. It doesn’t really sound like Entombed to me, though.
Certainly not like the Entombed that made Left Hand Path or Wolverine Blues, that’s for sure. But they haven’t sounded like that in a very long time.
I dont know what youre talking about…everyone knows Entombed broke up after Clandestine 🙂
I’m really not all that familiar with Entombed, so I think this is probably the first time I’ve heard the original as well.
But I like both versions. Three thumbs up!
Have you been carrying someone else’s thumb around again?
Not quite….care for another guess?
Ah ha! The old trouser thumb is up to his old tricks again.
What in the hell do you keep in your trousers????
No, no, no, no! I made it out of poop and had it bronzed for a pretty good deal. At night it
comes alive and we go on adventures in Narnia, fighting mice and witches. It’s my handy,
trusty, stinky Poop Thumb!
I can hear Mae West’s voice now: Is that a bronzed poop thumb in your trousers, or are you just happy to see me?
Morningstar is the best Entombed album.
Consider that ‘challenge accepted’, internet.
Sticking with the original, modernized production ruins it sounds way to sterile and not enough CRUNCH.
I continue to listen to both tracks, and I’m getting more amazed at how they (and their producer) have turned the same song into two different songs, both of which I like. I’m pretty well decided that I like the original better when I’ve had a lot to drink, and otherwise I lean slightly to the new one. Of course, as I write this, I’ve had a lot to drink.