Jul 222012

Back in June I saw the news that Screaming Records was going to release a limited 7″ vinyl single by Sweden’s legendary Entombed. I’ve been waiting hungrily since then for the music to hit the web, and yesterday some of it did.

This new single is called When In Sodom Revisited and it includes three songs: a remixed and remastered version of the original “When In Sodom” track, which originally appeared on the band’s 2006 EP by the same name; an alternate version of the song composed, performed, and recorded by a Danish artist and sound designer named Klaus “Q” Hedegaard Nielsen (Beta Satan, The Malpractice), and a new studio recording by Entombed of the King Diamond song “Welcome Home”.

This single is the second Entombed release for 2012, the first being a digital release of a variant version of the song “Amok”, which we previously featured here. The recording of “Welcome Home”, however, is the first release by the current Entombed lineup — with Victor Brandt (TOTALT JÄVLA MÖRKERAEONSATYRICON) and second guitarist Nico Elgstrand (who previously played bass for the group) joining L-G Petrov, Alex Hellid, and Olle Dahlstedt.

For those of you who remember the post we ran on the 20th anniversary of King Diamond’s Abigail album (here), it will come as no surprise to learn that I prefer this Entombed cover to the original — mainly because I’ll take L-G’s vocals over King’s. The cover is a cool song.


When In Sodom Revisited debuted as a “one-off” pressing of 475 hand-numbered copies on heavyweight silver colored vinyl, and that sold out in five day. However, I saw that Screaming Records has decided to do a second pressing for release on August 20, also in 475 hand-numbered copies. For this one, both the vinyl and the cover will be in gold rather than silver. Pre-orders will begin on August 1 at this location.

And yes, I’m also going to give you the King Diamond original of “Welcome Home”, in this official video.


  1. I must say I am a bit surprised at how well Entombed’s version sounds. Petrov sounds as one might expect him to, but somehow he manages to evoke a bit of King Diamond, albeit at a much lower register. Granted, there are backing vocals to help and he even sounds a lot like Chuck Billy at the same time (really, this could be mistaken for Testament). All around, Entombed did the song justice by sticking to what they’re able to do; not many bands have someone who can emulate King and it’s a mistake to try if you can’t nail it.

  2. Rubbish. Gave it 50 seconds. Anyone who likes this over the original should voluntarily hand over their metal card

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