Mar 022014
 

Masha Scream, photo by Greg Shanta

Russia’s Arkona have completed a new album named Yav. It will be released on April 25. I’m very interested in hearing it, not only because I’ve enjoyed previous recordings but also because I’ve enjoyed the hell out of the two live Arkona performances I’ve seen so far in Seattle. The frontwoman Masha Scream is a force of nature on stage, in addition to the fact that  she has a great dual voice (both harsh and clean).

I’ve read that for the new album she wrote almost all of the music and almost all of the lyrics, which was the first time it dawned on me that her role in Arkona goes well beyond that of vocalist and magnetic stage presence. But this post actually isn’t about her, or anyone else in the band. It’s about Gyula Havancsák, the Hungarian artist who created the artwork for Yav.

In addition to creating the album cover, which you will see in a minute, he also created pieces for each of the album’s 9 songs. Beginning last week, Arkona began posting the song illustrations on their Facebook page, along with poetic translations of the Russian lyrics into English. So far, five of the illustrations have appeared, and they’re very cool. You can see them next, along with the album cover. To hear a teaser of the new music, go to this location. Continue reading »

Mar 022014
 

I’m still catching up on news, new music, and video premieres that I didn’t have time to write about late last week while I was on the road for my day job. In addition to what I pulled together yesterday, I’ve got the following four items to recommend.

KHONSU

Khonsu is the Norwegian band started by multi-instrumentalist S. Grønbech. We wrote about Khonsu frequently in 2012 during the run-up to release of their debut album Anomalia (which was reviewed here by Andy Synn). On Anomalia, Grønbech was joined by his brother Arnt (aka Obsidian Claw, guitarist/keyboardist for Keep of Kalessin) as well as Keep of Kalessin’s vocalist Thebon. I hadn’t heard much about Khonsu since then, but last weekend brought a flood of news — and yesterday brought a new song and video.

The news is that Khonsu will release a new full-length album this fall, and a new EP entitled Traveller will be released for download on March 22. Beginning yesterday, and on each Saturday through that release date, Khonsu will add new songs from the EP for streaming on YouTube. There are five in total, including new versions of two KoK songs originally released in 2003 (“Traveller” and “Ix”), a cover of “Army of Me” by Bjørk, and a purely electronic version of “The Malady” from Anomalia. But the first song released yesterday through a music video is a new one that will appear on the forthcoming album: “Visions of Nehaya”. Continue reading »

Mar 012014
 

In my last stream-of-consciousness post I explained that I spent the last three days on the road working. I was able to spend some time conducting my usual surveillance of the interhole in an effort to find new music, but  didn’t have enough time to do much actual listening or writing. Instead, I added to my ever-growing list of things to check out later. I made a small dent in that list this morning and came up with some discoveries I thought were worth passing on.

ESKHATON

Eskhaton are based in Melbourne, Australia. They released a debut album named Nihilgoety in 2012, which I haven’t heard (it’s available on Bandcamp). Their second album is entitled Worship Death, it features killer cover art by Cesar  Valladares, and it’s due for release by the dependable Chaos Records on April 21. Last week a song from the new album began streaming on Eskhaton’s Bandcamp page, and I’ve got it for you here.

“Skeleton Shrine” is a goddamn vicious rampage of bestial blackened death metal. Subtlety and nuance are not the hallmarks of this style of metal — you go to it for the electric jolt it puts through your brain stem and the malevolent destructive force of its atmospherics. “Skeleton Shrine” delivers all that, and the flamethrower burst of the guitar soloing plus the complex tumbling of the drumwork put the icing on this poisonous cake. Continue reading »

Mar 012014
 

“There are two kinds of people in the world…”  That’s the preface to a thousand sentences that end in contrasts usually stated in black and white terms.  Good and bad, happy and sad, fatalistic and optimistic, generous and greedy, self-centered and self-sacrificing, and on and on. But of course most people are not at either end of whatever spectrum you can think of; they’re somewhere along the continuum, and the world is rarely black and white. Except when it comes to music. When it comes to music, there really are two kinds of people in the world. More about that in a minute.

***

I haven’t been able to blog much lately. I spent the last three days in Los Angeles working the job that pays the bills for our humble site. Over time, I’ve spent an accumulation of days in LA that amounts to years. It’s a maddening, frustrating, upside-down place with fucked up priorities, a place where ambitions and honesty go to die. It’s also a beautiful, vibrant, immensely creative place where hopes flourish and dreams become reality. It truly is a city of angels, even if many of them are fallen. All things considered, I usually love being there, even if I love being home more.

Off and on, it rained like a motherfucker while I was there. That played hell with the traffic, which is godawful even on dry days. But during the hours between the storms, the weather was glorious, and the elevated views to the west from the place where I was working were crystal clear, all the way to the swath of blue that marked the edge of the great Pacific.

When I travel for my fucking day job, I tend to have no time to myself, day or night, which sucks, because I feel cut off from the world of metal. I wasn’t able to listen to music for more than fleeting moments before collapsing into bed late at night. Yesterday morning, I had to wake up at 3:30 am for work, and the only reward was that by 8 am I was on a rocky flight back to Seattle. When I woke up, there was a riff running through my head. Continue reading »